Ferrand Miguel (15 results)
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Seller: Hamelyn, Madrid, M, SpainHamelyn
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Condition: Bueno. : "Contra el poder" es una colección de artículos de varios autores que examinan el papel de la prensa y los medios de comunicación en la sociedad española. Publicado por Temas de Hoy en 1996, este libro aborda temas como la prensa como contrapoder, el papel del Estado en la edición, la independencia de la radi…o y la evolución del electorado. Con contribuciones de destacados periodistas y analistas, esta obra ofrece una visión crítica y reflexiva sobre el panorama mediático y político de España a finales del siglo XX. EAN: 9788478806003 Tipo: Libros Categoría: Otros Título: Contra el poder Autor: Luis María Anson| José Luis Balbín| José María García| José Luis Gutiérrez| Antonio Herrero| Luis Herrero| Federico Jiménez Losantos| Julián Lago| Manuel Martín Ferrand| José Luis Martín Prieto| Amando de Miguel| Luis del Olmo| Raúl del Pozo| Pedro J. Ramírez| José Ribas| Pablo Sebastián| Francisco Umbral Editorial: Temas de Hoy Idioma: es-ES Páginas: 214 Formato: tapa blanda.
- Softcover
Seller: Hamelyn, Madrid, M, SpainHamelyn
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Condition: Muy bueno. : "Contra el poder" es una colección de artículos de varios autores que examinan el papel de la prensa y los medios de comunicación en la sociedad española. Publicado por Temas de Hoy en 1996, este libro aborda temas como la prensa como contrapoder, el papel del Estado en la edición, la independencia de la…radio y la evolución del electorado. Con contribuciones de destacados periodistas y analistas, esta obra ofrece una visión crítica y reflexiva sobre el panorama mediático y político de España a finales del siglo XX. EAN: 9788478806003 Tipo: Libros Categoría: Otros Título: Contra el poder Autor: Luis María Anson| José Luis Balbín| José María García| José Luis Gutiérrez| Antonio Herrero| Luis Herrero| Federico Jiménez Losantos| Julián Lago| Manuel Martín Ferrand| José Luis Martín Prieto| Amando de Miguel| Luis del Olmo| Raúl del Pozo| Pedro J. Ramírez| José Ribas| Pablo Sebastián| Francisco Umbral Editorial: Temas de Hoy Idioma: es-ES Páginas: 214 Formato: tapa blanda.
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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- Softcover
Seller: Chiron Media, Wallingford, , United KingdomChiron Media
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Paperback. Condition: New.
Language: English
Published by Springer-Verlag Berlin and Heidelberg GmbH and Co. KG, DE 2002
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. 2002 ed. Thisvolumecontainsthefullresearchpapersofthe2nd International Con- renceonMusicandArti?cialIntelligence(ICMAI02),heldinSt. Cecilia'sHall, Edinburgh,UK,12-14September2002. Theconferencewasjointlyorganizedby theFacultyofMusicandtheDivisionofInformatics,UniversityofEdinburgh. Eachofthepapersinthi…svolumewasrefereedbyatleastthreereviewersfrom theProgramCommittee. AdditionalpaperswereacceptedasWork-in-Progress reports,publishedseparatelybytheDivisionofInformaticsoftheUniversity ofEdinburgh. Theconferenceprogramalsoincludedround-tablediscussions, electronicmusicconcerts,earlykeyboardintrumentdemonstrations,andvarious socialevents. Thefocusoftheconferencewasontheinterplaybetweenmusicaltheoryand practiceontheonehandandtechniquesandmethodsfromArti?cialIntelligence, includingcomputationalcognitivemodelingofmusicalprocesses,ontheother. Weareespeciallyinterestedinissuesofmusicalrepresentationandanalysis, associatedalgorithms,andtheevaluationofmusicalartefacts. MusicpresentsmanychallengesforAIandInformaticsingeneral. Whilethe analogieswithnaturallanguageandwithvisionareproductive,musicrequires novelsolutionstoitsownrepresentationalandalgorithmicproblems.Forthe musician,workinthisareacontributestowardsmusicologicalstudy,composition, performance,interactivesystems,andsoundsynthesis. Threedistinguishedscholarsinthearea,MiraBalaban,Jean-ClaudeRisset, andAntonioCamurri,agreedtogivetheinvitedkeynotes. Thesetalkscovered