Davis Rosemarie (68 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Davis, Helen (illustrator).

Condition: like_new. Book is in like new condition with minimal signs of wear. Pages are clean and free from notes or highlighting. Dust cover is intact. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: New. Davis, Helen (illustrator).

Paperback. Condition: New. Davis, Helen (illustrator).

Paperback or Softback. Condition: New. A Reindear Tale. Davis, Helen (illustrator). Book.

Condition: As New. Unread book in perfect condition. Davis, Helen (illustrator).

Paperback. Condition: New. Davis, Helen (illustrator).

Condition: New. Davis, Helen (illustrator).

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Cloth. Condition: Near Fine. Near Fine. A nice, bright copy. ; B & W illustrations; 9 X 0.9 X 6 inches; 190 pages.

Paperback. Condition: Brand New. 82 pages. 7.50x0.22x9.25 inches. In Stock. Davis, Helen (illustrator).

Condition: New. Davis, Helen (illustrator).

hardcover. Condition: Fine.

Condition: As New. Unread book in perfect condition. Davis, Helen (illustrator).

paperback. Condition: Good. Minor shelf and perusal wear; corners slightly bumped and just beginning to curl. Pages are well bound. Text appears clean and unmarked.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Willa Cather's novels do not behave like other novels. Indeed, her art is famously uncategorizable. She is not much interested in plots; she works instead by juxtaposition, leaving it up to the reader to feel the vibrations between one situation and another. Nor is she interested in creating consistent character in the usual sense; her people are quite fluid as they appear and reappear in different phases of their stories. But she is deeply interested in the long-term trajectory of lives. Written back and forth in dialogue between Rosemarie Bodenheimer and Philip Davis, this innovative book explores the many ways that Willa Cather's radical originality is quietly manifest, without fanfare or explanation. Nearing middle age when she began her life as a novelist, Willa Cather thought of lives as long arcs of change, in which success and failure are equally fraught, and one might shift quickly into the feeling of the other. Bodenheimer and Davis discover and celebrate Cather's subtle shifts of mood and perspective, as they appear in her numinous landscapes of light, and are registered in her characters' minds. Working within her own terms, In Conversation with Willa Cather puts the odd shapes and silences of her books in conversation with her letters, interviews, and other writings about the art of fiction.…

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condition: Near Fine. First Edition. First edition. 189pp. Pictorial wrappers. Covers with light edgewear, near fine. Prints *Breath* by Samuel Beckett and *Figures of the Eye* by Rosemarie Waldrop; additional contributions by Jackson Mac Low, Paul Hoover, Jerome Rothenberg, Clark Coolidge, Raoul Housemann, Kurt Schwitters, Lydia Davis, Baroness Elsa von Freytag-Loringhoven and more.…

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Condition: New. Written in the form of a back-and-forth dialogue between the two authors, this book is about the relationship between feeling and thinking in Dickens's novels. It presents Dickens as a psychological thinker, whose generative thought may be conscious, unconscious, half-conscious, or in transit between one state and another. This Dickens is always in live process, improvizing from one monthly number to the next, subtly revizing as he goes, shifting moods, tenses, and tones from one paragraph or sentence to the next, as what he writes sparks off what he suddenly, newly, thinks. The chapters approach this inquiry through close readings of chosen passages, including studies of telling revisions in Dickens's manuscripts that reveal the power of his deepened second thoughts. They also draw on selected moments from his personal letters and prefaces when these more casual writings prove to be sketches or rehearsals for thoughts and feelings that achieve new life when they are transformed into fiction. The book concentrates on four novels of his great middle period: Dombey and Son, David Copperfield, Bleak House, and Little Dorrit, while making excursions into earlier and later Dickens novels, notably A Tale of Two Cities and Our Mutual Friend. The experiment of intense but informal conversation between the authors also models the relationship between feeling and thinking in the act of reading and responding to powerful moves in fiction. …

24,5 x 17 cm. Condition: Sehr gut. 415 Seiten Leineneinband in sehr gutem Zustand, innen wie außen der Umschlag minimal Fingerfleckig. Bitte beachten Sie unsere Bilder. PU-2 Sprache: Deutsch Gewicht in Gramm: 825.

Hardback. Condition: New. Written in the form of a back-and-forth dialogue between the two authors, this book is about the relationship between feeling and thinking in Dickens's novels. It presents Dickens as a psychological thinker, whose generative thought may be conscious, unconscious, half-conscious, or in transit between one state and another. This Dickens is always in live process, improvizing from one monthly number to the next, subtly revizing as he goes, shifting moods, tenses, and tones from one paragraph or sentence to the next, as what he writes sparks off what he suddenly, newly, thinks. The chapters approach this inquiry through close readings of chosen passages, including studies of telling revisions in Dickens's manuscripts that reveal the power of his deepened second thoughts. They also draw on selected moments from his personal letters and prefaces when these more casual writings prove to be sketches or rehearsals for thoughts and feelings that achieve new life when they are transformed into fiction. The book concentrates on four novels of his great middle period: Dombey and Son, David Copperfield, Bleak House, and Little Dorrit, while making excursions into earlier and later Dickens novels, notably A Tale of Two Cities and Our Mutual Friend. The experiment of intense but informal conversation between the authors also models the relationship between feeling and thinking in the act of reading and responding to powerful moves in fiction. …

Condition: New.