David Cannata (32 results)
AIQ : American Indian Quarterly (A.I.Q.), Volume 21 Number 4, Fall 1997; Special Issue: Cultural Property in American Indian Literatures: Representation and Interpretation
Morris W. Foster (Editor); Articles by David L. Moore, Kimberly M. Blaeser, Sidner Larson, Lenora Ledwon, Alanna Kathleen Brown, Peter Kulchyski, Paul L. Tidwell, Armond Garner Ruffo, Kathryn W. Shanley, Susan M. Cannata, Patty Loew, Kate McCafferty, William Green
Published by The University of Nebraska Press, 1997
- Softcover
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Soft cover. Condition: Very Good+. Fine minus condition. Size: 8vo - over 7¾ - 9¾" tall. Journal.
Published by American Liszt Society, 2005
- Softcover
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Paperback. Condition: Used - Very Good. American Liszt Society, New York, 2005. xii, 222 pages. Illustrated. 10 x 7", paperback. Clean, tight, VG.
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Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
Language: English
Published by American Institute of Musicology, Gmbh, 2008
- Hardcover
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Hardcover. Condition: new. Hardcover. Edward Roesner forged a career in musicology that placed him at the forefront of the discipline. This collection of thirteen essays entitled Quomodo Cantabimus Canticum? taking its name from an important motet text in the Roman de Fauvel, and written and edited by a group of scholar friends…and students, honors not only his rigorous scholarship but also the breadth of his interest and learning. Starting with Leofranc Holford-Strevens' rationale of how Roesner, as Gustave Reese's protegee and successor, had no choice but to be a Medievalist, Gabriela Ilnitchi Currie's discussion of Eriugenian song, and Susan Rankin's expose on the making of Carolingian chant books, the anthology traverses a wide continuum of argument all of which underscores Roesner's particular interests--liturgy, chant, polyphony, authenticity, the dissemination of texts and ideas over the centuries, and things Parisian. Andreas Haug brings new perspectives to bear on Notker's Preface; and following Roesner's interest in all aspects of the Medieval and Renaissance eras, today's leading scholars--Rebecca Baltzer, Margaret Bent, Bonnie Blackburn, Susan Boynton, Michel Huglo, Karl Kuegle, and Joshua Rifkin--reexamine previously accepted notions of time and space, terminology, and transmission within previously "explicit" texts and tropes. The collection comes full circle with Linda Correll Roesner's discussion of a Clara Schumann letter (Reese's wedding gift to the Roesner couple), and a return to Paris with David Cannata's investigation of Messiaen as Thomistic Christologist. The editors were resolute that Roesner provide his own bibliography! With every sentence, Quomodo Cantabimus Canticum? Essays in Honor of Edward H. Roesner, a compilation that can only begin to plumb Roesner's facility and relentless pursuit of precision in all areas of academic investigation, marvels "How Can We Sing the Song?" For more information, see _cc007.htm Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by American Institute of Musicology, Gmbh, 2008
- Hardcover
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Condition: New. 2008. Illustrated. hardcover. . . . . .
- Hardcover
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Hardcover. Condition: Brand New. 282 pages. 10.25x7.00x1.00 inches. In Stock.
Language: English
Published by American Institute of Musicology, Gmbh, 2008
- Hardcover
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Condition: New. 2008. Illustrated. hardcover. . . . . . Books ship from the US and Ireland.
