Buchanan Beverly (47 results)

Paperback. Condition: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condition: Very Good. Softcover, 48 pgs. Mostly b&w illus. Catalog for 1988 group show at the High Musuem featuring Beverly Buchanan, Pat Courtney, Frances de La Rosa, Mario Petrirena, Rocio Rodriguez, and Christian Walker. Moderate cover wear, small area of spotting to back cover.

Paperback. Condition: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Brand New. 20 pages. In Stock.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Brand New. 86 pages. 4.06x0.20x2.76 inches. In Stock.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. Meets or exceeds the good condition guidelines. Nice copy. Gift inscription inside cover. Five star seller - Buy with confidence.

Paperback. Condition: New. A distinctively immersive record of two Southern artists in dialogue with each other, concerning the artistic process, Black vernacular architecture and historic preservationOn July 8, 1995, Judith McWillie (born 1946) brought her camcorder to Beverly Buchanan's (1940-2015) Athens, Georgia home studio and recorded a two-hour video of their spirited exchange. The resulting unedited, experimental documentary offers an extraordinary portrait of both artists, singular in its situatedness and relationality. This book translates and poetically interprets McWillie's intimate primary document through an edited transcription, broken up into scenes, illustrated with video stills and annotated with contextual information. The introductory essay reflects on the enduring impact of the Black vernacular architect Mary Lou Furcron on both artists, and their converging efforts to trouble dominant hierarchies. Companion materials feature reproductions and transcribed texts from Buchanan's and McWillie's multi-disciplinary tributes to Furcron, further illuminating the role of the camera in their practices of remembrance, reverence and refusal.…

hardcover. Condition: Good. Signed. Good condition hardback. Handling wear. SIGNED AND INSCRIBED. Dust jacket has minor rubbing but no chipping or rips. NFA Tulsa's largest used bookstore. Located on South Mingo Road since 1991. No-hassle return policy if not completely satisfied.

Trade Paperback. Condition: Very Good. No Jacket. 2nd Edition. Inscribed. Light use. Owner name. The Babushka Lady. Inscribed by Author(s).

Paperback. Condition: New. A distinctively immersive record of two Southern artists in dialogue with each other, concerning the artistic process, Black vernacular architecture and historic preservationOn July 8, 1995, Judith McWillie (born 1946) brought her camcorder to Beverly Buchanan's (1940-2015) Athens, Georgia home studio and recorded a two-hour video of their spirited exchange. The resulting unedited, experimental documentary offers an extraordinary portrait of both artists, singular in its situatedness and relationality. This book translates and poetically interprets McWillie's intimate primary document through an edited transcription, broken up into scenes, illustrated with video stills and annotated with contextual information. The introductory essay reflects on the enduring impact of the Black vernacular architect Mary Lou Furcron on both artists, and their converging efforts to trouble dominant hierarchies. Companion materials feature reproductions and transcribed texts from Buchanan's and McWillie's multi-disciplinary tributes to Furcron, further illuminating the role of the camera in their practices of remembrance, reverence and refusal.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1994 first printing. Very good hardcover and dust jacket. No writing inside. Hardcover has clipped front fly and slight rub to extremities of cover. Dust jacket has light edge curling.

Paperback. Condition: new. Paperback. A distinctively immersive record of two Southern artists in dialogue with each other, concerning the artistic process, Black vernacular architecture and historic preservationOn July 8, 1995, Judith McWillie (born 1946) brought her camcorder to Beverly Buchanans (19402015) Athens, Georgia home studio and recorded a two-hour video of their spirited exchange. The resulting unedited, experimental documentary offers an extraordinary portrait of both artists, singular in its situatedness and relationality. This book translates and poetically interprets McWillie's intimate primary document through an edited transcription, broken up into scenes, illustrated with video stills and annotated with contextual information. The introductory essay reflects on the enduring impact of the Black vernacular architect Mary Lou Furcron on both artists, and their converging efforts to trouble dominant hierarchies. Companion materials feature reproductions and transcribed texts from Buchanan's and McWillie's multi-disciplinary tributes to Furcron, further illuminating the role of the camera in their practices of remembrance, reverence and refusal. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover. Condition: Very Good. Solid VG softcover. Clean, spine not broken.

Paperback. Condition: Very Good. First Edition. Some toning to covers.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: Brand New. 320 pages. 6.00x2.00x8.00 inches. In Stock.

Paperback. Condition: Good. No Jacket. Second printing. SIGNED and inscribed by the author. Shelf and handling wear to cover and binding, with general signs of previous use. *** Signed by author, Beverly Oliver *** Text is clear of marks and notations. Binding is secure. Secure packaging for safe delivery. signed and inscribed by author.…

Paperback. Condition: new. Paperback. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: new. Paperback. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condition: new. Paperback. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

hardcover. Condition: Like New. First Edition. First edition, first printing. Brand new gift quality hardcover in jacket Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Paperback. Condition: Very Good. No Jacket. Second printing. SIGNED and inscribed by the author. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. CLEAN COVER AND CONTENT PAGES. Secure packaging for safe delivery. signed and inscribed by author.