di?erentfeaturesofmusicalexperienceanditsrelationtoArti?cialIntelligence, namelymusicalconcepts,composition,andperformance. Morespeci?cally,Jean- ClaudeRisset'stopicwasMusicalCompositionandArti?cialIntelligence:Some Precedents and Prospects,MiraBalaban'swas Structure and Interpretation of Music Concepts - Music from a Computational Perspective,andAntonio- murri'swasComputationalModelsofExpressiveGesture. Thepapersintheconferencedealtwithawiderangeofaspectsofcurrent research,includingstructural,harmonic,andreductionalmusicanalysis,pattern representationanddiscoveryinbothmonophonicandpolyphonicmusic,music perceptionofmelodyandrhythm,therelationbetweenmusicandnaturallan- age,similarityandcategorization,musicandintonation,musicalexpressionand performance,soundprocessing,soundclassi?cations,commercialapplications, andmusicontheweb. Acknowledgements.Theeditorsaregratefulforallthehelpofthosewho madethepublicationofthisvolumepossible,andespeciallyDarrellConklin, VI Organization PeterNelson,EmiliosCambouropoulos,AlisonPease,andMarkSteedman;also, JordanFleming,EwenMaclean,andRobertDow;andtheFacultyofMusicand theDivisionofInformatics,UniversityofEdinburghfor?nancialsupport. July2002 ChristinaAnagnostopoulou MiguelFerrand AlanSmaill OrganizingCommittee AlanSmaill(Chair) ChristinaAnagnostopoulou(Co-chair) MiguelFerrand PeterNelson AlisonPease MarkSteedman ProgramCommittee ?JensArnspang(Alborg) GillianHayes(Edinburgh) MiraBalaban(Ben-Gurion) HenkjanHoning(Nijmegen) MartaOlivettiBelardinelli(Rome) JukkaLouhivuori(Jyvaskyla) RensBod(Amsterdam) TodMachover(MIT-MediaLa.
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Thisvolumecontainsthefullresearchpapersofthe2nd International Con- renceonMusicandArti cialIntelligence(ICMAI02),heldinSt. Cecilia sHall, Edinburgh,UK,12 14September2002. Theconferencewasjointlyorganizedby theFacultyofMusicandtheDivisionofInformati…cs,UniversityofEdinburgh. Eachofthepapersinthisvolumewasrefereedbyatleastthreereviewersfrom theProgramCommittee. AdditionalpaperswereacceptedasWork-in-Progress reports,publishedseparatelybytheDivisionofInformaticsoftheUniversity ofEdinburgh. Theconferenceprogramalsoincludedround-tablediscussions, electronicmusicconcerts,earlykeyboardintrumentdemonstrations,andvarious socialevents. Thefocusoftheconferencewasontheinterplaybetweenmusicaltheoryand practiceontheonehandandtechniquesandmethodsfromArti cialIntelligence, includingcomputationalcognitivemodelingofmusicalprocesses,ontheother. Weareespeciallyinterestedinissuesofmusicalrepresentationandanalysis, associatedalgorithms,andtheevaluationofmusicalartefacts. MusicpresentsmanychallengesforAIandInformaticsingeneral. Whilethe analogieswithnaturallanguageandwithvisionareproductive,musicrequires novelsolutionstoitsownrepresentationalandalgorithmicproblems. Forthe musician,workinthisareacontributestowardsmusicologicalstudy,composition, performance,interactivesystems,andsoundsynthesis. Threedistinguishedscholarsinthearea,MiraBalaban,Jean-ClaudeRisset, andAntonioCamurri,agreedtogivetheinvitedkeynotes. Thesetalkscovered di erentfeaturesofmusicalexperienceanditsrelationtoArti cialIntelligence, namelymusicalconcepts,composition,andperformance. Morespeci cally,Jean- ClaudeRisset stopicwasMusicalCompositionandArti cialIntelligence:Some Precedents and Prospects,MiraBalaban swas Structure and Interpretation of Music Concepts Music from a Computational Perspective,andAntonio- murri swasComputationalModelsofExpressiveGesture. Thepapersintheconferencedealtwithawiderangeofaspectsofcurrent research,includingstructural,harmonic,andreductionalmusicanalysis,pattern representationanddiscoveryinbothmonophonicandpolyphonicmusic,music perceptionofmelodyandrhythm,therelationbetweenmusicandnaturallan- age,similarityandcategorization,musicandintonation,musicalexpressionand performance,soundprocessing,soundclassi cations,commercialapplications, andmusicontheweb. Acknowledgements. Theeditorsaregratefulforallthehelpofthosewho madethepublicationofthisvolumepossible,andespeciallyDarrellConklin, VI