Chamberlain Julie (105 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback or Softback. Condition: New. Drawing from the Word. Book.

Paperback. Condition: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Chamberlain-pecorino, Sarah (illustrator).

Condition: As New. Unread book in perfect condition. Chamberlain-pecorino, Sarah (illustrator).

Condition: As New. Unread book in perfect condition.

Condition: New. Chamberlain-pecorino, Sarah (illustrator).

Condition: As New. Unread book in perfect condition.

Condition: New. Chamberlain-pecorino, Sarah (illustrator).

Softcover, 48 pages, good condition: moderate rubbing and scratches to covers; no internal marks. Foreign shipping may be extra.

Condition: New. In English. Chamberlain-pecorino, Sarah (illustrator).

Condition: New.

Condition: New.

dvd. Condition: Used - Good.

Condition: New.

Hardcover. Condition: Near Fine. 1st Edition. 4to in bound in brick red cloth with yellow wrap-around band. Near Fine. 47 pp. Superb copy.

Condition: New. Chamberlain-pecorino, Sarah (illustrator).

Condition: New.

Condition: As New. Unread book in perfect condition. Chamberlain-pecorino, Sarah (illustrator).

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Condition: As New. Unread book in perfect condition.

Condition: New.

[48] pp.; 23 x 15 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held March 8 - April 13, 1991. Includes a conversation between Julie Sylvester and John Chamberlain. Very Good. Light rubbing and scuffing of covers. Contents clean and unmarked.…

Hardback. Condition: New. The first publication of the unknown poetry of a major twentieth-century sculptorIn 1955, long before he became famous for his abstract metal sculptures, John Chamberlain lived at Black Mountain College, writing poetry alongside Robert Creeley, Robert Duncan, and Charles Olson. By the time he moved to New York City in 1956 and began to develop his unique sculptural style, Chamberlain had completed a series of poems with marginal comments by Olson and himself, but the work remained unpublished and unknown-until now. In Black Mountain Chamberlain, Julie Sylvester presents a facsimile of this fascinating typescript along with an introduction based on interviews conducted with Chamberlain in the 1980s, conversations in which he described the strong connections between the poems and his later work.At first glance, Chamberlain's delicate and quiet poems appear to be the antithesis of his bold and brash sculpture. But in the introduction Chamberlain says that in fact the way he made poems at Black Mountain influenced the way he made sculptures throughout his career: "It's actually doing things in the same way, with words or with metal. It's all in the fit."Beautifully produced, Black Mountain Chamberlain reveals a remarkable and unexpected new side of an important twentieth-century artist.Distributed for Edition Julie Sylvester.…

Hardcover. Condition: new. Hardcover. The first publication of the unknown poetry of a major twentieth-century sculptorIn 1955, long before he became famous for his abstract metal sculptures, John Chamberlain lived at Black Mountain College, writing poetry alongside Robert Creeley, Robert Duncan, and Charles Olson. By the time he moved to New York City in 1956 and began to develop his unique sculptural style, Chamberlain had completed a series of poems with marginal comments by Olson and himself, but the work remained unpublished and unknown-until now. In Black Mountain Chamberlain, Julie Sylvester presents a facsimile of this fascinating typescript along with an introduction based on interviews conducted with Chamberlain in the 1980s, conversations in which he described the strong connections between the poems and his later work.At first glance, Chamberlain's delicate and quiet poems appear to be the antithesis of his bold and brash sculpture. But in the introduction Chamberlain says that in fact the way he made poems at Black Mountain influenced the way he made sculptures throughout his career: "It's actually doing things in the same way, with words or with metal. It's all in the fit."Beautifully produced, Black Mountain Chamberlain reveals a remarkable and unexpected new side of an important twentieth-century artist.Distributed for Edition Julie Sylvester The first publication of the unknown poetry of a major twentieth-century sculptorIn 1955, long before he became famous for his abstract metal sculptures, John Chamberlain lived at Black Mountain College, writing poetry alongside Robert Creeley, Robert Duncan, and Charles Olson. By the time he moved to New York City in 1956 and began to develop Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …