Diepenbeeck Abraham Van (55 results)

Condition: New.

Loose Leaf. Condition: New. Reproduction. Original title: Man with donkey German: Mann mit Esel French: Homme avec âne Spanish: Hombre con burro High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1630). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: The Blessed Henry Suso Kneeling before Eternal Wisdom German: Der selige Henry Suso kniet vor der ewigen Weisheit French: Le Bienheureux Henry Suso Kneeling devant la Sagesse Éternelle Spanish: El Beato Henry Suso Arrodillarse ante la Sabiduría Eterna High-quality fine-art reproduction based on an original work from the Met. Creation period: 17th century (before 1650). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: H. Frigdianus van Lucca German: H. Frigdianus van Lucca French: H. Frigdianus van Lucca Spanish: H. Frigdianus van Lucca High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1622). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Mythological scene with Iphis hanging himself at Anaxarete's door who did not answer his love, a garden beyond. -- Blatt-Format: 42 x 27 cm. - Original-Kupferstich nach Abraham van Diepenbeeck von 1655. -- gut erhalten. - Rare original engraving after Abraham van Diepenbeeck from 1655. -- in very good condition. || Abraham van Diepenbeeck (1596-1675) was a Dutch painter of the Flemish School. He was baptised in the Dutch city of 's-Hertogenbosch, as son of the glass painter Jan van Diepenbeeck. He became a pupil and assistant of Peter Paul Rubens, who highly influenced his work. He mostly dealt with mythological and historical subjects, as well as portraits. Around 1629, he moved to Antwerp, where he began to enjoy success through glass painting. Among his works are windows in the Antwerp cathedral representing the "Acts of Mercy". He did similar work at the church of the Dominicans, where he painted scenes from the "Life of Saint Paul". In 1632 he travels to Fontainebleau and Paris, where he copies frescoes by Francesco Primaticcio and Nicolò dellAbbate. In 1636, he becomes a citizen of Antwerp. Van Diepenbeek was admitted to the guild of painters in 1638, and became director of the Royal Academy of Fine Arts (Antwerp) in 1641. After a trip to Italy, van Diepenbeeck began to paint chiefly in oil and to work on illustration. Among these are 58 designs engraved by Cornelis Bloemaert for Michel de Marolles' "Tableaux du Temple des Muses". During the reign of Charles I of England, van Diepenbeeck travelled to England where, besides painting portraits of the first Duke of Newcastle and his family, the artist illustrated the nobleman's book on horsemanship. He died at the age of 79, in Antwerp. Among his well known paintings are: St. Norbert; Ecstasy of St. Bonaventura; St. Francis Adoring the Sacrament; Entombment of Christ; Neptune and Amphitrite; and the Flight of Cl½lia. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.…

Mythological scene with Echo as an old miserable woman with sagging breast seated in a cave at right and shouting, Cupid seated at her feet and holding a torch, Narcissus kneeling near a river and admiring his own reflection in left background. -- Blatt-Format: 42 x 27 cm. - Original-Kupferstich nach Abraham van Diepenbeeck von 1655. -- gut erhalten. - Rare original engraving after Abraham van Diepenbeeck from 1655. -- in very good condition. || Abraham van Diepenbeeck (1596-1675) was a Dutch painter of the Flemish School. He was baptised in the Dutch city of 's-Hertogenbosch, as son of the glass painter Jan van Diepenbeeck. He became a pupil and assistant of Peter Paul Rubens, who highly influenced his work. He mostly dealt with mythological and historical subjects, as well as portraits. Around 1629, he moved to Antwerp, where he began to enjoy success through glass painting. Among his works are windows in the Antwerp cathedral representing the "Acts of Mercy". He did similar work at the church of the Dominicans, where he painted scenes from the "Life of Saint Paul". In 1632 he travels to Fontainebleau and Paris, where he copies frescoes by Francesco Primaticcio and Nicolò dellAbbate. In 1636, he becomes a citizen of Antwerp. Van Diepenbeek was admitted to the guild of painters in 1638, and became director of the Royal Academy of Fine Arts (Antwerp) in 1641. After a trip to Italy, van Diepenbeeck began to paint chiefly in oil and to work on illustration. Among these are 58 designs engraved by Cornelis Bloemaert for Michel de Marolles' "Tableaux du Temple des Muses". During the reign of Charles I of England, van Diepenbeeck travelled to England where, besides painting portraits of the first Duke of Newcastle and his family, the artist illustrated the nobleman's book on horsemanship. He died at the age of 79, in Antwerp. Among his well known paintings are: St. Norbert; Ecstasy of St. Bonaventura; St. Francis Adoring the Sacrament; Entombment of Christ; Neptune and Amphitrite; and the Flight of Cl½lia. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.…