Paperback. Condition: new. Paperback. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: Fine. No Jacket. 1st Edition. 1st ed. 1st printing ; 160 pages : illustrations (some color) ; 28 cm. ISBN 9781592170807, 1592170803 OCLC 62707987 ; color illustrated boards ; no dustjacket ; Anecdotes about changes: televisions, radios, telephones, record players, electric clock radios, the first remote control for tvs, the hide-a-bed, the BarcaLounger, party lines, electric toasters, central heat, air conditioning, refrigerators, typwriters, wall-to-wall carpet, electric dishwashers, air-tight packaging, cellophane, Tupperware, individually wrapped cereal boxes, TV dinners, Tang, canned beans, biscuits, soup, cook in a minute foods, gas ranges, electric appliances (mixers, percolators, blenders, can openers, hair dryers, and massagers), washing machines, clothes dryers, laundromats, gasoline-powered flatiron, permanet press clothing, perma-broom, O-Cedar sponge mop, Hoover vacuum, White and Singer electric sewing machines, fads and fantasies (Duncan yo-yo, Slinky, Barbie and Ken dolls with accessories, miniature house accessories, the Hula Hoop, Avon cosmetics, hair remedies (clips, shampoos, permanents, hairdryers, the electric curling iron), Johnson's baby powder and baby oil, Max Factor nail enamel, false nails, Brylcreem, electric razors (Schick, Burma-Shave, Aqua Velva), Evening in Paris perfume, Blue Waltz perfume, the indoor bathroom, soft water with Culligan, electric water heaters, new bathtubs, rainbow colored towels, Rubbermaid housewares, Prell shampoo, Ivory soap, "no more tears" Johnson's baby shampoo, better dental care: toothpaste, Dentyne, toothbrushes), Kleenex tissue, Delsey bath tissue, Scot Tissue, manual lawn mower, power lawn mowers, backyard barbecues (electric grills, backyard games, web-striped folding chairs, picnic tablesjungle gyms, swing sets, wading pools and pink flamingo lawn ornaments), the Brownie camera, movie cameras and movie projectors, puttering in the garage, radios and air conditioning in cars. ; Brief Contents: Living room wonders -- Mealtime miracles -- Mother's little helpers -- Fads & fantasies -- Permanent solutions -- The necessary room -- The great outdoors ; Extended Contents: Our First Television -- Catching the Waves -- Wonderful Relaxation -- Letting Our Fingers Do the Walking -- Number, Please -- The Old Party Line -- Tough Enough -- Warm as Toast -- The Red-Hot Wonder -- It's Cool Inside! -- My First Typewriter -- Wall-To-Wall Comfort -- Country Kitchen -- The Icebox Versus the Frigidaire -- A Cool History -- Keeping It Cool -- Wrapping It Up! -- TV Dinners: Meals on the Go -- Quick, Fast & in a Hurry -- Cooking With Gas -- Cooking Without Gas -- Stirring Things Up -- Dishwashing Days -- Automatic Dishwashers -- The Washing Machine -- It'll All Come Out in the Wash -- Deliverance From the Flatron -- Don't Lose Your Starch! -- Cleaning Up the Joint -- Happier With a Hoover --Early Vacuum Cleaners -- Pedal Power for Peace -- Ads & Fantasies -- A Tale of Two Barbies -- Doll in the Window -- Santa Brought Dolls -- Stairing Down Success -- Doing the Hula Hoop! -- Coonskin Craze -- The World on a String -- Toys! Toys ! Toys! -- Captain Midnight & the Decoder -- Permanent Solutions -- Beauty Before Avon - -- Hair Remedies --Home Solutions -- Early Curls -- Soft as Silk -- Hard as Nails -- A Little Dab l Do Ya! -- An Evening in Paris -- Growing Up With Blue Waltz -- Water, W ater, Everywhere -- Tubs & Towels -- No More Tears -- A Better Dental Plan -- Burma Shaving & Beyond -- Sign of the (Passing) Times -- The Throne Room -- The Great TP Run -- Ode to the Outdoor Privy -- The Day the Privy Blew Up -- The Great Outdoors -- Grooming the Lawn -- The Reel Lawn Mower -- Backyard Barbecues & Other Fun --Mama & Her Brownie -- Lights! Camera! Action -- Puttering About the Garage -- Illustration index ; art and photos, Paul Pinson, Thornton Utz, Amos Sewell, Kurt Ard, Francis Miller, Allan Grant, John Dominus, Steven Dohanos, Harold M. Lambert, George Hughes, John Philip Falter, Gordon Parks; FINE. Book.…

Condition: NEW.

Paperback. Condition: New.

Hardback. Condition: New. Known for her "shack" sculptures and land installations across her native Georgia, Buchanan embraces Southern vernacular architecture as emblematic of Black American historyPublished with Andrew Edlin Gallery.At the heart of Beverly Buchanan's (born 1940) work is a belief in transformation. Her art speaks to cycles of collapse and rebirth-of buildings, of landscapes, of lives. Ruination and Regeneration examines Buchanan's major bodies of work, including her abstract paintings of 1970s New York, her cast-concrete "frustules," her site-specific installations such as Marsh Ruins and her acclaimed "shack" sculptures-tributes to the handmade homes of Black tenant farmers in the rural South. Featuring essays, interviews, poems, archival materials and Buchanan's own writings, this volume offers a rich and multifaceted reflection of her deeply personal and politically charged oeuvre. Ruination and Regeneration not only honors Buchanan's legacy but also reframes how we see memory, place and the power of making art from what remains.…