Frank Mitchell B (141 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. s4 5¼"x7½"; 356 pages; A volume in the Teach Yourself Geography series; The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. Dustjacket has some edgewear and chipping to spine ends, several small tears along jacket edges, with clear polyester book jacket cover. A used copy with normal reading wear. If you order more than one book, I will combine the books in order to reduce postage costs. If you have any questions, contact me before ordering for details.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

DVD. Condition: Used - Good.

Soft cover. Painted Front Cover: Walter Baumhofer; Interior Artists: Walter M. Baumhofer; (illustrator). CAVALIER Men Adventure Magazine Volume 4, #42 (December /1956; Fawcett Publications;) Painted Front Cover: Walter Baumhofer; 104 pages including covers; Writers: Russ Braley; Robert E. Pinkerton; John Stuart Martin; M. Durrance; Frank Harvey; A. B. C. Whipple; Robert Halmi; Leland Mitchell; L. L. Stanley and Lee Edson; Jack Lavelle and Bob Crichton; Del Hayden; Interior Artists: Walter M. Baumhofer; Spies who came to Steal the HELL BOMB (WWII Nazi's) by Russ Braley; I AM COCHISE (Apache Indian Chief) by Robert E. Pinkerton; The Almost Perfect Mutiny by A. B. C. Whipple; *** Book Order # ADV276-2; Condition=(Average Used Condition) , missing pages 35 - 42, Maurice VanDoren story is missing, 1" x 1/8" piece missing from uppper left corner of backcover. Size: 4to - over 9¾" - 12" tall TRUE FIRST Edition MAGAZINE Format Thus. Book.

dvd. Condition: Used - Good.

Hardcover w/DJ. Condition: Very Good/Very Good. B&W Photographs; Color Plates (illustrator). New York, NY: Alfred A. Knopf. Very Good/Very Good. 1977. Hardcover w/DJ. 4to., 221pp., Dust jacket light shelf wear, shelf wear on top of spine and corners/wraps; cover very good; pages clean and unmarked. .

Paperback. Condition: new. Paperback. This book tells the story of the unifying of two major institutions during a turning point in American public art education. Traditionally separated in the hierarchy of 'highbrow' and 'middlebrow' culture, the Metropolitan Museum of Art and the Book-of-the-Month Club joined forces between 1948 and 1962 to bring art from the Mets collections right into the homes of subscribers. This democratic approach transformed the way art was consumed and gave the public newfound agency as collectors and museum visitors.Using never before published archival material, the book demonstrates how the Met sought to bring art to the masses in postwar America, whilst upholding its reputation as an institution of high culture. By describing this egalitarian programme in depth, the book offers new insights into the history of museum outreach and provides fascinating examples of successful audience engagement for contemporary practitioners. The Met and the Masses in Postwar America places these commercial enterprises in a variety of contemporary and historical contexts, including the relation of cultural education to democracy in America, the history of the Met as an educational institution, the rise of art education in postwar America, and the concurrent transformation of the home into a space that mediated familial privacy and the public sphere. It is essential reading for scholars, researchers and curators interested in the history of modern art, museum and curatorial studies, arts and cultural management, heritage studies, as well as the history of art publications. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. This book tells the story of the unifying of two major institutions during a turning point in American public art education. Traditionally separated in the hierarchy of 'highbrow' and 'middlebrow' culture, the Metropolitan Museum of Art and the Book-of-the-Month Club joined forces between 1948 and 1962 to bring art from the Met's collections right into the homes of subscribers. This democratic approach transformed the way art was consumed and gave the public newfound agency as collectors and museum visitors.Using never before published archival material, the book demonstrates how the Met sought to bring art to the masses in postwar America, whilst upholding its reputation as an institution of high culture. By describing this egalitarian programme in depth, the book offers new insights into the history of museum outreach and provides fascinating examples of successful audience engagement for contemporary practitioners. The Met and the Masses in Postwar America places these commercial enterprises in a variety of contemporary and historical contexts, including the relation of cultural education to democracy in America, the history of the Met as an educational institution, the rise of art education in postwar America, and the concurrent transformation of the home into a space that mediated familial privacy and the public sphere. It is essential reading for scholars, researchers and curators interested in the history of modern art, museum and curatorial studies, arts and cultural management, heritage studies, as well as the history of art publications.

Condition: new.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In.

No Binding. Condition: VG+. 1st Edition. Col-21-184. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Fine. No Jacket. 154 pages ; 21 cm ; ISBN 9780853427629, 9781856352178, 0853427623, 185635217X OCLC 16227999 ; pictorial stiff paper wrappers ; Spans the whole of Irish history from the megalithic era to the late 20th century. Contributors cover topics including the building of the three great tombs of the Boyne Valley, the death of the Irish language, and the partition in 1920 ; "A companion series to the Thomas Davis lectures." ; This book spans the whole range of Irish history from the megalithic era to the late 20th century. Contributors include the leading experts in their fields. Chapters include: The Building of the Boyne Tombs by Frank Mitchell; The Coming of Christianity by Liam de Paor; Brian Boru and the Battle of Clontarf by Donnchadh O Carrain; The Norman Invasion by Michael Richter; The Flight of the Earls by Margaret Mac Curtain; The Plantations of Ulster by Aidan Clarke; The Act of Union by James McGuire; The Death of the Irish Language by Richard B. Walsh; Catholic Emancipation by Kevin B. Nolan; The Land War by Joseph Lee; The Founding of the Gaelic League by Donal McCartney; Partition by Ronan Fanning; and The European Economic Community by John A. Murphy. Succinct and readable, this book is an essential guide to the understanding of key epochs and events in Irish history. ; FINE. Book.

No Binding. Condition: VG+. 1st Edition. Col-21-P16. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: VG+. 1st Edition. Col-21-C26. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

Paperback. Condition: Brand New. 272 pages. 9.21x6.14x1.00 inches. In Stock.

Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condition: New. In.

No Binding. Condition: VG+. 1st Edition. Col-21-173. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: VG+. 1st Edition. Col-21-P23. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

No Binding. Condition: VG+. 1st Edition. Col-#2. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. The dust jacket has been wrapped in a clear plastic protective cover, and has a little wear, with tanning and a few small scuffs. The page edges are evenly tanned. 236 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Hardcover. Condition: New. New oversized case wrapped hardcover. 4to. (10 x 1.6 x 11.6 inches) Clean text free of marks or underlining. B&W prints and illustrations throughout the book. Includes references to works and an index of names. 424 pp. Fast shipping in a secure book box mailer with tracking. From the 1770s through the 1840s, German, Austrian, and Swiss artists used the medium of printmaking to create works that synthesized poetry, literature, music, and the visual arts in new and captivating ways. Finding an eager audience in the growing number of educated middle-class collectors, printmakers experimented with modern technologies, such as lithography, and drew on the contemporary interest in regional folklore and traditional fairy tales to produce innovative compositions that both contributed to and reflected the dramatic cultural and political upheavals of the Romantic era. Featuring the work of more than 120 artists, including Casper David Friedrich, Ludwig Emil Grimm, Joseph Anton Koch, Philipp Otto Runge, and Johann Gottfried Schadow, this authoritative book contains many unique and never-before-published examples of prints from the Philadelphia Museum of Art's unrivaled collection. Published in association with the Philadelphia Museum of Art.