Engelhardt Jeffers (156 results)

Paperback. Condition: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: new.

Paperback. Condition: New. Why do we disentangle music and religion? How are music and religion entangled in the worlds of practitioners and scholars? What can ethnomusicologists offer to all students of religion by attending to religion's audibility or inaudibility? In this book, author Jeffers Engelhardt engages generations-old interdisciplinary debates to highlight scholars' changing relationships with other-than-human beings in the religious worlds they study.In the history of ethnomusicology, there is a degree of discomfort with other-than-human agency and theologically grounded methods. However, in recent years, ethnomusicologists have recognized the limits of secular models that favor sonic data over divine knowledge. This moment is marked by a resurgence of sacred musicologies that predate ethnomusicology as a field and by ethnomusicologists' commitments to decolonizing the discipline. The resulting scholarship incorporates both secular, cultural approaches and non-secular, entangled approaches to the study of music and religion. Music and Religion critically examines how scholars navigate these approaches to sound and other-than-human agency. Engelhardt provides ethnographic case studies and surveys key texts from the eighteenth century to the present day to address questions that have occupied scholars for generations. In doing so, he invites readers to embrace new ways of thinking about and listening to the world around them.…

Paperback. Condition: New. Why do we disentangle music and religion? How are music and religion entangled in the worlds of practitioners and scholars? What can ethnomusicologists offer to all students of religion by attending to religion's audibility or inaudibility? In this book, author Jeffers Engelhardt engages generations-old interdisciplinary debates to highlight scholars' changing relationships with other-than-human beings in the religious worlds they study.In the history of ethnomusicology, there is a degree of discomfort with other-than-human agency and theologically grounded methods. However, in recent years, ethnomusicologists have recognized the limits of secular models that favor sonic data over divine knowledge. This moment is marked by a resurgence of sacred musicologies that predate ethnomusicology as a field and by ethnomusicologists' commitments to decolonizing the discipline. The resulting scholarship incorporates both secular, cultural approaches and non-secular, entangled approaches to the study of music and religion. Music and Religion critically examines how scholars navigate these approaches to sound and other-than-human agency. Engelhardt provides ethnographic case studies and surveys key texts from the eighteenth century to the present day to address questions that have occupied scholars for generations. In doing so, he invites readers to embrace new ways of thinking about and listening to the world around them.…

Paperback. Condition: new. Paperback. Why do we disentangle music and religion? How are music and religion entangled in the worlds of practitioners and scholars? What can ethnomusicologists offer to all students of religion by attending to religion's audibility or inaudibility? In this book, author Jeffers Engelhardt engages generations-old interdisciplinary debates to highlight scholars' changing relationships with other-than-human beings in the religious worlds they study.In the history of ethnomusicology, there is a degree of discomfort with other-than-human agency and theologically grounded methods. However, in recent years, ethnomusicologists have recognized the limits of secular models that favor sonic data over divine knowledge. This moment is marked by a resurgence of sacred musicologies that predate ethnomusicology as a field and by ethnomusicologists' commitments to decolonizing the discipline. The resulting scholarship incorporates both secular, cultural approaches and non-secular, entangled approaches to the study of music and religion. Music and Religion critically examines how scholars navigate these approaches to sound and other-than-human agency. Engelhardt provides ethnographic case studies and surveys key texts from the eighteenth century to the present day to address questions that have occupied scholars for generations. In doing so, he invites readers to embrace new ways of thinking about and listening to the world around them. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 160 pages. 5.53x0.40x8.24 inches. In Stock.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: As New. Never read, no marks in the text. Our copy is a new hardback, with printed boards, no dust jacket, showing only light shelfwear.

Condition: New.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt's music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book "de-Platonizes" Pärt studies by demystifying the notion of a single "Pärt sound." It offers innovative, critical analyses of the historical contexts of Pärt's experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt's music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt's music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.…

Paperback. Condition: Very Good. Handwritten note from editor Jeffers Engelhardt laid in at the front. Text is unmarked; pages are bright. Binding is tight and square. Covers show just a little bit of wear around the corners. Inscribed by Author.

Condition: New. 2026. paperback. . . . . .

Condition: new.

Condition: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. Scholarly writing on the music of Arvo Part is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Part: Sounding the Sacred focuses on the representational dimensions of Part's music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Part studies? In taking up these questions, the book "de-Platonizes" Part studies by demystifying the notion of a single "Part sound." It offers innovative, critical analyses of the historical contexts of Part's experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Part's music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Part's music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Part studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt's music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book "de-Platonizes" Pärt studies by demystifying the notion of a single "Pärt sound." It offers innovative, critical analyses of the historical contexts of Pärt's experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt's music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt's music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.…

Paperback or Softback. Condition: New. Arvo P�rt: Sounding the Sacred. Book.

Paperback. Condition: Brand New. 160 pages. 5.53x0.40x8.24 inches. In Stock.

Soft cover. Condition: Very Good. First English-language ethnomusicological monograph on Estonian music. Previously undocumented perspective on musical and religious life in the post-Soviet world. Breaks new theoretical ground with interdisciplinary work on secularity and the secular.

Condition: New.

Condition: New. 2020. 1st Edition. Paperback. . . . . .

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Brand New. 259 pages. 9.00x6.00x1.00 inches. In Stock.

Condition: New. pp. 256.

Condition: New. In English.