Craft Catherine (165 results)

Hardcover. Condition: Good.

Condition: Very Good. Great shape! Has a publisher remainder mark. hardcover Used - Very Good 2013.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Condition: Very Good.

hardcover. Condition: New. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Condition: Good. Ill. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: New. Phaidon Press March 2013.

Condition: New.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Like New. First Edition. First Edition, First Printing. Published by Phaidon Press, 2013. Octavo. Hardcover. Book is like new. Dust jacket is like new.

Trade Paperback. Condition: Very Good. light smoker's smell.

Soft cover. Condition: Good. 1st Edition. Softcover volume, measuring approximately 6.25" x 9.25", shows light shelfwear. Binding is sound. Pages 1-6 have ink underlining. Remaining pages are without markings. x/190 pages. "Terry Castle's recent study of masquerade follows Bakhtin's analysis of the carnivalesque to conclude that, for women, masquerade offered exciting possibilities for social and sexual freedom. Castle's interpretation conforms to the fears expressed by male writers during the period. Addison, Steele, and Fielding all insisted that masquerade allowed women to usurp the privileges of men. Female authors, however, often mistrusted these claims, perceiving that masquerade's apparent freedoms were frequently nothing more than sophisticated forms of oppression. Catherine Craft-Fairchild's work provides a useful corrective to Castle's treatment of masquerade. She argues that, in fictions by Aphra Behn, Mary Davys, Eliza Haywood, Elizabeth Inchbald, and Frances Burney, masquerade is double-sided. It is represented in some cases as a disempowering capitulation to patriarchal strictures that posit female subordination. Often within the same text, however, masquerade is also depicted as an empowering defiance of the dominant norms for female behavior. Heroines who attempt to separate themselves from the image of womanhood they consciously construct escape victimization. In both cases, masquerade is the condition of femininity: gender in the woman's novel is constructed rather than essential. Craft-Fairchild examines the guises in which womanhood appears, analyzing the ways in which women writers both construct and deconstruct eighteenth-century cultural conceptions of femininity. She offers a careful and engaging textual analysis of both canonical and noncanonical eighteenth-century texts, thereby setting lesser-read fictions into a critical dialogue with more widely known novels. Detailed readings are informed throughout by the ideas of current feminist theorists, including Luce Irigaray, Julia Kristeva, Mary Ann Doane, and Kaja Silverman. Instead of assuming that fictions about women were based on biological fact, Craft-Fairchild stresses the opposite: the domestic novel itself constructs the domestic woman.".…

Paperback. Condition: New. BRAND NEW COPY, Perfect Shape, Not a Remainder, No Black Remainder Mark, a4o6Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

Hardcover. Condition: Very Good.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Condition: New. Robert Rauschenberg (1925 - 2008) was one of the most prolific and innovative artists of the post-war period, whose work, ranging across a number of disciplines, has had a profound influence on avant-garde art since the 1950s. By working in what he called 'the gap between art and life', Rauschenberg aimed to bring a new scale and physicality to his paintings. Early on in his career, Rauschenberg produced groups of monochrome paintings, white, followed by black, and red. The White Paintings (1951), canvases painted with white latex house-paint, function as hypersensitive surfaces that register changes in their surroundings. This new emphasis encouraged viewers to attend to phenomena ordinarily ignored when looking at a painting, such as the play of shadows across its surface. In his Combines, works melding painting and sculpture, Rauschenberg brought elements of popular culture and everyday life into his art through the process of collage, integrating a staggering array of materials into his compositions. His first and most famous combines was titled Monogram, a 1959 work that consisted of a stuffed angora goat, a tire, a police barrier, the heel of a shoe, a tennis ball, and paint. Rauschenberg's 'gap' became the site of more than half a century of endeavours through which he redefined not only what materials could comprise a work of art but what a work of art could be. From the Combines, Rauschenberg branched out into printmaking, silkscreen paintings, performance, works involving technology and many other activities. Widely illustrated with Rauschenberg's works and photographs of the artist in performance and in his studio, this book also examines Rauschenberg's extensive involvement in the performing arts, tracing his connections to avant-garde dance in America and addressing his own performances and work with the well-known choreographers Merce Cunningham and Trisha Brown.…

ISBN 0-271-00919-5. Trade Paperback. Very Good condition. Tight, sound, unmarked copy. No statement of later printing on copyright page.

Hardcover. Condition: new. Hardcover. The perfect introduction to the life and work of Robert Rauschenberg The perfect introduction to the life and work of Robert Rauschenberg Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: new.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New. 2013. Hardcover. The perfect introduction to the life and work of Robert Rauschenberg. Series: Phaidon Focus. Num Pages: 144 pages. Dimension: 254 x 185 x 16. Weight in Grams: 616. . . . . .

Softcover. Condition: Very Good with no dust jacket. Sound binding. Pages clean, a bit off-white. Wrappers have light handling wear. Contents: Carpenter, "A bit of her flesh": circumcision and "the signification of the phallus" in Daniel Deronda. Gallagher, Embracing the absolute: the politics of the female subject in seventeenth century England. Weinberg, It's in the can: Jasper Johns and the anal society. Campbell, The oscillating embrace: subjection and interpellation in Barbara Kruger's art. Parker, Holding the fort! Instituting genders, engendering institutions. Craft, "Descend and touch and enter": Tennyson's strange manner of address. Sedgwick, Privilege of unknowing. 10" (25.4 cm) tall; 134 pages.…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: New. pp. 146 Illus.