Crump Robert L (16 results)

Hardcover. Condition: Very Good. No marks or DJ splits. Minimal use.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Oversized hardback book (194 pages) illustrated with mostly b/w reproductions (a few in color). Light rubbing on boards. INTERNATIONAL SHIPPING MAY REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-8-Middle-L-Flat) rareviewbooks.

Gr.-8°, gebundene Ausgabe. Zahlreiche wunderbare Farbfotos, 207 S. Content: The Northwest; The East; The Southwest; California and Nevada, Mexico and Texas; The Midwest; Canada and Alaska, Hawaii Sprache: Englisch Gewicht in Gramm: 550.

Hardcover. Condition: new. Hardcover. Prior to World War I, printmaking in the United States was, with a few exceptions, primarily the domain of commercial enterprises that produced largely picturesque European scenes or depictions of popular towns on the East Coast. Prints of Minnesota scenes, especially by Minnesota artists, formed a very small part of American art exhibits. Robert Crump relates the fascinating story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing -- etchings, woodcuts, lithographs, drypoints, monotypes, and silk screens -- blossomed after the turn of the last century. He chronicles the support of the federal government during the 1930s and the important role played by local organisations such as the Minneapolis Institute of Art, the Walker Art Center, and the Minneapolis School of Art (now the Minneapolis College of Art and Design). This book offers short biographies of and sample prints by nearly two hundred printmakers, including Wanda Gag, Adolf Dehn, George Resler, Miriam Ibling, Syd Fossum, Gilbert Fletcher, and Gustav Goetsch.Crump's eye for memorable images makes the handsome volume a pleasure to behold for collectors and readers interested in Minnesota art. Notes on printing techniques and several appendices help newcomers appreciate the challenges of printmaking. Relates the story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing blossomed. This book chronicles the support of the federal government during the 1930s and the role played by local organisations such as the Minneapolis Institute of Art and the Walker Art Center. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 375 pages : illustrations (some color) ; 28 cm ISBN 9780810939653, 9780912308463, 0810939657, 091230846X OCLC 25789827 LCCN 91068463 LC N6505 .K56 1992 Dewey 708.153 ; black plush faux leather covers with gold lettering, in color pictorial dustjacket ; artists include: Michele Felice Corne, Benjamin Wilson, David Martin, Charles Wilson Peale, Jean-Honore Fragonard, John Trumbull, Gilbert Stuart, Giuseppe Ceracchi, rembrandt Peale, Jean-Antoine Houdon, John Vanderlyn, Samuel F B Morse, Charles Bird King, James Peale, John Syme, Thomas Birch, George Cooke, Thomas Sully, Hiram Powers, Henry INman, George Caleb Bingham, John Frederick Kensett, Frederic E Church, Asher B Durand, Alvan Fisher, Severin Roesen, Fitz Hugh Lane, William Ranney, Clark Mills, William McLeod, Andrew Andrews, William M Hart, george Henry Durrie, Ferdinand Richardt, George P A Healy, Thomas ball, Thomas Nast, Wordsworth Thompson, Peter F Rothermel, William Tolman Carlton, Francis Bicknell Carpenter, Constantino Brumidi, Worthington Whittredge, Martin Johnson Heade, George Inness, James McNeil Whistler, Albert Bierstadt, William Lewis Sonntag, James F Cropsey, Alfred T Bricher, John Rogers, Andrew melrose, Charles M Russell, Frederic Remington, Winslow Homer, Maurice B Pendergast, William Merritt Chase, Ernest Lawson, Thomas Eakins, Theobald Chartran, John Singer Sargent, Mary Cassatt, Anders L Zorn, Thomas Moran, Adolph A Weinman, Childe Hassam, Sir William Orpen, Philip de Laszlo, Willard Leroy Metcalf, William Glackens, Lilla Cabot Perry, Henriette Wyeth, Paul Cezanne, Claude Monet ; FINE/FINE. Book.

HARDCOVER. Condition: New.

Paperback. Condition: Brand New. 334 pages. 10.00x8.00x0.76 inches. In Stock.

Hardcover. Condition: Brand New. 1st edition. 208 pages. 12.00x9.50x0.50 inches. In Stock.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Gebunden. Condition: New.

Hardcover. Condition: new. Hardcover. Prior to World War I, printmaking in the United States was, with a few exceptions, primarily the domain of commercial enterprises that produced largely picturesque European scenes or depictions of popular towns on the East Coast. Prints of Minnesota scenes, especially by Minnesota artists, formed a very small part of American art exhibits. Robert Crump relates the fascinating story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing -- etchings, woodcuts, lithographs, drypoints, monotypes, and silk screens -- blossomed after the turn of the last century. He chronicles the support of the federal government during the 1930s and the important role played by local organisations such as the Minneapolis Institute of Art, the Walker Art Center, and the Minneapolis School of Art (now the Minneapolis College of Art and Design). This book offers short biographies of and sample prints by nearly two hundred printmakers, including Wanda Gag, Adolf Dehn, George Resler, Miriam Ibling, Syd Fossum, Gilbert Fletcher, and Gustav Goetsch.Crump's eye for memorable images makes the handsome volume a pleasure to behold for collectors and readers interested in Minnesota art. Notes on printing techniques and several appendices help newcomers appreciate the challenges of printmaking. Relates the story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing blossomed. This book chronicles the support of the federal government during the 1930s and the role played by local organisations such as the Minneapolis Institute of Art and the Walker Art Center. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

paperback. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

paperback. Condition: near fine. First edition. Softcover. Pictorial cover. 203pp.With 510 representations of his prints. Laid in is a typed letter from publisher who has sent three sheets of additions and corrections that are loosely laid in rear of book.

Five yearbooks belonging to a seventh grade English teacher at Elkhardt Middle School in Richmond, Virginia. 1965-1966 is the earliest, and 1969-1970 is the latest. Each is illustrated in red ink on an off-white background; approx. 50 pages each; black and white; very good.~~Elkhardt had a complicated history due to multiple changes to name and location. This Elkhardt Middle School, of 6300 Hull Street Road, was built in 1914 as Manchester High School. In the early 1960s Manchester High moved to another location and the building was renamed Elkhardt Middle. With the contentious and racially motivated annexation of part of Chesterfield County in 1970, the school moved to a new location on the Southside of Richmond and was renamed Elkhardt-Thompson. This school was closed and scheduled for demolition in 2020, with the original site now hosting the newly built River City Middle School.~~Robert Loving Crump (1929-2017) was a lifelong English teacher in Chesterfield County, Virginia. He never married, and described the loves of his life as teaching and reading. Also the sponsor of the Drama Club - the Elkhardt Players during his years there, he was clearly a popular teacher. Notes from his students describe him as swell, a great teacher, and a cool dude. ~~These yearbooks capture an interesting and volatile time in Richmond's social and educational history.