Crawford Romi (88 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: very_good. Book has little sign of wear or use.

Trade Paperback. Condition: Used.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. First edition. Softcover. 100 pages. Exhibition catalog for a show that ran September 26, 2020 through January 17, 2021. Features a foreword by Anna M. Musci and essays by Romi Crawford and Shannon R. Stratton. Includes numerous color images. A fine copy in French style wrappers.

Paperback. Condition: new. Paperback. Operating in multiple materials and arenas, interdisciplinary artist Cauleen Smith (b. 1967) roots her work firmly within the discourse of mid-twentieth-century experimental film. Drawing from structuralism, moving images, and science fiction, she makes things that deploy the tactics of these disciplines while offering a phenomenological experience for spectators and participants. The book Breaking Cinema. Experimental Film 20102023, adds to the growing scholarship on Cauleen Smiths work, as art historian Romi Crawford elucidates a critical phase of the artists career and how Smith recasts film history in the context of the artistic and cultural ferment of Chicagos South Side. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Paperback. Condition: New.

Condition: New. Brand New.

Softcover. Condition: VG. White stamped paper wraps, 48 pp., color illus. Issued in conjunction with a 2015 exhibition of word- or book-oriented artwork rendered by American multidisciplinary artist Bethany Collins (b. 1984). With an essay by Romi Crawford. The exhibition checklist cites 13 pieces, and all seem to be pictured here. Includes a chronology and exhibitions history. Uncommon. …

Condition: New. 2024. paperback. . . . . .

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. reprint edition. 100 pages. 10.25x8.25x0.25 inches. In Stock.

Condition: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Brossura. Condition: fine. Milano, 2024; br., pp. 96, ill., cm 16,5x10,5. Libro.

Paperback. Condition: new. Paperback. A kaleidoscopic history of the Studio Museum in Harlem told through oral histories, essays, and a trove of archival imagery Founded in 1968 by a diverse group of artists, community activists, and philanthropists, the Studio Museum in Harlem is internationally known for its catalytic role in promoting the work of artists of African descent. The Museum has a unique history but until now, there has not been a publication that positions its founding and tells its story. Bringing together oral histories from the Museum's founding figures; essays by leading scholars, curators, and artists; and a trove of archival material, this dynamic volume offers the first comprehensive history of the Studio Museum. In-depth essays anchor thematic sections examining the Museum's founding, its collecting practices and exhibitions, and community engagement. Shorter texts and monologues drawn from interviews with foundational figures immerse the reader in specific events, exhibitions, and moments in the landmark institution's history. At the book's center is an expansive visual archive offering a timeline in ephemera and photographs, many of them published here for the first time. This richly illustrated volume will serve as the definitive resource on the history and legacy of the place "Where Black Art Lives." Distributed for the Studio Museum in Harlem Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: new.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Operating in multiple materials and arenas, interdisciplinary artist Cauleen Smith (b. 1967) roots her work firmly within the discourse of mid-twentieth-century experimental film. Drawing from structuralism, moving images, and science fiction, she makes things that deploy the tactics of these disciplines while offering a phenomenological experience for spectators and participants. The book Breaking Cinema. Experimental Film 2010-2023, adds to the growing scholarship on Cauleen Smith's work, as art historian Romi Crawford elucidates a critical phase of the artist's career and how Smith recasts film history in the context of the artistic and cultural ferment of Chicago's South Side.…

Condition: New. 2021. Paperback. . . . . .