Mythological scene with Ceyx and Alcyone transformed into kingfishers ('halcyons') and breeding a nest on a shore at left, Aeolus standing on the shore outside a cave while brandishing his sceptre at the gods of the winds who are trapped inside the cave. -- Blatt-Format: 42 x 27 cm. - Original-Kupferstich nach Abraham van Diepenbeeck von 1655. -- gut erhalten. - Rare original engraving after Abraham van Diepenbeeck from 1655. -- in very good condition. || Abraham van Diepenbeeck (1596-1675) was a Dutch painter of the Flemish School. He was baptised in the Dutch city of 's-Hertogenbosch, as son of the glass painter Jan van Diepenbeeck. He became a pupil and assistant of Peter Paul Rubens, who highly influenced his work. He mostly dealt with mythological and historical subjects, as well as portraits. Around 1629, he moved to Antwerp, where he began to enjoy success through glass painting. Among his works are windows in the Antwerp cathedral representing the "Acts of Mercy". He did similar work at the church of the Dominicans, where he painted scenes from the "Life of Saint Paul". In 1632 he travels to Fontainebleau and Paris, where he copies frescoes by Francesco Primaticcio and Nicolò dellAbbate. In 1636, he becomes a citizen of Antwerp. Van Diepenbeek was admitted to the guild of painters in 1638, and became director of the Royal Academy of Fine Arts (Antwerp) in 1641. After a trip to Italy, van Diepenbeeck began to paint chiefly in oil and to work on illustration. Among these are 58 designs engraved by Cornelis Bloemaert for Michel de Marolles' "Tableaux du Temple des Muses". During the reign of Charles I of England, van Diepenbeeck travelled to England where, besides painting portraits of the first Duke of Newcastle and his family, the artist illustrated the nobleman's book on horsemanship. He died at the age of 79, in Antwerp. Among his well known paintings are: St. Norbert; Ecstasy of St. Bonaventura; St. Francis Adoring the Sacrament; Entombment of Christ; Neptune and Amphitrite; and the Flight of Cl½lia. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550. …

[Lichtervelde], Hannibal, [2021]. 87,[1] pp. Ills (chiefly col.). Orig. softcover (pictorial wrappers). 8vo. (Phoebus focus, 22). - As new.In this publication, three specialists highlight two of the sketches Baroque master Abraham van Diepenbeeck made for the stained-glass windows of St. Paul's Church in Antwerp. The stained-glass windows themselves have not withstood the test of time, making these sketches invaluable for reconstructing the church's original interior. - Text in Dutch. - - Abraham van Diepenbeeck (9 May 1596 (baptised) - between May and September 1675) was a Dutch painter, draftsman, glass painter, print maker and tapestry designer who worked most of his active career in Antwerp. He designed glass windows for various churches and monasteries in Antwerp for which he made many design drawings and oil sketches.…

Condition: New.

Blatt-Format: 42 x 27 cm. - Original-Kupferstich nach Abraham van Diepenbeeck von 1655. -- gut erhalten. - Rare original engraving after Abraham van Diepenbeeck from 1655. -- in very good condition. || Abraham van Diepenbeeck (1596-1675) was a Dutch painter of the Flemish School. He was baptised in the Dutch city of 's-Hertogenbosch, as son of the glass painter Jan van Diepenbeeck. He became a pupil and assistant of Peter Paul Rubens, who highly influenced his work. He mostly dealt with mythological and historical subjects, as well as portraits. Around 1629, he moved to Antwerp, where he began to enjoy success through glass painting. Among his works are windows in the Antwerp cathedral representing the "Acts of Mercy". He did similar work at the church of the Dominicans, where he painted scenes from the "Life of Saint Paul". In 1632 he travels to Fontainebleau and Paris, where he copies frescoes by Francesco Primaticcio and Nicolò dellAbbate. In 1636, he becomes a citizen of Antwerp. Van Diepenbeek was admitted to the guild of painters in 1638, and became director of the Royal Academy of Fine Arts (Antwerp) in 1641. After a trip to Italy, van Diepenbeeck began to paint chiefly in oil and to work on illustration. Among these are 58 designs engraved by Cornelis Bloemaert for Michel de Marolles' "Tableaux du Temple des Muses". During the reign of Charles I of England, van Diepenbeeck travelled to England where, besides painting portraits of the first Duke of Newcastle and his family, the artist illustrated the nobleman's book on horsemanship. He died at the age of 79, in Antwerp. Among his well known paintings are: St. Norbert; Ecstasy of St. Bonaventura; St. Francis Adoring the Sacrament; Entombment of Christ; Neptune and Amphitrite; and the Flight of Cl½lia. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.…

Condition: New.

