Cleve Libby (26 results)

hardcover. Condition: Very Good. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations!

Condition: Good. Good condition ex-library book with usual library markings and stickers.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Large 8vo, navy boards. xxv, 477 pp, numerous monochrome illustrations. Includes 2 audio CDs.

paperback. Condition: Very Good. CD included. Very minor wear. No marks in text.

Condition: as new. Dust Jacket Condition: as new. Hbk small 4to, 475pp, illustr b+w photos, a new and unread copy, excellent clean tight unmarked in fine, unclipped and sleeve-protected dj as new.

very good dust-jacket, attractive copy, very good large blue cloth, audio cd's in plastic pockets inside front and rear covers. PERLIS, VIVIAN / VAN CLEVE, LIBBY. Composer's voices from Ives to Ellington: an oral history of American music - with 2 audio cd's. New Haven: Yale University Press, 2005, 1st printing number line starting with 1, xxv, 477pp., . Oral history of American music. - The first decades of the twentieth century were a fertile and fascinating period in American musical history. This book and the two CDs that accompany it present an exceptional collection of interviews with and about the most significant musical figures of the era. Tapping the unparalleled materials contained in the Oral History American Music archive at Yale University, Composers' Voices from Ives to Ellington is a unique account of what it was like for musicians and composers to live and work in those years. It is also the story of the making of the archive, as told by Vivian Perlis, who personally conducted many of the interviews. Music aficionados can now hear Eubie Blake describe the birth of ragtime or listen to a firsthand account of how Ira Gershwin came to write those famous lines in "Let's Call the Whole Thing Off." In-depth interviews with such figures as Henry Cowell, Virgil Thomson, Aaron Copland, and Duke Ellington are included in the book, which also features chapter introductions and fascinating sidebars, illustrations, and anecdotes throughout. Two CDs complete the set, enabling today's listener to enjoy the remarkablen experience of hearing the actual voices and the music of American composers of the early twentieth century - CONTENTS Introducing the century : 1 January 1900. Charles Ives -- On ragtime and Eubie Blake -- From the early modernists. Leo Ornstein ; Edgard Varèse ; Carl Ruggles ; Dane Rudhyar ; Charles Seeger ; Henry Cowell -- On the jazz age and George Gershwin -- With a French accent: Nadia Boulanger -- From the Boulangerie. Virgil Thomson ; Aaron Copland ; Roy Harris -- Exploring the world of Duke Ellington. 9780300106732 ISBN 0300106734.

paperback. Condition: Very Good. Very minor wear. No marks in text.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. After decades of experimentation, musicians have begun to utilize a strikingly colorful palette of sounds on woodwind instruments. Flute, clarinet, and saxophone players, in many different musical settings, regularly use sounds that were unheard of in the middle of the twentieth century. Oboists, in comparison, have lagged somewhat behind their more adventurous colleagues. In writing Oboe Unbound: Contemporary Techniques, author Libby Van Cleve opens up the tradition-bound assumptions of the instrument's capabilities. Not only does she include descriptions of the instrument's standard technique from range and reeds to the use of vibrato, but she also discusses recent techniques, such as multiphonics, microtones, altered timbres, and extended range, to name a few. Van Cleve bolsters this book with numerous music examples and professionally-tested fingering charts, and concludes with basic information about the use of electronics for amplification, recording, and sound enhancement. The book's appendixes include a substantial bibliography of music and literature and a discography including jazz, non-western, and art music recordings. The revised edition incorporates new information about resources now available through the internet and marks the launch of a website that includes examples of all the contemporary sounds as well as audio and video recordings of unreleased compositions.

Condition: New. In.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. revised edition. 122 pages. 10.00x7.00x0.50 inches. In Stock.

Hardcover. Condition: New. Brand new hardback, still in shrink wrap.

Condition: New. In Oboe Unbound: Contemporary Techniques, Libby Van Cleve opens up the tradition-bound assumptions of the instrument s capabilities. She discusses: .standard technique; .multiphonics, microtones, altered timbres; .musical examples; .professionally tested fingering charts; .use of electronics and amplification; .recording; .and sound enhancement." Series: Oboe Unbound. Num Pages: 142 pages, 136 black & white illustrations. BIC Classification: AVRN; AVS. Category: (P) Professional & Vocational. Dimension: 179 x 254 x 12. Weight in Grams: 308. . 2014. Revised Edition. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condition: New. After decades of experimentation, musicians have begun to utilize a strikingly colorful palette of sounds on woodwind instruments. Flute, clarinet, and saxophone players, in many different musical settings, regularly use sounds that were unheard of in the middle of the twentieth century. Oboists, in comparison, have lagged somewhat behind their more adventurous colleagues. In writing Oboe Unbound: Contemporary Techniques, author Libby Van Cleve opens up the tradition-bound assumptions of the instrument's capabilities. Not only does she include descriptions of the instrument's standard technique from range and reeds to the use of vibrato, but she also discusses recent techniques, such as multiphonics, microtones, altered timbres, and extended range, to name a few. Van Cleve bolsters this book with numerous music examples and professionally-tested fingering charts, and concludes with basic information about the use of electronics for amplification, recording, and sound enhancement. The book's appendixes include a substantial bibliography of music and literature and a discography including jazz, non-western, and art music recordings. The revised edition incorporates new information about resources now available through the internet and marks the launch of a website that includes examples of all the contemporary sounds as well as audio and video recordings of unreleased compositions.

