David Corio (20 results)

paperback. Condition: Good. Some wear, but still a good reading copy. A portion of your purchase of this book will be donated to non-profit organizations.Over 1,000,000 satisfied customers since 1997! Choose expedited shipping (if available) for much faster delivery. Delivery confirmation on all US orders.

Soft cover. Condition: Fine. A Near New copy with very slight edge wear to covers, otherwise pristine inside and out. All of our books are individually inspected and described. Never ex-library unless explicitly described as such.

paperback. Condition: Very Good. Illustrated by CORIO, DAVID- Marley Face Cover Art (illustrator). First Edition. VERY GOOD Condition CLEAN, SOLID, BRIGHT.***wall hanging holes not torn*** ***DOES NOT INCLUDE "INSERT LISTING MAJOR HOLIDAYS WORLDWIDE" ; WHITE cover titles on GOLD & BLACK Color cover showing Bob Marley facial photo portrait.BLACK DARKNESS & GOLD behind Bob ; Sheet Music; 28PG THIN pages; ORIGINAL EDITION.OVERSIZED ITEM, 1X2" DATE SQUARES UNDER FULL PAGE PHOTOS OF BOB MARLEY IN CLASSIC POSES.MANY DATES HAVE IMPORTANT DATE IN BOB'S CAREER, LIFE & MUSIC.NOT A COMMON ITEM.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fair. Starke Verschmutzung / Nasse. David Corio has systematically photographed the megalithic sites of England and Wales with the eye of a great landscape photographer, as well as with the passion of an explorer in the ruins of an ancient culture. These photographs go to the heart of prehistoric England and reveal a profound sense of place, with all the beauty that invited Romantic speculation from the seventeenth century onwards--as well as the encroaching modern world of distant urban skylines and protective barriers.

Paperback. Condition: Good +. WAX POETICS #25 OCT / NOV 2007: MILES DAVIS, THE PHOTO ISSUE includes photoo essays by: George DuBose, David Corio, Ernie Paniccioli, Joe Conze, Charlie Ahern, Jamel Shabazz, Janette Beckman and a history of Hip Hop Photography by Bill Adler. 186 pages, paper with stiff cover. Color and blavk and white. Remainder mark and wear to the cover edges. Good +.

Hardcover. Condition: Fine. Leichte Rillen / Abschurfungen / Risse / Knicke. David Corio has systematically photographed the megalithic sites of England and Wales with the eye of a great landscape photographer, as well as with the passion of an explorer in the ruins of an ancient culture. These photographs go to the heart of prehistoric England and reveal a profound sense of place, with all the beauty that invited Romantic speculation from the seventeenth century onwards--as well as the encroaching modern world of distant urban skylines and protective barriers.

Hardcover. Condition: As New. No Jacket. 1st Edition. Square quarto bound in pictorial, paper-covered boards. B&W photographs. As new condition. 200 pages.

Paperback. Condition: Like New. First Edition. First Edition, First Printing. Published by David Corio, 2010. Octavo. Paperback. Signed and inscribed on title page. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Megaliths , The ancient stone monuments of England and Wales, first edition 2003 published by Jonathan Cape, with amazing photography by David Corio and text by Lai Ngan Corio.

Hardcover. Condition: new. Hardcover. 'This volume is a graphically improved re-edition and re-invention of a book that first appeared in 1999. The classic Corio portraits have been swapped in a few places, but the line-up of brilliance they represent is unchanged, as is the text itself, apart from a little polish here and there. All quotes are taken from either the lifetime of original interviews I have conducted as a music journalist, first published in the mid-1970s British rock press, or from the many months of interviews I conducted specifically for The Black Chord, unless otherwise noted. My choice of additional subjects was dictated by David's magnificent portrait gallery. I wanted to, if not directly quote, at least contextualize every artist. In the intervening decades, many have left us. Some shine even more brightly. Regarding others whose luster has been tarnished by scandal, it may be a poignant surprise to recall how they were viewed before the sad, sordid truth came out. Like my dear friend and colleague David Corio - who had shot some of my own finest portraits - I came up in the London media and arts scene of the 1970s and '80s; in the early '90s, we both moved to New York. We shared the same typical Londoner's sort of eclectic pan-Black aesthetic: A love of soul, jazz, hip hop, R'n'B, music from Africa, particularly Francophone West Africa, and we had a special passion for reggae and dub. We shared a cultural formation, one that is reflected in this eclectic collection. When he told me in the closing years of the last century that he was planning a book of his portraits and asked if I might be interested in writing it, I sat with the archive and marveled. Through his serious commitment to and passion for music, he had kept on shooting since 1976, usually for a publication or label, but often for love, until his archive spelled out much of the arc of Black popular music from the latter half of the 20th century. I found it epic. Over a North London lunch with Trinidadian writer and broadcaster Isaac Fergusson, we discussed the way music has flowed in cycles of creativity; how the Africa from which so many individuals had been stolen remained the foundation for virtually everything we loved to listen to. That idea, that truth, resonated and took form in an alluring vibration. We decided to call it The Black Chord, as no matter how different were the sounds, together they formed one mighty harmony.' - Vivien Goldman Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Privately owned hardcover in sound and tight binding, unmarked text, unclipped jacket with light edge wear and a few 1cm tears, Ships from Berlin Bookshop Bxn.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days. 526.

