Fogelmark Staffan (22 results)

Softcover. Condition: Very Good. Gift inscription from author to Douglas Gerber on titlepage. Minor creasing to 1 corner of wraps.; Scripta Minora Regiae Societatis Humaniorum Litterarum Lundensis; 52 pages; Signed by Author.

Hardcover. Condition: Used-Very Good. Cloth, no dj. Minor shelf wear. Else a bright, clean copy.

Hardback. Condition: Fine. ~Limited to 750 copies. No ownership marks. As new. Corners sharp. ~Robust packaging. Overseas tracking available on request. Used books are exempt from USA tariffs. Hardback. Size: xviii, 252pp, 42pp of plates, 28.5 x 23cm. No dw.

Soft cover. Condition: Good. Lund, CWK Gleerup. 1972. 156 pages. Printed wrappers. Slightly bumped and faded wrappers. 5 mm tear on the back wrapper. Unopened. With dissertation sheet.

28.5 x 22 cm, hardcover, cloth with gilt decorative medallion to front board and gilt title label to spine; xviii, 252, (2) pages with 42 plates of b/w illustrations; Text in English; ex-libris on endpaper, no dust jacket, very good condition, see picture. 1498g.

Hardcover. Condition: As New. xviii, 252p. A thorough academic study on panel stamped bindings. Nicely printed by the Stinehour Press and limited to 750 copies. A fresh clean copy.

Hardcover. Condition: As New. New York: Bibliographical Society of America, 1990. xviii + 254 pp. + 42 plates. Publisher's green cloth title label on spine. Printed in 750 copies. Inscribed by the author. A nice copy.

cloth. 4to. cloth. xviii, 252 pages. Ever since W. H. James Weale laid the foundations for the scholarly study of panel-stamped bindings in 1894, it has been universally assumed that the stamps were hand-engraved, and thus, that each panel was a unique artifact. However, Fogelmark discovered that virtually everything written since Weale's study has been based on a fundamental mistake. In Fogelmark's search for literature on blind panels, he had not been able to find a single item dealing with the all-important questions of production and technique. Fogelmark believes that one must understand the nature of the panel stamp and the basic rules that guided its use before discussing matters of attribution and iconography. He now presents decisive evidence that panel stamps were cast in metal rather than hand engraved and were often produced in multiple copies for wide distribution. Identical stamps could be used concurrently in different shops, different cities and even different countries. Fogelmark's research is based on many years research in a large number of European libraries and a detailed study of various technical and artistic features of the panels. This is a distinguished and highly original contribution to bookbinding history, which greatly extends knowledge of the late medieval booktrade. An exciting work, handsomely produced at The Stinehour Press. Bookbinding (illustrator).…

(24,5 x 17,1 cm); gr.-8°; 156 Seiten; Orig.-Broschur. Unaufgeschnittenes und unbeschnittenes Exemplar. Bibliotheksstempel verso Titelblatt. Handschriftlicher Eintrag auf dem Titelblatt, dort ist der Verfassername unterstrichen. Broschur mit kleinen Einrissen. Kopfschnitt ist angestaubt. * Customers from outside the EU ask please for real shipping costs! - Ask for more pics ! * 550 gr.…

Hardcover. Condition: Fine. 4to (28.5 cm). xviii, 253 pp, 42 plates. Publisher's cloth, upper board blocked in gilt with a Gothic Revival strapwork panel, spine lettered in gilt on a black morocco-style label (minor shelf-wear). First edition of this landmark study in codicology and the history of bookbinding, the standard modern reference on the large blind- and gilt-stamped panel tools that dominate Flemish and related Netherlandish bindings of the late fifteenth and sixteenth centuries. Best known among these are the celebrated "Spes" panels employed by the Louvain binders conventionally designated I.P. and I.B. Originally conceived as a monograph on the Spes panels alone, Fogelmark's investigation led him to conclude that virtually all scholarship since William Henry James Weale's pioneering study of 1894 rested upon a fundamental methodological misconception concerning the identification and classification of panel stamps. He therefore broadened the project into a comprehensive re-examination of the entire corpus, establishing a new evidential framework for the study of approximately one thousand surviving panel stamps and their impressions. The work offers an exceptionally rigorous technical methodology for the identification and attribution of panel-stamped bindings, analysing in detail nail holes and fastening patterns, press-work, registration and alignment defects, wear to the tools, blind shields, clichage, and the difficult question of distinguishing multiple impressions from separate states or issues of the same panel. The text is supported by 42 plates of comparative photographs and diagrams illustrating the author's methods and conclusions. The volume remains the indispensable reference for the study, description, attribution, and dating of Flemish panel-stamped bindings, and is essential for bibliographers, book historians, curators, conservators, and collectors of early European bindings.…

Hardcover. Condition: Very Good. 1st Edition. Two volumes. Red cloth. 4to. 787pp. Cardboard slipcase. An important study of Zacharias Kallierge's 1515 edition of the Odes of Pindar. The author examined 227 copies of the book and discusses textual variants. A facsimile of the book itself is printed in Volume 2. A very good set with the covers in clean condition. The front cover of Volume 2 is dented in the upper corner. The text in both volumes is very good and clean. The first 6 pages of Volume 2 are lightly creased in the upper corner. The slipcase is good with some chipping and corner wear. Foreign postage will be extra on this heavy set.…

Hardcover. 4to. pp. xviii, 252, [1 leaf]. 21 double-sided plates with 3 leaves (divisional titles). several diagrams in the text. biblio. index. cloth. First Edition, Limited to 750 copies.

