Eschelbacher Andrew (103 results)

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. Cover shows some very minor signs of shelf wear. Pages are clean and in great shape. Binding is tight.

Softcover, 186 pages; very good condition; small crimps to top and bottom of spine; light 4-inch crease to upper right corner of cover and first few pages; no internal marks. Foreign shipping may be extra.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: New. None Issued. 1st Edition. This is a New and Unread copy of the first edition (1st printing). Illustrated throughout. Indexed.

hardcover. Condition: Good.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardcover. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Condition: Very Good. Hardcover in pictorial boards, 208 pages, color illustrations. Monuments and Myths is the first publication to trace the intersecting work of Augustus Saint-Gaudens (1848?1907) and Daniel Chester French (1850?1931), the leading American sculptors of the Gilded Age. Featuring provocative essays, stunning photographs, and an in-depth illustrated chronology, the catalog brings a contemporary perspective to sculptures that have defined and defied notions of American identity. This critical look at the artists? public and private works considers evolving ideas about race and representation, Indigeneity, civic space, memory, and American history. Clean copy. Record # 401208.…

Paperback. Condition: NF. Color-illustrated dj with white/blue lettering. French flaps. xiii, 185 pp. with 82 color and duotone plates; additional images. A New American Sculpture, 19141945 is the first publication to situate the individual contributions of Gaston Lachaise, Robert Laurent, Elie Nadelman, and William Zorach into a compelling constellation of artists with shared aesthetic and social concerns. Although each European-born, American artist cultivated his own distinct style, their creative priorities were all deeply rooted in quiet composition, synthetic approaches to anatomy, and architectural unity of curves and volume. At a time when abstract forms were popular, Lachaise, Laurent, Nadelman, and Zorach were all ultimately in favor of maintaining the integrity of the human body to explore modernist styles. This handsome book underscores their unrelenting search for a novel American visual tradition at the intersection of modernism, historic visual culture, and contemporary popular imagery. Catalogue from the exhibitions held in Portland, Maine and Fort Worth, May 2017 to May 2018.…

Condition: New.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: new. Hardcover. A wide-ranging exploration of art, gastronomy, and national identity in fin-de-siecle France At the end of the nineteenth century, artists such as Claude Monet, Eva Gonzales, and Paul Gauguin took as their subject France's relationship with food. The country's bountiful agriculture and the skill of its chefs had long helped to define its strength and position on the international stage. This self-image as the world's culinary capital only grew as the country grappled with war, political instability, imperialism, and industrialization. France's culinary traditions signaled notions of its refinement, fortitude, and ingenuity, yet they also exposed fractures. From cultivation to consumption, food was central to notions of glory but also to those of collective pain. For artists committed to depicting daily circumstances, food was a natural subject, simultaneously quotidian and indicative of the state of the nation. Featuring more than one hundred illustrations, Farm to Table showcases representations of sumptuous ingredients and severe privation, bountiful meals and agrarian crises. The works highlight the possibilities and precariousness of France's colonial and industrial projects; the evolving norms of gender and class; the tenuous relationship between Paris and the provinces; and shifting understandings of science and the environment. Depictions of markets and gardens, farmers, chefs, and restaurants expressed cultural anxieties and aspirations. With essays exploring the economics of wheat growing and the dairy industry, the relationship between food and gender, and the role of colonialism, the catalogue spans the age of Impressionism and provides a new way to consider the era's depictions of modern life at the intersection of art, food, and social politics. Published in association with the Chrysler Museum of Art Exhibition Schedule: Chrysler Museum of Art (October 11, 2024January 5, 2025) Frist Art Museum (January 31May 4, 2025) Cincinnati Art Museum (June 13 September 21, 2025) Seattle Art Museum (October 23, 2025January 18, 2026) A wide-ranging exploration of art, gastronomy, and national identity in fin-de-siecle France Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New. Editor(s): Eschelbacher, Andrew. Num Pages: 200 pages, 170 color illus. BIC Classification: 1KBB; ACXD2; AFKB. Category: (P) Professional & Vocational. Dimension: 289 x 248. . . 2017. Paperback. . . . .

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

Gebunden. Condition: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Der Katalog Monuments and Myths thematisiert erstmals die Überschneidungen zwischen den Laufbahnen der beiden führenden Bildhauer des US-amerikanischen Gilded Age: Augustus Saint-Gaudens und Daniel Chester French. Mit einer Fülle neuer Überlegungen und beeindruckenden Fotografien untersucht der Band die Rolle der bekanntesten und prägendsten öffentlichen Skulpturen der USA im Licht des komplexen Diskurses über nationale Identität. 208 pp. Englisch.…