Elizabeth Bakewell (32 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. 4to 11" - 13" tall.

Hardcover. Condition: Good. Dust Jacket Condition: Good. How could madre mean whore as much as virgin? What happens to the ninety-nine madres when one father enters the room and they become a group of padres? And why can't a bien educada woman in Mexico say the word madre without raising eyebrows? -- Due to age and/or environmental conditions, the pages of this book have darkened. Former library book. Mylar protector included. Solid binding. Moderate edgewear on the boards. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Ex-Library. …

Condition: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: SOME ] [ Edition: First ] Publisher: Getty Research Institute Pub Date: 4/1/1988 Binding: Paperback Pages: 212 First edition.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade paperback. Condition: Good.

Trade Paperback. Condition: USED Fair.

Report on the collaborative study by the Getty Art History Information Program (AHIP) and the Institute for Research in Information and Scholarship (IRIS) at Brown University, . Light edgewear otherwise a clean, unmarked, complete very good+ paperback book in decorative wrappers (soft cover book).

Paperback. Condition: Very Good. Unmarked. Report on a Collaborative Study by the Getty Art History Program (AHIP) and the Institute for Research in Information and Scholarship (IRIS). Topics include the process of art historical inquiry, art-historical point of view, Roman portraiture, case studies, and more. Illustrated. 199p.…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Used - Good. Good paperback. First Edition. Label on front cover, & Tate Liverpool stamp on back cover verso. Front cover creased Used - Good. Good paperback.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:0892361352. …

1st edition. Minor library marks remain internally. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description: xii,199 pages: illustrations; 28 cm.Subjects: Art historians; Interviews. Art Historiography. Art historians. Art Historiography. Genre: Illustrated. Interviews. 1 Kg.…

1st edition. Minor library marks remain internally. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description: xii,199 pages: illustrations; 28 cm.Subjects: Art historians; Interviews. Art Historiography. Art historians. Art Historiography. Genre: Illustrated. Interviews. 1 Kg.…

Paperback. Condition: Fair.

Condition: acceptable. The book has obvious wear and tear. Cover may have some damage creases but is still intact. Binding may be slightly damaged. May have writing, underlining and highlighting throughout book. May have an end page torn out but it doesn't compromise the text. May have yellowed pages. Fast Shipping, safe and secure mailers. Stock photo used.…

paperback. Condition: Good. Paperback in good condition. Some edge wear to covers. Signed by daughter of author. No other markings. Pages in good readable condition. Binding is secure. No spine creases. Our feedback says it all! Feel confident when you order from Hilltop Book Shop.

Paperback. Condition: Fair.

Soft cover. Condition: As New. 1st Edition. . Paul Getty Trust Publications, 1988. Paperback. Condition: as new 1st edition.

Hardcover. Condition: Brand New. 224 pages. 8.50x5.50x1.06 inches. In Stock.

Hardback. Condition: New. What does it mean to 'kiss and part'? This collection of previously unpublished short stories from a stellar list of contemporary women novelists is a literary celebration of the spirit of place. Each contributor shares one thing in common - they have all stayed at a small cottage in the village of Clifford Chambers near Stratford-upon-Avon, courtesy of a trust set up to provide women writers with 'a room of one's own', as Virginia Woolf put it. Clifford Chambers was the home of the Jacobean poet Michael Drayton, who incorporated the phrase 'Kiss and part' into a sonnet. Each of the ten short stories in this collection takes this as its theme and the result is wonderfully eclectic mix of storytelling of the highest quality. All royalties go the Hosking Houses Trust to further encourage women's writing. The collection includes:Introduction by Margaret DrabbleBuck Moon by Marina Warner'A Merrie Meeting' by Salley VickersThe Incumbent by Elizabeth Speller'Colossal Wreck' by Maria McCannThe Visitation by Maggie GeeAnd the River Flows On by Joan BakewellThe Creature by Jill DawsonThe Turn by Catherine FoxThe Fabric of Things by Jo Baker'Place of Dreams' by Lucy Durneen.…

Condition: Good. Paperback, twist on book, blackish stains on bottom of book, good condition.

Condition: New. Satisfaction Guaranteed or your money back.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Hardback. Condition: New. What does it mean to 'kiss and part'? This collection of previously unpublished short stories from a stellar list of contemporary women novelists is a literary celebration of the spirit of place. Each contributor shares one thing in common - they have all stayed at a small cottage in the village of Clifford Chambers near Stratford-upon-Avon, courtesy of a trust set up to provide women writers with 'a room of one's own', as Virginia Woolf put it. Clifford Chambers was the home of the Jacobean poet Michael Drayton, who incorporated the phrase 'Kiss and part' into a sonnet. Each of the ten short stories in this collection takes this as its theme and the result is wonderfully eclectic mix of storytelling of the highest quality. All royalties go the Hosking Houses Trust to further encourage women's writing. The collection includes:Introduction by Margaret DrabbleBuck Moon by Marina Warner'A Merrie Meeting' by Salley VickersThe Incumbent by Elizabeth Speller'Colossal Wreck' by Maria McCannThe Visitation by Maggie GeeAnd the River Flows On by Joan BakewellThe Creature by Jill DawsonThe Turn by Catherine FoxThe Fabric of Things by Jo Baker'Place of Dreams' by Lucy Durneen.…