Frank Eugene Dixon (17 results)

Paperback. Condition: New.

Condition: New. In.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condition: Neu. Neuware.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: New.

Condition: New. Print on Demand pp. 42.

Condition: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.

Condition: New. Print on Demand pp. 42.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1906 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 42 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

Condition: New. PRINT ON DEMAND pp. 42.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 156. A perfect gift for your loved ones. Reprinted from 1952 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 156.

First limited British edition of this collection of critical essays and two letters on James Joyce's book Finnegans Wake. Small octavo, original publisher's cloth. Boldly signed by Samuel Beckett and Marcel Brion on the half-title page, and additionally signed by Beckett above the title of his essay. Samuel Beckett and Marcel Brion both personally knew James Joyce and were early defenders of his experimental work 'Finnegans Wake.' Beckett, a close associate of Joyce in Paris, assisted him with research and contributed an essay to 'Our Exagmination.' Marcel Brion, though more distant, also knew Joyce and played a key role in promoting Finnegans Wake to a French audience, offering interpretive insights that helped frame its reception within European modernism. He also contributed an essay to 'Our Exagmination.' One of 96 numbered copies, this example is unnumbered. Near fine in a near fine dust jacket. Letters of Protest by G.V.L. Slingsby and Vladimir Dixon. From the collection of Robert Duncan. Rare. Our Exagmination Round His Factification for Incamination of Work in Progress (1929) is a landmark critical volume that offers some of the earliest responses to James Joyceâs Finnegans Wake, then still unpublished and known only as Work in Progress. Comprising essays by a range of writersâ"including Samuel Beckett, William Carlos Williams, and Stuart Gilbertâ"the collection attempts to grapple with the experimental form, linguistic density, and philosophical ambition of Joyceâs evolving text. While some essays offer praise and others express bafflement, the volume as a whole reflects the modernist fascination with Joyceâs radical departure from conventional narrative.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1906 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 44 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 44.

21 x 27 cm s/w Zeitschriftausschnitt und der Artikel "Count Basie and his orchestra". Mittelfalz Count Basie, geboren als William Allen Basie (* 21. August 1904 in Red Bank, New Jersey; 26. April 1984 in Hollywood, Florida) war ein US-amerikanischer Jazz-Pianist, Organist, Komponist und einer der bedeutendsten Bandleader des Swing. Marshall Royal (gelegentlich auch Marshal Royal) (* 12. Mai 1912 in Sapulpa (Oklahoma); 9. Mai 1995 in Los Angeles (Kalifornien)) war ein US-amerikanischer Jazz-Altsaxophonist, Klarinettist des Swing. Frank Wess (* 4. Januar 1922 in Kansas City; 30. Oktober 2013) war ein US-amerikanischer Jazz-Saxophonist (Tenor und Alt) und Flötist afroamerikanischer Herkunft, der einem breiten Publikum besonders aus seiner Zeit bei Count Basie bekannt war. 2007 erhielt er die NEA Jazz Masters Fellowship als inspirierter Solist und einer der einflussreichsten Jazzflötisten. Frank Foster (* 23. September 1928 in Cincinnati, Ohio; 26. Juli 2011 in Chesapeake, Virginia) war ein US-amerikanischer Jazzmusiker (Tenor- und Sopran-Saxophon, Arrangement und Komposition), der besonders aus seiner Zeit bei Count Basie bekannt ist. Eric "Big Daddy" Dixon (* 28. März 1930 in Staten Island (New York); 19. Oktober 1989 in New York City) war ein US-amerikanischer Jazzmusiker. Charlie Fowlkes (* 16. Februar 1916 in New York; 9. Februar 1980 in Dallas, Texas) war ein US-amerikanischer Jazzmusiker. Eugene "Snooky" Young (* 3. Februar 1919 in Dayton, Ohio; 11. Mai 2011 in Newport Beach, Kalifornien) war ein US-amerikanischer Jazz-Trompeter und Flügelhornist, auch Saxophonist und Sänger. George T. "Sonny" Cohn (* 14. März 1925 in Chicago, Illinois; 7. November 2006 ebenda) war ein US-amerikanischer Jazztrompeter, der von 1960 bis 1990 im Count Basie Orchestra spielte. Thaddeus Joseph Jones (* 28. März 1923 in Pontiac, Michigan; 20. August 1986 in Kopenhagen, Dänemark) war ein US-amerikanischer Jazztrompeter, Kornettist, Flügelhornist, Arrangeur und Komponist und Big-Band-Leiter. Henry Coker (* 24. Dezember 1914 in Dallas; 23. November 1979 in Los Angeles) war ein US-amerikanischer Jazzposaunist des Swing und Modern Jazz. Benjamin Gordon "Benny" Powell (* 1. März 1930 in New Orleans, Louisiana; 26. Juni 2010) war ein US-amerikanischer Jazz-Posaunist. Quentin Leonard "Butter" Jackson (* 13. Januar 1909 in Springfield/Ohio; 2. Oktober 1976 in New York City) war ein US-amerikanischer Jazz-Posaunist. Freddie Green (geboren als Frederic William Green; * 31. März 1911 in Charleston, South Carolina, USA; 1. März 1987 in Las Vegas) war ein US-amerikanischer Jazzgitarrist. Sein Merkmal war besonders die verfeinerte Rhythmusarbeit an der Gitarre in Big Bands, insbesondere dem Count Basie Orchestra, wo er der "All-American Rhythm Section" angehörte mit Basie am Klavier, Jo Jones am Schlagzeug und Walter Page am Bass. Sonny Payne (* 4. Mai 1926 in New York; 29. Januar 1979 in Los Angeles als Percival Payne) war ein US-amerikanischer Jazzschlagzeuger. Er spielte bei Count Basie und Harry James. (Wikipedia) Sprache: deutsch.