Eleey Peter (201 results)

Condition: Very Good. 72 pp., Hardcover, light wear to spine else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condition: As New. Unread book in perfect condition.

Hardcover without dustjacket as issued; 174 pages; good condition; light rubbing to covers; ex-gallery copy with sticker taped around bottom of spine; sticker, stamp and pencil numbers on first couple pages; no other internal marks. Foreign shipping may be extra.

Soft cover. Condition: Very Good. Paperback. Minor wear to wrapper corners & edges, otherwise very good.

Softcover, 72 pages; very good condition; clean and crisp; no internal marks. Includes: Song Dong, Sol Lewitt, Gordon Matta-Clark, Helen Mirra, Trisha Donnelly and others. Foreign shipping may be extra.

Hardback. Condition: Very Good. Known for her early 'repetitions' of the work of her contemporaries - including Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol - Sturtevant turned the visual logic of Pop art back on itself, using Duchamp's model of the readymade to probe uncomfortably at the workings of art history in real time. Yet the aspect of her work that allowed her to be described as 'the one artist who can't be copied' - her chameleon-like embrace of other artists' art - is also what has allowed her to be largely overlooked in the history of postwar American art. As a woman making versions of the work of better-known male artists, she has passed almost unnoticed through the hierarchies of mid-century modernism and postmodernism, at once absent from these histories while nevertheless articulating their structures. Despite a rising reputation in Europe, Sturtevant is still largely unknown in her home country. Published to accompany the first retrospective of her work in a US museum since 1973, at The Museum of Modern Art, this publication considers Sturtevant as a uniquely American artist, with political concerns inflected specifically by her upbringing and adult life in the US. Featuring previously unpublished drawings and sketches from the artist's archive, the book includes an essay by the exhibition curator that provides a comprehensive overview of the artist's practice while situating it more concretely within American culture.…

Wrappers. Condition: Very Good. 71pp. Exhibition catalogue. Very Good+++. Art works animated unusual public places, from unlikely landmarks to neglected, abandoned, and reclaimed sites like the High Line.

Hardcover. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Brand New. 50 pages. 8.50x5.50x0.25 inches. In Stock.

Condition: New.

Hardback. Condition: Very Good. Known for her early 'repetitions' of the work of her contemporaries - including Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol - Sturtevant turned the visual logic of Pop art back on itself, using Duchamp's model of the readymade to probe uncomfortably at the workings of art history in real time. Yet the aspect of her work that allowed her to be described as 'the one artist who can't be copied' - her chameleon-like embrace of other artists' art - is also what has allowed her to be largely overlooked in the history of postwar American art. As a woman making versions of the work of better-known male artists, she has passed almost unnoticed through the hierarchies of mid-century modernism and postmodernism, at once absent from these histories while nevertheless articulating their structures. Despite a rising reputation in Europe, Sturtevant is still largely unknown in her home country. Published to accompany the first retrospective of her work in a US museum since 1973, at The Museum of Modern Art, this publication considers Sturtevant as a uniquely American artist, with political concerns inflected specifically by her upbringing and adult life in the US. Featuring previously unpublished drawings and sketches from the artist's archive, the book includes an essay by the exhibition curator that provides a comprehensive overview of the artist's practice while situating it more concretely within American culture.…

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover without dustjacket as issued; 174 pages; new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Softcover, 56 pages; as new condition; clean and crisp; no internal marks.

Soft cover. Condition: New. 1st Edition. 4to, card covers, 128pp. SEALED and UNOPENED.

Softcover. Condition: Fine. First Edition. Fine looking, structurally sound catalog, bound unusually and quite attractively, featuring the work of Haluk Akakçe: Sky is the Limit, edited by Peter Eleey, and with contributions by Alex Farquharson, Anne Pasternak, Louise Wilson, and Joshua Abbey. Interviews, essays, and several score brilliant, full-color illustrations.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condition: Good. Artists have always used their imaginations to see beyond visible matter--to posit other physics, other energies, new ways of conceiving the visible and new models for art--but the past century has seen an explosion of such investigations. In the fashion of a Wunderkammer, The Quick and the Dead takes stock of the 1960s and 70s legacy of experimental, or "research" art by pioneers like George Brecht, who posited objects as motionless events and asked us to consider "an art verging on the non-existent, dissolving into other dimensions," and Lygia Clark, whose foldable sculptures sought to dissolve the boundary between inside and outside, each "a static moment within the cosmological dynamics from which we came and to which we are going." In a series of encounters with art made strange by its expansions, contractions, inversions and implosions in time and space, The Quick and the Dead surveys more than 80 works by a global, multigenerational group of 50 artists, scientists and musicians--among them James Lee Byars, Joseph Beuys, Marcel Duchamp, Harold Edgerton, Ceal Floyer, Felix Gonzalez-Torres, Pierre Huyghe, The Institute for Figuring, Paul Ramirez Jonas, Stephen Kaltenbach, On Kawara, Christine Kozlov, David Lamelas, Louise Lawler, Paul Etienne Lincoln, Mark Manders, Kris Martin, Steve McQueen, Helen Mirra, Catherine Murphy, Bruce Nauman, Rivane Neuenschwander, Claes Oldenburg, Roman Ondák, Adrian Piper, Roman Signer and Shomei Tomatsu, among many others. Includes reprints of texts by diverse luminaries such as John McPhee, Jalal Toufic, Oliver Sacks, Allan Kaprow and Robert Smithson. …

Trade Paperback. Condition: NEW Discounted.

Hardback. Condition: Good. Artists have always used their imaginations to see beyond visible matter--to posit other physics, other energies, new ways of conceiving the visible and new models for art--but the past century has seen an explosion of such investigations. In the fashion of a Wunderkammer, The Quick and the Dead takes stock of the 1960s and 70s legacy of experimental, or "research" art by pioneers like George Brecht, who posited objects as motionless events and asked us to consider "an art verging on the non-existent, dissolving into other dimensions," and Lygia Clark, whose foldable sculptures sought to dissolve the boundary between inside and outside, each "a static moment within the cosmological dynamics from which we came and to which we are going." In a series of encounters with art made strange by its expansions, contractions, inversions and implosions in time and space, The Quick and the Dead surveys more than 80 works by a global, multigenerational group of 50 artists, scientists and musicians--among them James Lee Byars, Joseph Beuys, Marcel Duchamp, Harold Edgerton, Ceal Floyer, Felix Gonzalez-Torres, Pierre Huyghe, The Institute for Figuring, Paul Ramirez Jonas, Stephen Kaltenbach, On Kawara, Christine Kozlov, David Lamelas, Louise Lawler, Paul Etienne Lincoln, Mark Manders, Kris Martin, Steve McQueen, Helen Mirra, Catherine Murphy, Bruce Nauman, Rivane Neuenschwander, Claes Oldenburg, Roman Ondák, Adrian Piper, Roman Signer and Shomei Tomatsu, among many others. Includes reprints of texts by diverse luminaries such as John McPhee, Jalal Toufic, Oliver Sacks, Allan Kaprow and Robert Smithson. …

hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condition: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.