Dobrenko Evgenii (12 results)

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Hardback. Condition: New. A leading expert in Soviet literature reveals how Socialist Realism arose from within the ranks of the literati; This provocative work takes issue with the idea that Socialist Realism was mainly the creation of party leaders and was imposed from above on the literati who lived and worked under the Soviet regime. Evgeny Dobrenko, a leading expert on Soviet literature, argues instead - and offers persuasive evidence - that the aesthetic theories underpinning Socialist Realism arose among the writers themselves, born of their proponents' desire for power in the realm of literary policymaking. Accordingly, Dobrenko closely considers the evolution of these theories, deciphering the power relations and social conditions that helped to shape them. In chapters on Proletkult, RAPP, LEF, and Pereval, Dobrenko reexamines the theories generated by these major Marxist literary groupings of the early Soviet Union. He shows how each approached the problems of literature's response to the presumed social mandate of the young communist society, and how Socialist Realism emerged as a conglomerate of these earlier, revolutionary theories.…

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Condition: New. This provocative work takes issue with the idea that Socialist Realism was mainly the creation of party leaders and was imposed from above on the literati who lived and worked under the Soviet regime. Translator(s): Savage, Jesse M. Series: Studies in Russian Literature and Theory. Num Pages: 168 pages. BIC Classification: 2AGR; DSB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 235 x 156 x 18. Weight in Grams: 422. . 2005. 1st Edition. Hardcover. . . . . …

Condition: New. This book is a history of the shaping of the reader of Soviet literature, for in Soviet culture the reader was never a "consumer of books" in the Western sense. According to the doctrine of Socialist Realism, the reader was a subject of education, to be reforged and molded. Translator(s): Savage, Jesse M. Num Pages: 392 pages. BIC Classification: 1DVUA; 2AGR; DSBH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 238 x 161 x 27. Weight in Grams: 720. . 1997. 1st Edition. hardcover. . . . . …

Condition: New. This provocative work takes issue with the idea that Socialist Realism was mainly the creation of party leaders and was imposed from above on the literati who lived and worked under the Soviet regime.Inhaltsverzeichnis1. The Academy .

Condition: New. This provocative work takes issue with the idea that Socialist Realism was mainly the creation of party leaders and was imposed from above on the literati who lived and worked under the Soviet regime. Translator(s): Savage, Jesse M. Series: Studies in Russian Literature and Theory. Num Pages: 168 pages. BIC Classification: 2AGR; DSB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 235 x 156 x 18. Weight in Grams: 422. . 2005. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. …

Buch. Condition: Neu. Neuware - This provocative work takes issue with the idea that Socialist Realism was mainly the creation of party leaders and was imposed from above on the literati who lived and worked under the Soviet regime.

Condition: New. This book is a history of the shaping of the reader of Soviet literature, for in Soviet culture the reader was never a "consumer of books" in the Western sense. According to the doctrine of Socialist Realism, the reader was a subject of education, to be reforged and molded. Translator(s): Savage, Jesse M. Num Pages: 392 pages. BIC Classification: 1DVUA; 2AGR; DSBH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 238 x 161 x 27. Weight in Grams: 720. . 1997. 1st Edition. hardcover. . . . . Books ship from the US and Ireland. …

Hardback. Condition: New. A leading expert in Soviet literature reveals how Socialist Realism arose from within the ranks of the literati; This provocative work takes issue with the idea that Socialist Realism was mainly the creation of party leaders and was imposed from above on the literati who lived and worked under the Soviet regime. Evgeny Dobrenko, a leading expert on Soviet literature, argues instead - and offers persuasive evidence - that the aesthetic theories underpinning Socialist Realism arose among the writers themselves, born of their proponents' desire for power in the realm of literary policymaking. Accordingly, Dobrenko closely considers the evolution of these theories, deciphering the power relations and social conditions that helped to shape them. In chapters on Proletkult, RAPP, LEF, and Pereval, Dobrenko reexamines the theories generated by these major Marxist literary groupings of the early Soviet Union. He shows how each approached the problems of literature's response to the presumed social mandate of the young communist society, and how Socialist Realism emerged as a conglomerate of these earlier, revolutionary theories.…

orig.wrappers Minor rubbing. An ink mark to bottom page-edge. VG. 23x15cm, vi,369 pp, PAPERBACK. "'Socialist Realism without Shores" offers an international perspective on the aesthetics of socialist realism - an aesthetic that, contrary to expectations, survived the death of its originators and the demise of its original domain. This expanded edition of a special issue of the "South Atlantic Quarterly" brings together scholars from various parts of the globe to discuss socialist realism as it appears across genres in art, architecture, film, and literature and across geographic divides - from the 'centre,' Russia, to various points at the 'periphery' - China, Germany, France, Poland, remote republics of the former USSR, and the United States. The contributors argue that socialist realism has never been a monolithic art form and demonstrate, among other things, that its literature could accommodate psychoanalytic criticism; that its art and architecture could affect the aesthetic dictates of Moscow that made ' Soviet' art paradoxically heterogeneous; and that its aesthetics could accommodate both high art and crafted kitsch. "Socialist Realism without Shores" also addresses the critical discourse provoked by socialist realism - Stalinist aesthetics, 'anthropological' readings; ideology critique and censorship; and the sublimely ironic approaches adapted from sots art, the Soviet version of postmodernism. Contributors include: Antoine Baudin, Svetlana Boym, Greg Castillo, Katerina Clark, Evgeny Dobrenko, Boris Groys, Hans Gunther, Julia Hell, Leonid Heller, Mikhail Iampolski, Thomas Lahusen, Regine Robin, Yuri Slezkine, Lily Wiatrowski Minor rubbing. An ink mark to bottom page-edge. VG.…