Organization PeterNelson,EmiliosCambouropoulos,AlisonPease,andMarkSteedman;also, JordanFleming,EwenMaclean,andRobertDow;andtheFacultyofMusicand theDivisionofInformatics,UniversityofEdinburghfor nancialsupport. July2002 ChristinaAnagnostopoulou MiguelFerrand AlanSmaill OrganizingCommittee AlanSmaill(Chair) ChristinaAnagnostopoulou(Co-chair) MiguelFerrand PeterNelson AlisonPease MarkSteedman ProgramCommittee JensArnspang(Alborg) GillianHayes(Edinburgh) MiraBalaban(Ben-Gurion) HenkjanHoning(Nijmegen) MartaOlivettiBelardinelli(Rome) JukkaLouhivuori(Jyvaskyla) RensBod(Amsterdam) TodMachover(MIT-MediaLab) CarolaBoehm(Glasgow) GuerinoMazzola(ZurichandVienna) AmilcarCardoso(Coimbra) StephenMcAdams(IRCAM) EmiliosCambouropoulos(Thessaloniki)EduardoMiranda(SONYCSL-Paris) ElaineChew(USC) PeterNelson(Edinburgh) DarrellConklin(ZymoGenetics) Fran coisPachet(SONYCSL-Paris) IanCross(Cambridge) StephenTravisPope(SantaBarbara) RogerDannenberg(CMU) AlanSmaill(Edinburgh) PeterDesain(Nijmegen) MarkSteedman(Edinburgh) AnastasiaGeorgaki(Athens) DavidTemperley(Rochester) InvitedSpeakers MiraBalaban(Ben-GurionUniversity,Israel) AntonioCamurri(UniversityofGenoa,Italy) Jean-ClaudeRisset(LaboratoiredeM echaniqueetd Acoustique,France) TableofContents InvitedTalks StructureandInterpretationofMusicConcepts:Musicfroma ComputationalPerspective. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 MiraBalaban ExpressiveGesture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Antoni.
More images- Softcover
Seller: preigu, Osnabrück, Germanypreigu
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Taschenbuch. Condition: Neu. Music and Artificial Intelligence | Second International Conference, ICMAI 2002, Edinburgh, Scotland, UK, September 12-14, 2002, Proceedings | Christina Anagnostopoulou (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2002 | Springer | EAN 9783540441458 | Verantwortliche Person für die… EU: Springer Nature Customer Service Center GmbH, Europaplatz 3, 69115 Heidelberg, productsafety[at]springernature[dot]com | Anbieter: preigu.
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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Paperback. Condition: New. 2002nd.
- Softcover
- Print on Demand
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, , GermanyBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Thisvolumecontainsthefullresearchpapersofthe2nd International Con- renceonMusicandArti cialIntelligence(ICMAI02),heldinSt. Cecilia sHall, Edinburgh,UK,12 14September2002. Theconferencewasjointlyorganizedby theFacultyofMusicandtheDiv…isionofInformatics,UniversityofEdinburgh. Eachofthepapersinthisvolumewasrefereedbyatleastthreereviewersfrom theProgramCommittee. AdditionalpaperswereacceptedasWork-in-Progress reports,publishedseparatelybytheDivisionofInformaticsoftheUniversity ofEdinburgh. Theconferenceprogramalsoincludedround-tablediscussions, electronicmusicconcerts,earlykeyboardintrumentdemonstrations,andvarious socialevents. Thefocusoftheconferencewasontheinterplaybetweenmusicaltheoryand practiceontheonehandandtechniquesandmethodsfromArti cialIntelligence, includingcomputationalcognitivemodelingofmusicalprocesses,ontheother. Weareespeciallyinterestedinissuesofmusicalrepresentationandanalysis, associatedalgorithms,andtheevaluationofmusicalartefacts. MusicpresentsmanychallengesforAIandInformaticsingeneral. Whilethe analogieswithnaturallanguageandwithvisionareproductive,musicrequires novelsolutionstoitsownrepresentationalandalgorithmicproblems. Forthe musician,workinthisareacontributestowardsmusicologicalstudy,composition, performance,interactivesystems,andsoundsynthesis. Threedistinguishedscholarsinthearea,MiraBalaban,Jean-ClaudeRisset, andAntonioCamurri,agreedtogivetheinvitedkeynotes. Thesetalkscovered di erentfeaturesofmusicalexperienceanditsrelationtoArti cialIntelligence, namelymusicalconcepts,composition,andperformance. Morespeci cally,Jean- ClaudeRisset stopicwasMusicalCompositionandArti cialIntelligence:Some Precedents and Prospects,MiraBalaban swas Structure and