Language: English
Published by Princeton University Art Museum, 2015
ISBN 10: 0300207859 ISBN 13: 9780300207859
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Princeton University Art Museum, 2015
ISBN 10: 0300207859 ISBN 13: 9780300207859
Seller: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condition: Good.
Language: English
Published by Renaissance Society at the University of Chicago, The, 2013
ISBN 10: 0941548600 ISBN 13: 9780941548601
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Published by Princeton University Art Museum 2014, 2014
First Edition
Hardcover First Printing. First Edition. Illustrated paper-covered boards. Fine.
Condition: New.
Language: English
Published by University of Chicago press, 2013
ISBN 10: 0941548600 ISBN 13: 9780941548601
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New.
Language: English
Published by Scheidegger & Spiess, 2019
ISBN 10: 3858818267 ISBN 13: 9783858818263
Seller: Antiquariat UEBUE, Zürich, Switzerland
First Edition
Softcover. Condition: Sehr gut. 1. Auflage. Z : 16 x 22 cm, 112 pages, 24 color and 8 b/w illustrations - This book features Pousttchi s new photographic installation at Nivola Museum in Orani on the Italian island of Sardinia. She chose the Metropolitan Life Building on 1 Madison Avenue in Manhattan as her subject for this piece. Criticized for its blatant Italian references at the time of its completion in 1909 and the world s tallest structure until 1913 the building displays a hybrid identity, recalling cultural and temporal-spatial dislocations between the Old and the New World, Renaissance and Modernism.
Language: English
Published by Yale University Press, New Haven, 2014
ISBN 10: 0300207859 ISBN 13: 9780300207859
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
Signed
hardcover. Condition: near fine. Illustrated in color and black and white. 272 pages. 4to, cloth backed pictorial covers. New Haven: Yale University Press, (2014). A near fine copy. Initialed by all three authors on title page.
Language: English
Published by Museum of Contemporary Photography, Columbia College Chicago, 2018
ISBN 10: 0965888789 ISBN 13: 9780965888783
Seller: Museum Exchange, New York, NY, U.S.A.
First Edition
Hardcover. Condition: Good. 1st Edition. Published on the occasion of the exhibition The Many Hats of Ralph Arnold: Art, Identity & Politics and Echoes: Reframing Collage, presented by the Museum of Contemporary Photography, Columbia College Chicago October 11-December 21, 2018.
Condition: As New. Unread book in perfect condition.
Condition: New.
Condition: As New. Unread book in perfect condition.
Published by The Arts Club of Chicago, Chicago, IL, 2017
ISBN 10: 1891925482 ISBN 13: 9781891925481
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
Dust Jacket Condition: dj. First Edition. First edition. Softcover. 24 pages. Exhibition catalog for a show that ran May 19 through August 5, 2017. Features text by Janine A. Mileaf and Greg Foster-Rice. Includes several illustrations. A fine copy in string tied wrappers in a very near fine printed acetate dust jacket that has some very slight rubbing. Uncommon.
Condition: New.
Language: English
Published by Renaissance Society at the University of Chicago, US, 2013
ISBN 10: 0941548600 ISBN 13: 9780941548601
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. Taking its title from Ralph Ellison's Invisible Man, exhibition Black Is, Black Ain't (April 20 - June 8, 2008) explored a shift in the rhetoric of race from an earlier emphasis on inclusion to a present moment where racial identity is being simultaneously rejected and retained. Curated by the Renaissance Society's Associate Curator and Education Director Hamza Walker, the exhibition brought together works by twenty-seven black and non-black artists whose work collectively examines a moment where the cultural production of so-called "blackness" is concurrent with efforts to make race socially and politically irrelevant. The publication features essays by Huey Copeland, Darby English, Greg Foster-Rice, Amy M. Mooney, Kymberly N. Pinder, Krista Thompson, Hamza Walker, and Kenneth Warrren.
Hardcover. Condition: Brand New. 196 pages. 10.25x8.00x0.87 inches. In Stock.
Condition: New.
Condition: New.
Condition: New.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Condition: As New. Unread book in perfect condition.
Hardcover. Condition: Very Good. No Jacket. various (illustrator). This copy has a faint bump to the bottom edge of the front board, otherwise appears as near new. Very litle rubbing or wear. of the covers. Interior text is clean and tight in binding, no ownership or other markings. Illustrtations remain sharp. Due to the size of the book, it will require additional shipping.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Condition: New.
Language: English
Published by Renaissance Society at the University of Chicago, US, 2013
ISBN 10: 0941548600 ISBN 13: 9780941548601
Seller: Rarewaves.com UK, London, United Kingdom
Hardback. Condition: New. Taking its title from Ralph Ellison's Invisible Man, exhibition Black Is, Black Ain't (April 20 - June 8, 2008) explored a shift in the rhetoric of race from an earlier emphasis on inclusion to a present moment where racial identity is being simultaneously rejected and retained. Curated by the Renaissance Society's Associate Curator and Education Director Hamza Walker, the exhibition brought together works by twenty-seven black and non-black artists whose work collectively examines a moment where the cultural production of so-called "blackness" is concurrent with efforts to make race socially and politically irrelevant. The publication features essays by Huey Copeland, Darby English, Greg Foster-Rice, Amy M. Mooney, Kymberly N. Pinder, Krista Thompson, Hamza Walker, and Kenneth Warrren.
Language: English
Published by Center for American Places, Columbia College, Chicago, 2010
ISBN 10: 1935195093 ISBN 13: 9781935195092
Seller: Ethan Daniel Books, Toronto, ON, Canada
Hardcover. Condition: Very Good. Collection of essays exploring the meaning and continuing influence of the 1975 New Topographics photography exhibition. Eight essays and an introduction. Illustrated with black-and-white reproductions. Minor edge wear to dust jacket. Otherwise a clean, unmarked copy. 237 pages. s166.
Language: English
Published by Center for American Places, 2011
ISBN 10: 1935195093 ISBN 13: 9781935195092
Seller: Mispah books, Redhill, SURRE, United Kingdom
hardcover. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.
Language: English
Published by Center for American Places, Chicago, Il, 2011
ISBN 10: 1935195093 ISBN 13: 9781935195092
Seller: Riverside Books and Prints, Cold Spring, NY, U.S.A.
First Edition
Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Center for American Places, 2011. Condition: As New.Dust Jacket: As New. book. In 1975 the exhibition New Topographics: Photographs of a Man-Altered Landscape crystallized a new view of the American West: the sublime American vistas of Ansel Adams were replaced and subverted by images of a landscape inundated with banal symbols of humanity. Organized by William Jenkins for the George Eastman House in Rochester, New York, New Topographics showcased such photographers as Robert Adams, Lewis Baltz, Joe Deal, Frank Gohlke. Their pictures, illustrating the vernacular, human-made world of contemporary America, punctured the myth of the pristine, wild American landscapeand definitively changed the course of landscape photography. Reframing the New Topographics offers the first substantive analysis of this shift and the continuing influence of an exhibition that not only reshaped the look and subject matter of landscape photography, but also foreshadowed environmentalisms expansion beyond the mere preservation of wilderness. The essays in this anthology will add an important new dimension to the studies of art history and visual culture.
Publication Date: 2010
Seller: Anywhere Out of the World, Manchester, United Kingdom
Hardcover. Condition: Very Good. Hardcover. Dust jacket shows some wear at the edges and is creased along the top. Very good condition.