Condition: Very good.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition.

Paperback, 176 pages, ENG, 280 x 215 x 11 mm, in good condition, photos in b/w. ISBN 9780789303752. A celebration of Black music in original photography and text. "The Black Chord bridges the boundaries between blues, rock, funk, jazz and world music. This lavishly illustrated book makes the historical, social, personal, and creative connections between 760 g.

Hardcover. Condition: Brand New. 192 pages. 11.00x10.00x1.00 inches. In Stock.

Hardcover. Condition: new. Hardcover. 'This volume is a graphically improved re-edition and re-invention of a book that first appeared in 1999. The classic Corio portraits have been swapped in a few places, but the line-up of brilliance they represent is unchanged, as is the text itself, apart from a little polish here and there. All quotes are taken from either the lifetime of original interviews I have conducted as a music journalist, first published in the mid-1970s British rock press, or from the many months of interviews I conducted specifically for The Black Chord, unless otherwise noted. My choice of additional subjects was dictated by David's magnificent portrait gallery. I wanted to, if not directly quote, at least contextualize every artist. In the intervening decades, many have left us. Some shine even more brightly. Regarding others whose luster has been tarnished by scandal, it may be a poignant surprise to recall how they were viewed before the sad, sordid truth came out. Like my dear friend and colleague David Corio - who had shot some of my own finest portraits - I came up in the London media and arts scene of the 1970s and '80s; in the early '90s, we both moved to New York. We shared the same typical Londoner's sort of eclectic pan-Black aesthetic: A love of soul, jazz, hip hop, R'n'B, music from Africa, particularly Francophone West Africa, and we had a special passion for reggae and dub. We shared a cultural formation, one that is reflected in this eclectic collection. When he told me in the closing years of the last century that he was planning a book of his portraits and asked if I might be interested in writing it, I sat with the archive and marveled. Through his serious commitment to and passion for music, he had kept on shooting since 1976, usually for a publication or label, but often for love, until his archive spelled out much of the arc of Black popular music from the latter half of the 20th century. I found it epic. Over a North London lunch with Trinidadian writer and broadcaster Isaac Fergusson, we discussed the way music has flowed in cycles of creativity; how the Africa from which so many individuals had been stolen remained the foundation for virtually everything we loved to listen to. That idea, that truth, resonated and took form in an alluring vibration. We decided to call it The Black Chord, as no matter how different were the sounds, together they formed one mighty harmony.' - Vivien Goldman Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover, 192 pages, ENG, 275 x 250 x 22 mm, dustjacket, book is in New condition, illustrated in bright colours. ISBN 9780810935341. Accessories created by the great designers provide not only enormous pleasure but also offer a crystallized image of their creator's vision. This volume celebrates the visionary hats, bags, shoes, belts, scarves, gloves and jewels fashioned by deigners of the 20th century, beginning with Poiret, Vionnet, Chanel and Schiaparelli and continuing through to Azzedine Alaia, Jean Paul Gaultier, Moschino and Vivienne Westwood 1430 g.

First Edition ~1st Printing Hardcover fine in fine dust jacket, in clear mylar cover; a tight square unmarked copy in unclipped dust jacket; clean and bright, nearly as new; first printing with complete number line.