Interpretation of Music Concepts Music from a Computational Perspective,andAntonio- murri swasComputationalModelsofExpressiveGesture. Thepapersintheconferencedealtwithawiderangeofaspectsofcurrent research,includingstructural,harmonic,andreductionalmusicanalysis,pattern representationanddiscoveryinbothmonophonicandpolyphonicmusic,music perceptionofmelodyandrhythm,therelationbetweenmusicandnaturallan- age,similarityandcategorization,musicandintonation,musicalexpressionand performance,soundprocessing,soundclassi cations,commercialapplications, andmusicontheweb. Acknowledgements. Theeditorsaregratefulforallthehelpofthosewho madethepublicationofthisvolumepossible,andespeciallyDarrellConklin, VI Organization PeterNelson,EmiliosCambouropoulos,AlisonPease,andMarkSteedman;also, JordanFleming,EwenMaclean,andRobertDow;andtheFacultyofMusicand theDivisionofInformatics,UniversityofEdinburghfor nancialsupport. July2002 ChristinaAnagnostopoulou MiguelFerrand AlanSmaill OrganizingCommittee AlanSmaill(Chair) ChristinaAnagnostopoulou(Co-chair) MiguelFerrand PeterNelson AlisonPease MarkSteedman ProgramCommittee JensArnspang(Alborg) GillianHayes(Edinburgh) MiraBalaban(Ben-Gurion) HenkjanHoning(Nijmegen) MartaOlivettiBelardinelli(Rome) JukkaLouhivuori(Jyvaskyla) RensBod(Amsterdam) TodMachover(MIT-MediaLab) CarolaBoehm(Glasgow) GuerinoMazzola(ZurichandVienna) AmilcarCardoso(Coimbra) StephenMcAdams(IRCAM) EmiliosCambouropoulos(Thessaloniki)EduardoMiranda(SONYCSL-Paris) ElaineChew(USC) PeterNelson(Edinburgh) DarrellConklin(ZymoGenetics) Fran coisPachet(SONYCSL-Paris) IanCross(Cambridge) StephenTravisPope(SantaBarbara) RogerDannenberg(CMU) AlanSmaill(Edinburgh) PeterDesain(Nijmegen) MarkSteedman(Edinburgh) AnastasiaGeorgaki(Athens) DavidTemperley(Rochester) InvitedSpeakers MiraBalaban(Ben-GurionUniversity,Israel) AntonioCamurri(UniversityofGenoa,Italy) Jean-ClaudeRisset(LaboratoiredeM echaniqueetd Acoustique,France) TableofContents InvitedTalks StructureandInterpretationofMusicConcepts:Musicfroma ComputationalPerspective. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 MiraBalaban ExpressiveGesture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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Seller: moluna, Greven, , Germanymoluna
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Invited Talks.- Structure and Interpretation of Music Concepts: Music from a Computational Perspective.- Expressive Gesture.- Regular Contributions.- A General Parsing Model for Music and Language.- The Spiral Array:…An Algorithm for Determining Key Boundar.
- Softcover
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Seller: buchversandmimpf2000, Emtmannsberg, BAYE, Germanybuchversandmimpf2000
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Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Invited Talks.- Structure and Interpretation of Music Concepts: Music from a Computational Perspective.- Expressive Gesture.- Regular Contributions.- A General Parsing Model for Music and Language.- The Spiral Array: An Algorithm for De…termining Key Boundaries.- Representation and Discovery of Vertical Patterns in Music.- Discovering Musical Structure in Audio Recordings.- Real Time Tracking and Visualisation of Musical Expression.- Automatic Classification of Drum Sounds: A Comparison of Feature Selection Methods and Classification Techniques.- Some Formal Problems with Schenkerian Representations of Tonal Structure.- Respiration Reflecting Musical Expression: Analysis of Respiration during Musical Performance by Inductive Logic Programming.- Mimetic Development of Intonation.- Interacting with a Musical Learning System: The Continuator.- Recognition of Isolated Musical Patterns Using Hidden Markov Models.- A Model for the Perception of Tonal Melodies.- Control Language for Harmonisation Process.- Evaluating Melodic Segmentation.- Combining Grammar-Based and Memory-Based Models of Perception of Time Signature and Phase.- A Bayesian Approach to Key-Finding.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 220 pp. Englisch.
