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  • Language: English

    Published by Bloomsbury Publishing PLC, 2023

    1839025417 / 9781839025419

    Series: Book 175 of 58 - BFI Film Classics

    • Softcover

    Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail

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    Paperback. Condition: new. Paperback. Michael Ciminos The Deer Hunter was met with both critical and commercial success upon its release in 1978. However, it was also highly controversial and came to be seen as a powerful statement on the human cost of America's longest war and as a colonialist glorification of anti-Asian violence. Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the films lighting, mise-en-scene, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunters formal elements were used to bolster his troubling depictions of war and race.Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughess Dead Presidents (1995) and Spike Lees Da Five Bloods (2020), Prager illuminates The Deer Hunters major presumptions, blind spots and omissions, while also presenting a case for its classic status. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Language: English

    Published by Bloomsbury Publishing PLC, 2023

    1839025417 / 9781839025419

    Series: Book 175 of 58 - BFI Film Classics

    • Softcover

    Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.

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    Condition: New. 2023. Paperback. . . . . .

  • Language: English

    Published by Bloomsbury Publishing PLC, 2023

    1839025417 / 9781839025419

    Series: Book 175 of 58 - BFI Film Classics

    • Softcover

    Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore

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    Condition: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

  • Language: English

    Published by Bloomsbury Publishing PLC, 2023

    1839025417 / 9781839025419

    Series: Book 175 of 58 - BFI Film Classics

    • Softcover

    Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE

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  • Language: English

    Published by Bloomsbury Publishing PLC, 2023

    1839025417 / 9781839025419

    Series: Book 175 of 58 - BFI Film Classics

    • Softcover

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    Paperback. Condition: new. Paperback. Michael Ciminos The Deer Hunter was met with both critical and commercial success upon its release in 1978. However, it was also highly controversial and came to be seen as a powerful statement on the human cost of America's longest war and as a colonialist glorification of anti-Asian violence. Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the films lighting, mise-en-scene, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunters formal elements were used to bolster his troubling depictions of war and race.Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughess Dead Presidents (1995) and Spike Lees Da Five Bloods (2020), Prager illuminates The Deer Hunters major presumptions, blind spots and omissions, while also presenting a case for its classic status. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

  • Language: English

    Published by Bloomsbury Publishing PLC, 2023

    1839025417 / 9781839025419

    Series: Book 175 of 58 - BFI Film Classics

    • Softcover

    Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller

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    Paperback. Condition: new. Paperback. Michael Ciminos The Deer Hunter was met with both critical and commercial success upon its release in 1978. However, it was also highly controversial and came to be seen as a powerful statement on the human cost of America's longest war and as a colonialist glorification of anti-Asian violence. Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the films lighting, mise-en-scene, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunters formal elements were used to bolster his troubling depictions of war and race.Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughess Dead Presidents (1995) and Spike Lees Da Five Bloods (2020), Prager illuminates The Deer Hunters major presumptions, blind spots and omissions, while also presenting a case for its classic status. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

  • Language: English

    Published by Bloomsbury Publishing PLC, 2023

    1839025417 / 9781839025419

    Series: Book 175 of 58 - BFI Film Classics

    • Softcover

    Seller: moluna, Greven, Germanymoluna

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    Condition: New. &Uumlber den AutorBrad PragerInhaltsverzeichnisAcknowledgmentsIntroduction1. Realism and Truth2. Mountains and Fog3. There s Rats in Here 4. Coming Home 5. God Bless America Conc.

  • Language: English

    Published by Bloomsbury Publishing Plc, 2015

    1623564441 / 9781623564445

    • Softcover

    Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore

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    Condition: New. Explores new nonfiction film about the Holocaust and analyzes a number of currently emerging tendencies that define the field for the new millennium. Num Pages: 304 pages, 36 bw illus. BIC Classification: APFR; HBTZ1. Category: (G) General (US: Trade). Dimension: 230 x 154 x 20. Weight in Grams: 460. . 2015. UK ed. Paperback. . . . . Books ship from the US and Ireland. …

  • Language: English

    Published by Bloomsbury Publishing Plc, 2015

    1623564441 / 9781623564445

    • Softcover

    Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.

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    Condition: New. Explores new nonfiction film about the Holocaust and analyzes a number of currently emerging tendencies that define the field for the new millennium. Num Pages: 304 pages, 36 bw illus. BIC Classification: APFR; HBTZ1. Category: (G) General (US: Trade). Dimension: 230 x 154 x 20. Weight in Grams: 460. . 2015. UK ed. Paperback. . . . . …

  • Condition: New

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    Hardcover. Condition: Brand New. 346 pages. 6.00x2.00x9.00 inches. In Stock.