Ganzleder. Condition: Gut. 2. Auflage. 8° ( 20,5 x 15,5 cm ) 9 Bl., 476 S., 3 Bl. Mit Kupfertitel, Holzschnitt-Druckermarke auf dem Titel und 34 (von 58) Kupfertafeln. Leder Einband der Zeit, am oberen Gelenk 3 cm langer, hinterlegter Einriss. Miti goldgeprägtem Rückentitel und Rückenvergoldung. Amsterdam, Abraham Wolfgang, 1676. -- Vgl. Landwehr VI, 502. Praz 413. - Die erste Ausgabe erschien im Jahre 1655. Die hochbarocken Kupfertafeln nach Zeichnungen von Abraham van Diepenbeeck, zeigen Darstellungen aus der antiken Mythologie und sind mit lateinischen und altgriechischen Bildunterschriften versehen. Es fehlen 24 Kupfertafeln. Leicht braun- und fingerfleckig, sonst wohlerhalten. Titel mit zwei handschriftlichen Besitzvermerken und einem verblichenem Besitzstempel. Abraham van Diepenbeeck ( 1596 - 1675 ) (illustrator). …

Condition: Good. Steel engraving. 30 x 20.2 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark.

'"S. FRANCISCUS"'Engraving of Saint Francis holding a cross, standing with a sheep at his side.Made by Michael Natalis after Abraham van Diepenbeeck.Medium: Engraving on hand laid (verge) paper. Watermark: Coat of arms with horn.Sheet size: 14 x 25 cm (5.51 x 9.84 inch). Image size: 14 x 25 cm. (5.51 x 9.84 inch).SAINT FRANCIS, RELIGIOUS ENGRAVING, BAROQUE ART, FLEMISH PRINT | PCO-E22-14BACKGROUND INFORMATIONPublished by Martinus van den Enden, part of a series of Saints, published c.1615-1676.Reference: Referenced in collections of Flemish religious prints, often tied to Antwerp publishers.Biography engraver: Michael Natalis (1610-1668) was a Flemish engraver known for his detailed engravings.Biography artist: Abraham van Diepenbeeck (1596-1675) was Dutch painter, draftsman, glass painter, print maker and tapestry designer who worked most of his active career in Antwerp. He designed glass windows for various churches and monasteries in Antwerp for which he made many design drawings and oil sketches. He engraved and designed many prints which were published by prominent Antwerp printers such as van Meurs, the Plantin Press and Martinus van den Enden the Elder. He had a close relationship with the workshop of the leading Flemish Baroque painter Peter Paul Rubens and collaborated on various projects under the direction of Rubens. In the 1630s van Diepenbeeck started to create monumental paintings. His work was influenced by Rubens and Anthony van Dyck. Condition: good, given age. Paper loss at bottom corners. Than paper at op corners. Staining at top left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Abraham van Diepenbeeck (illustrator). …

'"S. GUILIELMUS"'Engraving of Saint Guilielmus standing in prayer, with various coats of arms and symbols at his feet.Made by Theodor van Merlen after Abraham van Diepenbeeck.Medium: Engraving on hand laid (verge) paper.Sheet size: 14 x 25 cm (5.51 x 9.84 inch). Image size: 14 x 25 cm. (5.51 x 9.84 inch).SAINT GUILIELMUS, RELIGIOUS ENGRAVING, BAROQUE ART, FLEMISH PRINT | PCO-E22-14BACKGROUND INFORMATIONPublished by Martinus van den Enden, part of a series of Saints, published c.1615-1676.Reference: Referenced in collections of Flemish religious prints, often tied to Antwerp publishers.Biography engraver: Theodoor van Merlen II (1609-1672) was a Flemish draughtsman, graphic artist, and copper engraver.Biography artist: Abraham van Diepenbeeck (1596-1675) was Dutch painter, draftsman, glass painter, print maker and tapestry designer who worked most of his active career in Antwerp. He designed glass windows for various churches and monasteries in Antwerp for which he made many design drawings and oil sketches. He engraved and designed many prints which were published by prominent Antwerp printers such as van Meurs, the Plantin Press and Martinus van den Enden the Elder. He had a close relationship with the workshop of the leading Flemish Baroque painter Peter Paul Rubens and collaborated on various projects under the direction of Rubens. In the 1630s van Diepenbeeck started to create monumental paintings. His work was influenced by Rubens and Anthony van Dyck. Condition: good, given age. Paper loss in top corners. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Abraham van Diepenbeeck (illustrator).…

