Carol Bunch Davis (21 results)

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

hardcover. Condition: As New. Hardback. New book with printed boards and light shelf-wear. Never been read, pages are clean and unmarked.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. reprint edition. 210 pages. 8.75x6.00x0.75 inches. In Stock.

Taschenbuch. Condition: Neu. Neuware - Prefiguring Postblackness explores the tensions between cultural memory of the African American freedom struggle and representations of African American identity staged in five plays between 1959 and 1969 during the civil rights era. Through close readings of the plays, their popular and African American print media reviews, and the cultural context in which they were produced, Carol Bunch Davis shows how these representations complicate narrow ideas of blackness, which often limit the freedom struggle era to Martin Luther King's nonviolent protest and cast Malcolm X's black nationalism as undermining the civil rights movement's advances.These five plays strategically revise the rhetoric, representations, ideologies, and iconography of the African American freedom struggle, subverting its dominant narrative. This revision critiques racial uplift ideology's tenets of civic and moral virtue as a condition of African American full citizenship. The dramas also reimagine the Black Arts movement's restrictive notions of black authenticity as a condition of racial identity, and their staged representations construct a counter-narrative to cultural memory of the freedom struggle during that very era. In their use of a "postblack ethos" to enact African American subjectivity, the plays envision black identity beyond the quest for freedom, anticipating what blackness might look like when it moves beyond the struggle.The plays under discussion range from the canonical (Lorraine Hansberry's A Raisin in the Sun and Amiri Baraka's Dutchman) to celebrated, yet understudied works (Alice Childress's Wine in the Wilderness, Howard Sackler's The Great White Hope, and Charles Gordone's No Place to Be Somebody). Finally, Davis discusses recent revivals, showing how these 1960s plays shape dimensions of modern drama well beyond the decade of their creation.…

Condition: New. KlappentextrnrnExplores the tensions between cultural memory of the African American freedom struggle and representations of African American identity staged in five plays between 1959 and 1969. Through readings of the plays, their popular and A.

Hardcover. Condition: Brand New. 210 pages. 9.50x6.50x0.75 inches. In Stock.

Condition: New. KlappentextrnrnExplores the tensions between cultural memory of the African American freedom struggle and representations of African American identity staged in five plays between 1959 and 1969 during the civil rights era. Through close readings.

Buch. Condition: Neu. Neuware - Prefiguring Postblackness explores the tensions between cultural memory of the African American freedom struggle and representations of African American identity staged in five plays between 1959 and 1969 during the civil rights era. Through close readings of the plays, their popular and African American print media reviews, and the cultural context in which they were produced, Carol Bunch Davis shows how these representations complicate narrow ideas of blackness, which often limit the freedom struggle era to Martin Luther King's nonviolent protest and cast Malcolm X's black nationalism as undermining the civil rights movement's advances.These five plays strategically revise the rhetoric, representations, ideologies, and iconography of the African American freedom struggle, subverting its dominant narrative. This revision critiques racial uplift ideology's tenets of civic and moral virtue as a condition of African American full citizenship. The dramas also reimagine the Black Arts movement's restrictive notions of black authenticity as a condition of racial identity, and their staged representations construct a counter-narrative to cultural memory of the freedom struggle during that very era. In their use of a ''postblack ethos'' to enact African American subjectivity, the plays envision black identity beyond the quest for freedom, anticipating what blackness might look like when it moves beyond the struggle.The plays under discussion range from the canonical (Lorraine Hansberry's A Raisin in the Sun and Amiri Baraka's Dutchman) to celebrated, yet understudied works (Alice Childress's Wine in the Wilderness, Howard Sackler's The Great White Hope, and Charles Gordone's No Place to Be Somebody). Finally, Davis discusses recent revivals, showing how these 1960s plays shape dimensions of modern drama well beyond the decade of their creation.…

PF. Condition: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. Print on Demand pp. 224.

Condition: New. Print on Demand pp. 224.

Condition: New. PRINT ON DEMAND pp. 224.