  • Language: English

    Published by Bloomsbury Publishing Plc, New York, 2015

    1623564441 / 9781623564445

    • Softcover
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    Paperback. Condition: new. Paperback. After the Fact studies the terrain of Holocaust documentaries subsequent to the turn of the twenty-first century. Until now most studies have centered primarily on canonical films such as Shoah and Night and Fog, but over the course of the last ten years filmmaking practices have altered dramatically. Changing techniques, diminishing communities of survivors, and the public's response to familiar, even iconic imagery, have all challenged filmmakers to radically revise and newly envision how they depict the Holocaust. Innovative styles have emerged, including groundbreaking techniques of incorporating archival footage, survivor testimony, and reenactment. Carrying wider implications for the fields of Film Studies, Jewish Studies, and Visual Studies, this book closely analyzes ten contemporary and internationally produced films, most of which have hardly been touched upon in the critical literature or elsewhere. Explores new nonfiction film about the Holocaust and analyzes a number of currently emerging tendencies that define the field for the new millennium. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Language: English

    Published by Bloomsbury Publishing Plc, New York, 2015

    1623564441 / 9781623564445

    • Softcover
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    Paperback. Condition: new. Paperback. After the Fact studies the terrain of Holocaust documentaries subsequent to the turn of the twenty-first century. Until now most studies have centered primarily on canonical films such as Shoah and Night and Fog, but over the course of the last ten years filmmaking practices have altered dramatically. Changing techniques, diminishing communities of survivors, and the public's response to familiar, even iconic imagery, have all challenged filmmakers to radically revise and newly envision how they depict the Holocaust. Innovative styles have emerged, including groundbreaking techniques of incorporating archival footage, survivor testimony, and reenactment. Carrying wider implications for the fields of Film Studies, Jewish Studies, and Visual Studies, this book closely analyzes ten contemporary and internationally produced films, most of which have hardly been touched upon in the critical literature or elsewhere. Explores new nonfiction film about the Holocaust and analyzes a number of currently emerging tendencies that define the field for the new millennium. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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    Hardcover. Condition: Brand New. 346 pages. 6.00x2.00x9.00 inches. In Stock. This item is printed on demand.

  • Language: English

    Published by Bloomsbury Publishing Plc, New York, 2015

    162356932X / 9781623569327

    • Hardcover
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    Hardcover. Condition: new. Hardcover. After the Fact studies the terrain of Holocaust documentaries subsequent to the turn of the twenty-first century. Until now most studies have centered primarily on canonical films such as Shoah and Night and Fog, but over the course of the last ten years filmmaking practices have altered dramatically. Changing techniques, diminishing communities of survivors, and the public's response to familiar, even iconic imagery, have all challenged filmmakers to radically revise and newly envision how they depict the Holocaust. Innovative styles have emerged, including groundbreaking techniques of incorporating archival footage, survivor testimony, and reenactment. Carrying wider implications for the fields of Film Studies, Jewish Studies, and Visual Studies, this book closely analyzes ten contemporary and internationally produced films, most of which have hardly been touched upon in the critical literature or elsewhere. Explores new nonfiction film about the Holocaust and analyzes a number of currently emerging tendencies that define the field for the new millennium. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Language: English

    Published by Bloomsbury Publishing Plc, New York, 2015

    162356932X / 9781623569327

    • Hardcover
    • Print on Demand

    Seller: CitiRetail, Stevenage, United KingdomCitiRetail

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    Hardcover. Condition: new. Hardcover. After the Fact studies the terrain of Holocaust documentaries subsequent to the turn of the twenty-first century. Until now most studies have centered primarily on canonical films such as Shoah and Night and Fog, but over the course of the last ten years filmmaking practices have altered dramatically. Changing techniques, diminishing communities of survivors, and the public's response to familiar, even iconic imagery, have all challenged filmmakers to radically revise and newly envision how they depict the Holocaust. Innovative styles have emerged, including groundbreaking techniques of incorporating archival footage, survivor testimony, and reenactment. Carrying wider implications for the fields of Film Studies, Jewish Studies, and Visual Studies, this book closely analyzes ten contemporary and internationally produced films, most of which have hardly been touched upon in the critical literature or elsewhere. Explores new nonfiction film about the Holocaust and analyzes a number of currently emerging tendencies that define the field for the new millennium. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…