'"S. ALBINUS"'Engraving of Saint Albinus holding a palm branch, with cherubs above and figures in the background.Made by Theodor Matham after Abraham van Diepenbeeck.Medium: Engraving on hand laid (verge) paper.Sheet size: 14 x 25 cm (5.51 x 9.84 inch). Image size: 14 x 25 cm. (5.51 x 9.84 inch).SAINT ALBINUS, RELIGIOUS ENGRAVING, BAROQUE ART, FLEMISH PRINT | PCO-E22-14BACKGROUND INFORMATIONPublished by Martinus van den Enden, part of a series of Saints, published c.1615-1676.Reference: Referenced in collections of Flemish religious prints, often tied to Antwerp publishers.Biography engraver: Theodor Matham, also Theodoor Matham (born 1589) was a Dutch engraver. He was the younger son of the better known engraver Jacob Matham, and the brother of the engravers Jan and Adriaen Matham.Biography artist: Abraham van Diepenbeeck (1596-1675) was Dutch painter, draftsman, glass painter, print maker and tapestry designer who worked most of his active career in Antwerp. He designed glass windows for various churches and monasteries in Antwerp for which he made many design drawings and oil sketches. He engraved and designed many prints which were published by prominent Antwerp printers such as van Meurs, the Plantin Press and Martinus van den Enden the Elder. He had a close relationship with the workshop of the leading Flemish Baroque painter Peter Paul Rubens and collaborated on various projects under the direction of Rubens. In the 1630s van Diepenbeeck started to create monumental paintings. His work was influenced by Rubens and Anthony van Dyck. Condition: good, given age. Slight paper loss in top left corner. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Abraham van Diepenbeeck (illustrator).…

'CLARISSIMVS IC.TVS D. HENRICVS ZOESIVS ACADEMIAE LOVANIENSIS ANTECESSOR. OBIIT ANNO CHRISTI M.DC.XXVII. DIE XVI. FEBRUARII. AETAT. LVI.'A highly detailed portrait engraving of Hendrik Zoesius (?-1627), professor of Greek and Law at the University of Leuven. He is depicted seated at his desk, holding a book in his right hand. Behind him, shelves filled with books and a coat of arms are visible. The print, executed by Petrus Clouwet after a design by Abraham van Diepenbeeck, features a Latin inscription detailing Zoesius' academic role and date of death. This portrait is an excellent example of 17th-century Flemish engraving, showing intricate detailing in the subject's clothing, facial features, and surrounding scholarly environment.Made by Petrus Clouwet after Abraham van Diepenbeeck.Medium: Engraving on hand-laid (verge) paper.Sheet size: 20 x 30.2 cm (7.87 x 11.89 inch). Image size: 20 x 30.2 cm. (7.87 x 11.89 inch).HENDRIK ZOESIUS, LEUVEN UNIVERSITY, 17TH-CENTURY PORTRAIT, LEGAL SCHOLAR, FLEMISH ENGRAVING, PETRUS CLOUWET, ABRAHAM VAN DIEPENBEECK, HISTORICAL PORTRAIT | PCO-A76-31BACKGROUND INFORMATIONRijksmuseum Amsterdam, RP-P-1906-650.Reference: Frederik Muller, Beschrijvende catalogus van 7000 portretten van Nederlanders en van buitenlanders, tot Nederland in betrekking staande, Amsterdam 1853, cat. nr. 6307.Biography engraver: Petrus Clouwet (Antwerp, active 1639-1670), a Flemish engraver known for his detailed portrait works and collaborations with prominent artists of his time.Biography artist: Abraham van Diepenbeeck (1596-1675), a Flemish painter and engraver, trained under Peter Paul Rubens and known for his religious, historical, and portrait works. Condition: good, given age. Tear in lower left corner, trimmed margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Abraham van Diepenbeeck (illustrator). …

Condition: sehr guter Zustand. Kupferstich von P. Pontius (1603-1658), nach einem Selbstbildnis. 16,3:11,6 cm. Wurzbach 64; Drugulin 4636; Hollstein 70. Für: Joannes Meyssens 'Images d'hommes d'esprit', 1649. - An einer Seite unter Verlust der Plattenkante beschnitten, kleiner brauner Fleck.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1665 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 120 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 120 Bourgogne, Antoine de, 1593 or 4-1657,Clemens, Aurelius Augustinus,Pauli, Andries, 1600-1639, engraver,Diepenbeeck, Abraham van, 1596-1675,Merlen, Theodor van, 1600-1659, engraver,Galle, Jan, 1600-1676, printer.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1665 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 124 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 124 Language: Latin.…