Condition: New. In Oboe Unbound: Contemporary Techniques, Libby Van Cleve opens up the tradition-bound assumptions of the instrument s capabilities. She discusses: .standard technique; .multiphonics, microtones, altered timbres; .musical examples; .professionally tested fingering charts; .use of electronics and amplification; .recording; .and sound enhancement." Series: Oboe Unbound. Num Pages: 142 pages, 136 black & white illustrations. BIC Classification: AVRN; AVS. Category: (P) Professional & Vocational. Dimension: 179 x 254 x 12. Weight in Grams: 308. . 2014. Revised Edition. Paperback. . . . .

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: new. Paperback. After decades of experimentation, musicians have begun to utilize a strikingly colorful palette of sounds on woodwind instruments. Flute, clarinet, and saxophone players, in many different musical settings, regularly use sounds that were unheard of in the middle of the twentieth century. Oboists, in comparison, have lagged somewhat behind their more adventurous colleagues. In writing Oboe Unbound: Contemporary Techniques, author Libby Van Cleve opens up the tradition-bound assumptions of the instruments capabilities. Not only does she include descriptions of the instruments standard technique from range and reeds to the use of vibrato, but she also discusses recent techniques, such as multiphonics, microtones, altered timbres, and extended range, to name a few. Van Cleve bolsters this book with numerous music examples and professionally-tested fingering charts, and concludes with basic information about the use of electronics for amplification, recording, and sound enhancement. The books appendixes include a substantial bibliography of music and literature and a discography including jazz, non-western, and art music recordings. The revised edition incorporates new information about resources now available through the internet and marks the launch of a website that includes examples of all the contemporary sounds as well as audio and video recordings of unreleased compositions. In Oboe Unbound: Contemporary Techniques, Libby Van Cleve opens up the tradition-bound assumptions of the instruments capabilities. She discusses:standard technique;multiphonics, microtones, altered timbres;musical examples;professionally tested fingering charts;use of electronics and amplification;recording;and sound enhancement. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: new. Paperback. After decades of experimentation, musicians have begun to utilize a strikingly colorful palette of sounds on woodwind instruments. Flute, clarinet, and saxophone players, in many different musical settings, regularly use sounds that were unheard of in the middle of the twentieth century. Oboists, in comparison, have lagged somewhat behind their more adventurous colleagues. In writing Oboe Unbound: Contemporary Techniques, author Libby Van Cleve opens up the tradition-bound assumptions of the instruments capabilities. Not only does she include descriptions of the instruments standard technique from range and reeds to the use of vibrato, but she also discusses recent techniques, such as multiphonics, microtones, altered timbres, and extended range, to name a few. Van Cleve bolsters this book with numerous music examples and professionally-tested fingering charts, and concludes with basic information about the use of electronics for amplification, recording, and sound enhancement. The books appendixes include a substantial bibliography of music and literature and a discography including jazz, non-western, and art music recordings. The revised edition incorporates new information about resources now available through the internet and marks the launch of a website that includes examples of all the contemporary sounds as well as audio and video recordings of unreleased compositions. In Oboe Unbound: Contemporary Techniques, Libby Van Cleve opens up the tradition-bound assumptions of the instruments capabilities. She discusses:standard technique;multiphonics, microtones, altered timbres;musical examples;professionally tested fingering charts;use of electronics and amplification;recording;and sound enhancement. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In Oboe Unbound: Contemporary Techniques, Libby Van Cleve opens up the tradition-bound assumptions of the instrument s capabilities. She discusses:*standard technique*multiphonics, microtones, altered timbres*musical examples*professionally tested finger.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In Oboe Unbound: Contemporary Techniques, Libby Van Cleve opens up the tradition-bound assumptions of the instrument's capabilities. She discusses:standard technique;multiphonics, microtones, altered timbres;musical examples;professionally tested fingering charts;use of electronics and amplification;recording;and sound enhancement.