Eric Hoyt (109 results)

Trade paperback. Condition: Very good. Trade paperback (US). Glued binding. 208 p. Audience: General/trade. previous owner's name. Clean, tight pages. No bent corners. No remainder mark. SC 308. Folkens, Pieter Arend (illustrator).

Paperback. Condition: Good. 15 May contain highlighting/underlining/notes/etc. May have used stickers on cover. Access codes and supplements are not guaranteed to be included with used books. Ships same or next day. Expedited shipping: 3-5 business days, Standard shipping: 4-14 business days.

Paperback. Condition: Acceptable. 15 Contains water or spine damage. Excessive highlighting/underlining/notes/etc. May have used stickers on cover. Overall, still a fine copy for classroom use! Access codes and supplements are not guaranteed to be included with used books. Ships same or next day. Expedited shipping: 3-5 business days, Standard shipping: 4-14 business days. …

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Hollywood and the Law This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Paperback. Condition: Fine.

Paperback. Condition: Very Good. 1. Minimal shelf wear, clean internals. May have remainder mark.

Trade paperback. Condition: Fine. Trade paperback (US). Glued binding. 288 p. Contains: Tables, black & white, Figures. Audience: General/trade.

Condition: New.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Fine. No Jacket. 1st Edition. INK-STAINED HOLLYWOOD: THE TRIUMPH OF AMERICAN CINEMA'S TRADE PRESS, Eric Hoyt, softcover, stated first printing, illustrated, 2022. BOOK CONDITION: fine. The text block is in fine condition, with no tears, dogears, or marks. No signature or bookplate of a prior owner. Not a library book or remainder. The wraps are in fine condition. 9 x 6, 258 pages, 14 ounces XX [From the back cover] FOR THE FIRST HALF OF THE TWENTIETH CENTURY, no American industry boasted a more motley and prolific trade press than movies, a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of Exhibitors Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities that constituted key subscribers, Ink-Stained Hollywood tells the story of how a heterogeneous trade press triumphed by appealing to the foundational aspects of industry culture -- taste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers ( Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator, Film Mercury, and Camera!). Challenging the canon of film periodicals, we are offered new interpretative frameworks for understanding print journalism's relationship with cinema and its impact today. XX I know of no other work like this one, a history of American movie trade journalism from the beginnings of cinema to the 1930s. This book constitutes such a deep dive into the archive of these materials, it's astonishing (ERIC SMOODIN, UNIVERSITY OF CALIFORNIA, DAVIS). XX A terrific study of the rise of film industry trade journals and their behind-the-scenes maneuvering, fights, and back-stabbing. Ink-Stained Hollywood is beautifully written, spry, funny, lively, approachable, yet incredibly knowledgeable (KATHRYN H. FULLER-SEELEY, UNIVERSITY OF TEXAS AT AUSTIN). XX ERIC HOYT is the Kahl Family Professor of Media Production at the University of Wisconsin, Madison. He is author of Hollywood Vault: Film Libraries before Home Video and is Director of the Media History Digital Library and the Wisconsin Center for Film and Theater Research.…

paperback. Condition: Very Good.

paperback. Condition: Fine.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781844574773.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781844574773.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In English.

Condition: new.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. First Edition, 1. Hollywood Vault is the story of how the business of film libraries emerged and evolved, spanning the silent era to the sale of feature libraries to television. Eric Hoyt argues that film libraries became valuable not because of the introduction of new technologies but because of the emergence and growth of new markets, and suggests that studying the history of film libraries leads to insights about their role in the contemporary digital marketplace. The history begins in the mid-1910s, when the star system and other developments enabled a market for old films that featured current stars. After the transition to films with sound, the reissue market declined but the studios used their libraries for the production of remakes and other derivatives. The turning point in the history of studio libraries occurred during the mid to late 1940s, when changes in American culture and an industry-wide recession convinced the studios to employ their libraries as profit centers through the use of theatrical reissues. In the 1950s, intermediary distributors used the growing market of television to harness libraries aggressively as foundations for cross-media expansion, a trend that continues today.By the late 1960s, the television marketplace and the exploitation of film libraries became so lucrative that they prompted conglomerates to acquire the studios. The first book to discuss film libraries as an important and often underestimated part of Hollywood history, Hollywood Vault presents a fascinating trajectory that incorporates cultural, legal, and industrial history.…