Digital Video (10 results)

Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
Contact seller5-star sellerCondition: New
£ 23.24
Free ShippingShips from United Kingdom to U.S.A.Quantity: 1 available
CD-ROM. Condition: New.

Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
Contact seller5-star sellerCondition: New
£ 38.86
Free ShippingShips from United Kingdom to U.S.A.Quantity: 16 available
CD-ROM. Condition: New.

- Softcover
Seller: moluna, Greven, Germanymoluna
Contact seller5-star sellerCondition: New
£ 21.71
£ 42.28 shippingShips from Germany to U.S.A.Quantity: 1 available
Kartoniert / Broschiert. Condition: New. Bill Byrne is a multimedia digital artist whose work has been exhibited internationally. His visual and sound art focuses on building surrealistic, organic worlds. He makes digital-photomontage-based prints, animated installations and conceptual sound art p.

- Softcover
Seller: moluna, Greven, Germanymoluna
Contact seller5-star sellerCondition: New
£ 69.66
£ 42.28 shippingShips from Germany to U.S.A.Quantity: Over 20 available
Kartoniert / Broschiert. Condition: New.

- Hardcover
Seller: moluna, Greven, Germanymoluna
Contact seller5-star sellerCondition: New
£ 166.57
£ 42.28 shippingShips from Germany to U.S.A.Quantity: Over 20 available
Gebunden. Condition: New.

- Hardcover
Seller: moluna, Greven, Germanymoluna
Contact seller5-star sellerCondition: New
£ 212.49
£ 42.28 shippingShips from Germany to U.S.A.Quantity: Over 20 available
Gebunden. Condition: New. Bill Byrne is a multimedia digital artist whose work has been exhibited internationally. His visual and sound art focuses on building surrealistic, organic worlds. He makes digital-photomontage-based prints, animated installations and conceptual sound art p.

- Hardcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
£ 207.22
£ 57.28 shippingShips from Germany to U.S.A.Quantity: 2 available
Buch. Condition: Neu. Neuware.

Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
£ 39.69
£ 65.00 shippingShips from United Kingdom to U.S.A.Quantity: 16 available
CD-ROM. Condition: New.

- Hardcover
Seller: book-link, Nufringen, BW, Germanybook-link
Contact seller5-star sellerCondition: Used - Fine
£ 44.36
£ 43.07 shippingShips from Germany to U.S.A.Quantity: 1 available
hardcover. Condition: Sehr gut. 96 Seiten; M26-04-XL-E-24-VG Sprache: Deutsch Gewicht in Gramm: 1.

- Hardcover
- Print on Demand
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
£ 107.03
£ 53.60 shippingShips from Germany to U.S.A.Quantity: 1 available
Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Wild Sound turns an analytic eye and ear to the role of background sound in cinema, to the way that film sound captures, creates, represents, and even critiques the environments that we inhabit. Listening beyond music and dialogue, this book ex…plores the relationship between location sound, sound libraries, and wider practices of field recording in the creation of the film soundtrack. Wild Sound is also interested in the wildness of sound, in the ways in which ambient environmental sounds gesture to a world beyond the frame, and sometimes invite the chaotic, unmanageable energies of the world outside into the hyper-controlled domain of the film. 'Wild sound', or 'wild track', is a film industrial term for non-synchronised sounds that often originate from a process of field recording. Immanently useful as atmosphere and sonic filler, these sounds often smuggle a dangerously noisy materiality into the systems of cinema. Ambient sound has been chronically under-appreciated and critically under-examined in the study of cinema. This book asserts that the background sounds of place onscreen are never neutral. Pigott reveals them to be carefully constructed 'sonic environments' that play a quiet but substantial role in determining how film audiences feel about the places, people and events that populate the screen. Each chapter tracks individual sounds across a wide range of international films from the history of cinema, providing rich cultural context and technical detail, drawing out the multiple meanings and formal characteristics of those ambient sounds that are often dismissed as inconsequential. Pigott demonstrates the value of paying close attention to the cinematic sound of place, at a time when it has never been more vital to examine how we imagine and treat our environments.