Language: English
Published by Walther KÃ nig, KÃ ln, 2012
ISBN 10: 386335155X ISBN 13: 9783863351557
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Language: English
Published by The Museum of Modern Art, New Yo, 2015
ISBN 10: 0870709690 ISBN 13: 9780870709692
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Acceptable. Jumbo-sized. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library.
Seller: Erik Hanson Books and Ephemera, San Diego, CA, U.S.A.
First Edition
Hardcover. Condition: Fine. 1st Edition. Glossy boards binding, oblong landscape format. Probably too wide for Priority flat-rate envelope. A clean and almost certainly unread copy. Philip Johnson's house through the lens of a creative and talented photographer, and a conversation with him. Modernist architecture theory.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Deutsch Mit zahlreichen Abbildungen. 96 Seiten. 4°. OriginalKarton. Altersentsprechend guter Zustand!
Language: Multiple languages
Published by Nationalgalerie, 2012
Seller: Randall's Books, Cathedral City, CA, U.S.A.
Soft cover. Condition: Very Good. Nationalgalerie, Staatliche Museen zu Berlin, 2012. Softcover, 96 pp. Catalog of an exhibition which took place in Berlin from 20 April to 12 August 2012. Text in English and German. The art of contemporary British artist Anthony McCall (born 1946), whose work has been described as being 'on the boundaries between film, sculpture and drawing'. Very good condition.
Language: English
Published by NY: Museum of Modern Art, 2015
ISBN 10: 0870709690 ISBN 13: 9780870709692
Seller: Lorrin Wong, Bookseller, Los Angeles, CA, U.S.A.
368 pages, illustrated. Fine hard cover exhibition catalog/ no dust jacket. In original shrinkwrap.
Language: English
Published by Damiani Editore, Bologna, Italy, 2011
ISBN 10: 8862081618 ISBN 13: 9788862081610
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First Edition. First edition. Oblong hardcover. 95 pages. Features an essay by Noam Elcott along with the text of an interview between Welling and Sylvia Lavin. Includes 45 color images of Philip Johnson's iconic Connecticut house. A fine copy in photo-illustrated boards. No dust jacket as issued. As new and still in the publisher's shrinkwrap.
Language: English
Published by The University of Chicago Press, US, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Darkness has a history and a uniquely modern form. Distinct from night, shadows, and artificial light, "artificial darkness" has been overlooked-until now. In fact, controlled darkness was essential to the rise of photography and cinema, science and spectacle, and a century of advanced art and film. Artificial Darkness is the first book to historicize and theorize this phenomenon and map its applications across a range of media and art forms. In exploring how artificial darkness shaped modern art, film, and media, Noam M. Elcott addresses seminal and obscure works alongside their sites of production-such as photography darkrooms, film studios, and laboratories-and their sites of reception, including theaters, cinemas, and exhibitions. He argues that artists, scientists, and entertainers like Étienne-Jules Marey, Richard Wagner, Georges Méliès, and Oskar Schlemmer revolutionized not only images but also everything surrounding them: the screen, the darkness, and the experience of bodies and space. At the heart of the book is "the black screen," a technology of darkness that spawned today's blue and green screens and has undergirded numerous advanced art and film practices to this day. Turning familiar art and film narratives on their heads, Artificial Darkness is a revolutionary treatment of an elusive, yet fundamental, aspect of art and media history.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 312.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. reprint edition. 312 pages. 9.50x6.50x1.10 inches. In Stock.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Seller: Antiquariat UEBUE, Zürich, Switzerland
First Edition
Softcover. Condition: Sehr gut. 1. Auflage. Z : 96 Seiten/pages, 23 x 30 cm - Anthony McCall became known in the early 1970s for installations in which animated lines of light are projected into dark, misty rooms, and has now reconceived them using computer animation.
Hardcover without dustjacket as issued, 152 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2018. Reprint. Paperback. . . . . .
Language: English
Published by The University of Chicago Press, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Pace Gallery, New York, 2019
ISBN 10: 1948701251 ISBN 13: 9781948701259
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Cloth. Condition: Fine Condition. Dust Jacket Condition: No Jacket, As Issued. 152 pages 100 illustrations in color. Illustrated boards. Published on the occasion of the exhibition from the Pace Gallery, New York NY September 14-October 26, 2019. List of Works.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. 2018. Reprint. Paperback. . . . . . Books ship from the US and Ireland.
Language: English
Published by Damiani Editore, Bologna, Italy, 2010
ISBN 10: 8862081618 ISBN 13: 9788862081610
Seller: PsychoBabel & Skoob Books, Didcot, United Kingdom
Signed
Hardcover. Condition: Very Good. Hardcover in very good condition. No jacket. Signed by artist on copyright page at rear. HCW. Signed by Artist. Used.
Language: English
Published by University of Chicago Press, Chicago, IL, 2016
ISBN 10: 022632897X ISBN 13: 9780226328973
First Edition
Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition. First edition, hardcover, has a mild skew to the binding, and a touch of shelf wear to the spine ends and cover corners. Otherwise, this is a solid, clean, Very Good+ copy in a like dust jacket, which has light bumps with mild creasing to the spine ends and corners, and faint rubbing with a touch of edge wear to the covers. The jacket is wrapped in Mylar.
Hardcover. Condition: Like New. Signed by Welling, oblong format hardcover in pictorial boards, no jacket as issued. oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.
Language: English
Published by University of Chicago Press, 2016
ISBN 10: 022632897X ISBN 13: 9780226328973
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Language: English
Published by The University of Chicago Press, US, 2018
ISBN 10: 022659775X ISBN 13: 9780226597751
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. Darkness has a history and a uniquely modern form. Distinct from night, shadows, and artificial light, "artificial darkness" has been overlooked-until now. In fact, controlled darkness was essential to the rise of photography and cinema, science and spectacle, and a century of advanced art and film. Artificial Darkness is the first book to historicize and theorize this phenomenon and map its applications across a range of media and art forms. In exploring how artificial darkness shaped modern art, film, and media, Noam M. Elcott addresses seminal and obscure works alongside their sites of production-such as photography darkrooms, film studios, and laboratories-and their sites of reception, including theaters, cinemas, and exhibitions. He argues that artists, scientists, and entertainers like Étienne-Jules Marey, Richard Wagner, Georges Méliès, and Oskar Schlemmer revolutionized not only images but also everything surrounding them: the screen, the darkness, and the experience of bodies and space. At the heart of the book is "the black screen," a technology of darkness that spawned today's blue and green screens and has undergirded numerous advanced art and film practices to this day. Turning familiar art and film narratives on their heads, Artificial Darkness is a revolutionary treatment of an elusive, yet fundamental, aspect of art and media history.