Condition: Very Good. A mid-17th century print depicting inhabitants of Canada and their clothing. It is beautifully hand coloured. Costumes of Canada, excerpt from the book Ecclesiastical History of the Whole World by Cornelius Hazart., Image Size : 269x171 (mm), 10.59x6.73 (Inches), Platemark Size : , Paper Size : 299x181 (mm), 11.77x7.13 (Inches), Hand Colored, Copper Engraving.…

Condition: Good. Folio. 26 x 41cm. Contemporary calf, unrestored. [6]pp; 117 plates, some double page and some two to a page.OCLC Number / Unique Identifier:939440: . At least two different editions were published in 1696. One appears to be, broadly, a reissue of the plates of the first edition, with new letterpress in Latin and Dutch, and four different title-sources (this edition is not described by Bibliotheca Belgica, but is present at the British Library at 158.k.4). A Latin title page is more or less as described above, while a Dutch title page reads De kastelen en borgten van de edelen van Brabant. The engraved title-plate reads 'Prospectus Castellorum Et Prætoriorum . ' (as above), and a small engraved half-title supplies the title Brabantia sacra et profana scenographice illustrata. The two letterpress titlepages have the Amsterdam imprint of Abraham van Someren and Arnold van Ravestein. The present edition is quite different, and may perhaps be later. It has been reorganised into four books, the first two of which consist of the matter extracted from Topographia historica Gallo-Brabantiae, while the third is largely from the Notitia marchionatus sacri Romani Imperii. The title-plate and 'Schema metallorum . ' came originally from this last source, along with all but plates [5], [9], [14], [20], [22b], [23b] [30], [32], [33b], [34a], [37b], [38], [45b], [46a] and [47-49] from part 3 listed above, a total of 64 coppers. For the present work most of the earlier plates have been reworked to remove the original page numbers and, in a few cases, to revise captions, signatures and add the coats-of-arms of dedicatees. The brief fourth part is entirely new to the present edition, with plates which appear to have been freshly commissioned from Jacques van Croes (see Plates above). The lack of a list of plates makes the content of an ideal copy extremely hard to determine (although the accompanying text suggests at least which subjects should be depicted in the plates) and it was probably Le Roy's intention that the letterpress printed at this period could be used to accompany a shifting body of illustrative views. .In 1696 the Antwerp publisher Hendrik Thieullier died, and in 1697 Le Roy produced a new edition of the work, with his own imprint (Bibliotheca Belgica III, pp. 851-852). Brunet (II, col. 1002) and the UCBA (p.1174) record that the plates were also published with the title Brabantiaes scenographia in 1696, 1697 and 1698 but, while this is plausible, no copies with this title have been traced. . …

Condition: Good. Original engraving. 46.6 x 58cm. sheet size. Centerfold. Tear without loss in upper margin .National; Portrait Gallery NPG D38714; OCLC Number 228726949Text on the print:"Apres l'homme le Cheval le plus noble animal,Est rendu par ce Seigneur si juste et si égal,Par cette Methode, que tout le monde admire,Qu'on voit aisément, qu'il est sujet de Son EmpireSon assiette si belle, ses aides si secrettes;Tout à la neglicence, encore, si bien faittes,Nous sont un argument assés valide et puissant,Qu'il est à ses talons et Bride obeïssant,Et que tous les Chevaux sont assujettis à sa loÿ;Puis qu'ils luy obeïssent comme à leur propre Roy. S'il montoit un Diable tres-robuste,Ce Diable jroit en touts Airs fort Iuste.M.D.V.".References : Huth, 23; Podeschi 26 and 49; Lowndes, 1663; Wing N884-87; Brunet I, 1700; Graesse II, 93; Mellon Books on the Horse and Horsemanship (1783) p. 49; Mennessier de la Lance II, p. 250; Nissen ZBI 848. …

Condition: Good. Original engraving. 46.6 x 58cm. sheet size. Centerfold. Tear without loss in upper margin .OCLC Number 228726949Text on the print:A portrait of a squire holding the reins of a horse, landscape behind. Plate 10 of the Duke of Newcastle's treatise on horsemanship, .References : Huth, 23; Podeschi 26 and 49; Lowndes, 1663; Wing N884-87; Brunet I, 1700; Graesse II, 93; Mellon Books on the Horse and Horsemanship (1783) p. 49; Mennessier de la Lance II, p. 250; Nissen ZBI 848. …