Canfield Ray (52 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. . Satisfaction 100% guaranteed.

Condition: new.

paperback. Condition: Very Good.

Sheet Music. Condition: Good. Villa Moret Inc., Published 1927. Sheet music, 6 pp.; 32 cm; color pictorial cover signed WRC (William Ross Cameron); ukulele accompaniment. In Good condition. Bright color pictorial cover with a previous owner's name in ink near the fore-edge and a few small edge nicks and short tears; light shelf wear, aging, and soiling. Interior pages otherwise unmarked.A West Coast sheet from Villa Moret, the San Francisco house billed as "The Voice of the West" and founded in 1924 by composer Charles N. Daniels under his pen name Neil Moret; the firm's success with "Moonlight and Roses" earned it the nickname "the House of Moonlight and Roses." Here Moret and his "Moonlight and Roses" partner Ben Black are joined by Gus Kahn, the lyricist of "It Had to Be You," "Makin' Whoopee," and "Dream a Little Dream of Me," so the sheet is in effect the composer publishing himself alongside one of the era's greatest lyricists. The color Art Deco cover, a caped figure before a blue Spanish courtyard door, is signed WRC, the San Francisco cover artist William Ross Cameron. Back cover carries a "symphonic ukulele arrangement" by Ray Canfield with chord diagrams.…

dvd. Condition: Used - Good.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Soft cover. Condition: Very Good. Hollywood Syndicate Songs, Los Angeles, 1931. Softcover sheet music booklet, 5 pp. Theme song of the film 'Sheer Luck'. Very good condition with some age toning of the interior. Unmarked.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Condition: New.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Kartoniert / Broschiert. Condition: New.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Gebunden. Condition: New.

Buch. Condition: Neu. Neuware - The Chortí, a small Mayan tribe, had been living isolated on the steep, eroded mountainsides of eastern Guatemala for centuries. As the country developed around them, they had become a downtrodden people. With overpopulation and no more land available, they had become a violent people. Fierce fighting often would break out between families to protect their meager resources. Droughts and crop failures were common, diseases and infant mortality were astronomical, and education was not available. Fear from the dark world shaped their culture and permeated their lives with stoicism and despair. They felt their cry for help was silenceduntil God heard their cry. An adventure began when Ray and Virginia Canfield, along with their three young children, responded to God's call to go. They relocated forty-five Chortí families to a jungle village and lived among them, offering agricultural and medical help. Would these people be able to change and adopt new ways to improve their existence Would they be willing to break away from centuries of traditions that held them hostage to despair and hopelessness Would this daring relocation project succeed God began to work in miraculous ways as the Chortí opened their hearts to Jesus. While the missionaries poured their lives into helping them improve their physical and material lives, God extended a new hope to His people. And He had even greater plans for the future of His Chortí followers.…

Condition: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PF. Condition: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Soft cover. Condition: Very Good. 57 Pp. Annotated By Ian Ballantine, With Four Page Numbers On Front Endpaper, Directing The Reader To: P. 17, Pearl S. Buck "I Appreciate Very Much Indeed A Beautifully Made And Designed Book. But Even More I Appreciate Books Which Are Cheap Enough For People To Buy. Somehow Or Other We Must Get Books Within The Range Of Low And Average Income, So That Book Reading Is No Longer A Luxury As It Is Now. Whenever I See A Book That Is Both Beautiful In Design And Low In Price, I Am Especially Grateful." The Quotation Has Ballantine's Emphasis Mark In Margin. P. 23, John Dos Passos: . To My Way Of Thinking, The Great Problem Before The Book Designer At Present Is The Design Of Cheap And Pocket Books. In A Period When The Continued Use Of Books On Any Large Scale Is Very Much A Moot Question, It Is To Be Hoped That The Dangers And Hazrds Which Confront The Trade Will Stimulate New Inventiveness In Design As In Other Directions." This Part Of The Quotation Has Ballantine's Emphasis Mark In The Margin. P. 27 ( Through P. 34, "Some Random And Randy Thoughts On Books", Hayashi 1066, Which Is Otherwise Hilarious): ". For Myself, I Like The Whole Theory Of The Twenty-Five Cent Book. For One Thing The Very Cost Of A Trade Edition Encourages A Degree Of Selfishness. Such A Book Must Be Hoarded And Put On The Shelves. It Becomes Property And Property Must Be Protected. With The Cheap Editions The Opposite Is True. You Load Your Friends' Arms With Books.I Don't Know How Many Writers Have The Feeling I Have About Books. I Do Not Love Books For Themselves . I Would For Myself Much Rather Have Thousands Of Cheap, Dog-Eared Volumes Filed In Closed Cabinets Like Phonograph Records." This Section With Ballantine's Emphasis Marks In Margins. P. 37, Thornton Wilder: " I'm Ashamed To Say That I Must Have Been Brought Up Wrong. I Never Took To Noticing The Chassis On Automobile Engines, Clothes On People, Facades On Buildings, Nor The Format Of Books. I Wish That English Books, Like French Ones, Had Plain Covers And Cost 60C." The Whole Piece With Ballantine's Emphasis Mark In Margin.On The Front Cover, Their Are Five Sets Of Pencil Initials, Glb, V, Wp, Sd, And C (?) M, Each Of Which Is Also Crossed Out, Apparently Indicating That It Was Being Distributed To Each And Then Passed On. Ian Ballantine Founded Ballantine Books In 1952 And Then Bantam Books; Bantam Concentrating On Well Made Paperbacks With Covers With Original Art, Ballantine Books Usually Publishing Original Works In Both Small Runs Of Hardcover Editions With Simultaneous Large Runs Of Softcover Editions, Or, In The First Few Years, Simultaneous Or Early Softcover Versions Of Original Hardcover Editions By Other Publishers. Ballantine Soon Began Publishing Original Sf, Becoming The First Mainstream Publisher To Concentrate On This Genre, With Fine (And Now Exceptionally Valuable) Cover Art By Now-Classic Sf Illustrators, And Also Began Publishing Sf Paperback Originals Which Are The True Firsts Of Some Classic Works, There Being No Simultaneous Hardcover Version. Fahrenheit 451 Was First Published In Several Hardcover Versions, Including One Bound In Asbestos, But The Ballantine 1953 Softcover Is The True First Of That Classic Work.…