First Edition. Fine copy in the original gilt-blocked cloth. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 252 pages; Physical description; xviii, 252p. : ill. ; 29cm. Includes bibliographical references (p. 231-237) and indexes. Subjects; Blind tooled bindings. Bookbinding - Belgium - Flanders. Bookbinding, Renaissance. Bookbinding - Stamped bindings. Bookbinding - Flanders. 2 Kg.…

First Edition. Fine copy in the original gilt-blocked cloth. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 252 pages; Physical description; xviii, 252p. : ill. ; 29cm. Includes bibliographical references (p. 231-237) and indexes. Subjects; Blind tooled bindings. Bookbinding - Belgium - Flanders. Bookbinding, Renaissance. Bookbinding - Stamped bindings. Bookbinding - Flanders. 2 Kg.…

Condition: Very Good. Softcover / Paperback.

Condition: Neu. S. 5-39. Med författarens dedikation. Ur kvarlåtenskapen efter klassisk filologen Ernst Vogt, ansvarig redaktör för tidskrifterna Rheinisches Museum für Philologie (19591967) och Gnomon (19701999, medredaktör från 1975). Ett fint och välbevarat exemplar. Ur texten: För snart tjugo är sedan publicerade Sture Bolin i denna tidskrift en mycket läs-värd och ofta läst artikel om De äldsta myntens princip. Ämnet för hans Studium var de tidigaste lydiska mynten i elektron, en legering av guld och silver, och de problem, som var förknippade med denna myntning. Han pekade särskilt pä det bland numismatiker väl kända faktum, att de lydiska elektronmynten med tiden fick en allt lägre halt av guld. Orsaken till denna kvalitetsförsämring säg Bolin i ett medvetet bedrägeri frän den lydiska statens sida: Archimedes princip var ju ännu icke känd, och det var praktiskt taget omöjligt för affärsmännen och andra, som använde mynten, att fastställa varje mynts kvalitet. Kontentan av uppsatsen är, att myntets födelse var förknippad med fiffel och ohederlighet, och att myntet aidrig hade blivit sä allmänt accepterat, om publiken hade varit med-veten om, att metallstyckena ingalunda höll det (metall-)värde, man tog för givet. Det finns ingen anledning att betvivla riktigheten i Bolins slutsatser, även om de bygger pä premisser, som synes vara diskutabla (varom mera nedan). Men det finns ändä flera skäl att ta upp problemet till förnyad diskussion och dä utvidga det till att gälla heia den arkaiska epokens myntning: man fär en bättre förstäelse av de lydiska myntens problem, när man studerar de principer, som gällde under den arkaiska tiden (och f.ö. troligen ocksä längt in i klassisk tid). sv Gewicht in Gramm: 250 Särtryck, häftat med häftklamrar i pappersomslag.…

21 x 28 cm. XXVII, 787 pages. 2 vols. Cloth. ISBN 978 3 924794 60 6. New.

Publisher's green cloth. Very fine / as new. Bookplate of the author's friend, book collector Bengt Ollfors. New York, Bibliographical Society of America, 1990. 4to. xviii + 254 pp. + 42 plates. With terminology, works cited and indices. Contents: "The Problem", "Technical Considerations I", "Nailmarks", "Press-work", "Alignment: The Vertical Flaw. The Horizontal Flaw. Straying Panels. The Lever Flaw. Overlapping Panels. The Diastolic Flaw", "Design", "Technical Considerations II", "Blank Shields: The Dancing Peasants Frieze", "Flaws", "Clichage", "Technical Considerations III", "The Issue: One or Many?". - - - Ever since the late 1800s, it has been universally assumed that the stamps used to decorate these bindings were hand-engraved, and thus that each panel was a unique artifact, possible to use for dating and attributions. However, Fogelmark discovered that virtually everything written since Weale's study has been based on a fundamental mistake. In this important book he presents decisive evidence that panel stamps were in fact cast in metal rather than hand engraved and were often produced in multiple copies for wide distribution. Identical stamps could be used concurrently in different shops, different cities and even different countries. …

Pp. xviii+254(last colophon, verso blank), 42 plates, title page illustration and text figures, appendices, indices; demy 4to; green cloth, spine blocked in black and lettered in gilt, upper board decorated in gilt; Bibliographical Society of America, New York, 1990. Edition limited to 750 copies. *Early Flemish bookbinders were not only the first to use panel stamps in their bindings, but they should also be credited with the spread of the technique to areas such as England and Northern France. This comprehensive study focuses particularly on questions of production and technique, rather than iconography, and is based on the premise that Flemish and related panels were not engraved, as has generally been accepted, but cast, and that many of them were produced in identical examples. …

Condition: Very good. 1990, New York, Bibliographical Society of America, ppxviii + 252, black and white illustrations, blue cloth.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1969 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 712 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 712 Language: English.…

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1969. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 710, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 710 710.…