Language: English
Published by American Institute of Musicology, Gmbh, 2008
- Hardcover
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Hardcover. Condition: new. Hardcover. Edward Roesner forged a career in musicology that placed him at the forefront of the discipline. This collection of thirteen essays entitled Quomodo Cantabimus Canticum? taking its name from an important motet text in the Roman de Fauvel, and written and edited by a group of scholar friends…and students, honors not only his rigorous scholarship but also the breadth of his interest and learning. Starting with Leofranc Holford-Strevens' rationale of how Roesner, as Gustave Reese's protegee and successor, had no choice but to be a Medievalist, Gabriela Ilnitchi Currie's discussion of Eriugenian song, and Susan Rankin's expose on the making of Carolingian chant books, the anthology traverses a wide continuum of argument all of which underscores Roesner's particular interests--liturgy, chant, polyphony, authenticity, the dissemination of texts and ideas over the centuries, and things Parisian. Andreas Haug brings new perspectives to bear on Notker's Preface; and following Roesner's interest in all aspects of the Medieval and Renaissance eras, today's leading scholars--Rebecca Baltzer, Margaret Bent, Bonnie Blackburn, Susan Boynton, Michel Huglo, Karl Kuegle, and Joshua Rifkin--reexamine previously accepted notions of time and space, terminology, and transmission within previously "explicit" texts and tropes. The collection comes full circle with Linda Correll Roesner's discussion of a Clara Schumann letter (Reese's wedding gift to the Roesner couple), and a return to Paris with David Cannata's investigation of Messiaen as Thomistic Christologist. The editors were resolute that Roesner provide his own bibliography! With every sentence, Quomodo Cantabimus Canticum? Essays in Honor of Edward H. Roesner, a compilation that can only begin to plumb Roesner's facility and relentless pursuit of precision in all areas of academic investigation, marvels "How Can We Sing the Song?" For more information, see _cc007.htm Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- First Edition
- Sheet Music
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Condition: New. Autorisierte Erstausgabe Vc, Klav.
- First Edition
- Sheet Music
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Condition: New. Butler Cannata, David, ed.
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Condition: New. Butler Cannata, David, ed.
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Paperback. Condition: Brand New. 30 pages. 10.00x8.00x0.07 inches. In Stock. This item is printed on demand.
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Paperback. Condition: Brand New. 30 pages. 10.00x8.00x0.07 inches. In Stock. This item is printed on demand.
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Condition: New. Autorisierte Erstausgabe Klav.
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Condition: New. Butler Cannata, David , ed ||Romance in fis-Moll ||Prelude in es-Moll ||Melodie in E-Dur ||Gavotte in D-Dur ||Kanon in e-Moll ||Klavierstueck in d-Moll |Prelude in F-Dur |Morceau de fantaisie delmo in g-Moll |Fughetta in F-Dur|autorisierte Erstausgabe von Da.
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Condition: New. Autorisierte Erstausgabe 2 Klav.
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Condition: New. Autorisierte Erstausgabe Klav, V, Vc.
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Condition: New. Butler Cannata, David, ed.
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Condition: New. Autorisierte Erstausgabe StrQuar.
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Condition: New. Cannata, David Butler, ed.
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Condition: new. Expédition le jour même. Libraire depuis 27 ans. Envoi soigné avec suivi.
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Noten. Condition: Neu. Neuware.
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Noten. Condition: Neu. Neuware.
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Condition: new. Expédition le jour même. Libraire depuis 27 ans. Envoi soigné avec suivi.
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Published by Innsbruck, Studien Verlag, 1999
Seller: Musikantiquariat Bernd Katzbichler, Haarbach, D, GermanyMusikantiquariat Bernd Katzbichler
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170 S. Sauberes Exemplar.
Seller: Livre et Partition en Stock, Marseille, FranceLivre et Partition en Stock
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Condition: new. Expédition le jour même. Libraire depuis 27 ans. Envoi soigné avec suivi.
- Softcover
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Taschenbuch. Condition: Neu. Rachmaninoff and the Symphony | David Butler Cannata | Taschenbuch | 170 S. | Deutsch | 2000 | StudienVerlag | EAN 9783706512404 | Verantwortliche Person für die EU: StudienVerlag Ges.m.b.H., Erlerstr. 10, 6020 INSBRUCK, ÖSTERREICH, order[at]studienverlag[dot]at | Anbieter: preigu.
- Softcover
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In 'Rachmaninoff and the Symphony' wird die Entwicklung des reifen Stils des Komponisten anhand der symphonischen Gattung beschrieben. Einführend bringt Cannata Bausteine bei für eine neue Biographie des Komponisten unter Zuhilfenah…me von bisher unpublizierten Materialien und von Dokumenten, die von der sowjetischen Zensur unterdrückt worden waren. Die Diskussion der Symphonien gibt faszinierende Antworten auf analytische und quellenkritische Fragen, die bisher in der Erforschung russischer Musik vernachlässigt oder überhaupt nicht gestellt wurden. So erscheint Rachmaninoffs Stellung als Schüler Tschaikowskys und als der letzte Vertreter der post-wagnerischen russischen Komponistentradition in einem neuen Licht. 170 pp. Deutsch, Englisch.
