De Man Brecht (37 results)

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Condition: New. pp. 218.

Condition: New. pp. 218.

Paperback. Condition: New. Intelligent Music Production presents the state of the art in approaches, methodologies and systems from the emerging field of automation in music mixing and mastering. This book collects the relevant works in the domain of innovation in music production, and orders them in a way that outlines the way forward: first, covering our knowledge of the music production processes; then by reviewing the methodologies in classification, data collection and perceptual evaluation; and finally by presenting recent advances on introducing intelligence in audio effects, sound engineering processes and music production interfaces.Intelligent Music Production is a comprehensive guide, providing an introductory read for beginners, as well as a crucial reference point for experienced researchers, producers, engineers and developers.…

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Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

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Condition: New. In English.

Paperback. Condition: Brand New. 202 pages. 9.00x7.25x0.50 inches. In Stock.

Paperback. Condition: New. Intelligent Music Production presents the state of the art in approaches, methodologies and systems from the emerging field of automation in music mixing and mastering. This book collects the relevant works in the domain of innovation in music production, and orders them in a way that outlines the way forward: first, covering our knowledge of the music production processes; then by reviewing the methodologies in classification, data collection and perceptual evaluation; and finally by presenting recent advances on introducing intelligence in audio effects, sound engineering processes and music production interfaces.Intelligent Music Production is a comprehensive guide, providing an introductory read for beginners, as well as a crucial reference point for experienced researchers, producers, engineers and developers.…

Paperback. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: New.

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Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

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Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In English.

Hardback. Condition: New. 1st. Intelligent Music Production presents the state of the art in approaches, methodologies and systems from the emerging field of automation in music mixing and mastering. This book collects the relevant works in the domain of innovation in music production, and orders them in a way that outlines the way forward: first, covering our knowledge of the music production processes; then by reviewing the methodologies in classification, data collection and perceptual evaluation; and finally by presenting recent advances on introducing intelligence in audio effects, sound engineering processes and music production interfaces.Intelligent Music Production is a comprehensive guide, providing an introductory read for beginners, as well as a crucial reference point for experienced researchers, producers, engineers and developers.…

Hardcover. Condition: Brand New. 202 pages. 9.50x7.75x0.75 inches. In Stock.

Hardback. Condition: New. 1st. Intelligent Music Production presents the state of the art in approaches, methodologies and systems from the emerging field of automation in music mixing and mastering. This book collects the relevant works in the domain of innovation in music production, and orders them in a way that outlines the way forward: first, covering our knowledge of the music production processes; then by reviewing the methodologies in classification, data collection and perceptual evaluation; and finally by presenting recent advances on introducing intelligence in audio effects, sound engineering processes and music production interfaces.Intelligent Music Production is a comprehensive guide, providing an introductory read for beginners, as well as a crucial reference point for experienced researchers, producers, engineers and developers.…

Encuadernado (conserva cubiert. Condition: Muy bueno. Primera edición. REVISTA SUR - Buenos Aires, 1931-1992. Números 1 al 371. Fundada y dirigida por Victoria Ocampo [1890-1979]. Publicación cerrada: 371 números. Colección completa encuadernada en pleno cuero o medio cuero con dorados [de a tres o cuatro ejemplares por volumen] conservando sus cubiertas originales. Muy buen estado. A. Fundada y dirigida por Victoria Ocampo (1891-1979), SUR se convirtió en una de las más importantes revistas literarias del mundo. Desde el primer número, aparecido en el verano de 1931 hasta el número 371 publicado en 1992, ofreció a sus lectores colaboraciones de destacados escritores argentinos y universales: Jorge Luis Borges, José Ortega y Gasset, Alfonso Reyes, Adolfo Bioy Casares, Pedro Henríquez Ureña, Octavio Paz, Jules Supervielle, Silvina Ocampo, Ramón Gómez de la Serna, y tantos otros que a través de sesenta años hicieron de SUR un fresco imprescindible de la cultura del siglo XX. El comité de colaboración estaba compuesto por un consejo extranjero y un consejo de redacción de los que formaban parte: Alfonso Reyes, Pierre Drieu la Rochelle, José Ortega y Gasset, Jules Supervielle, Waldo Frank, Jorge Luis Borges, Oliverio Girondo y Guillermo de Torre, entre otros. Entre otros colaboradores, SUR contó con William Faulkner, Aldous Huxley, Thomas Mann, Rafael Alberti, André Bretón, Rabindranath Tagore, Jacques Maritain, Pablo Neruda, Paul Valéry, Bertold Brecht, Jean Paul Sartre, Albert Camus, Roger Caillois, André Gide, Ricardo Güiraldes, Ezequiel Martínez Estrada, Leopoldo Marechal, Silvina Ocampo, Ernesto Sábato, Adolfo Bioy Casares, Juan Carlos Onetti, H. A. Murena y Alejandra Pizarnik, entre tantos otros.…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…