Briggs Molly C (33 results)

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: new.

Condition: As New. Unread book in perfect condition.

Buch. Condition: Neu. Neuware -The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland). It surveys the historical and contemporary landscape of panoramic and immersive media. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and the real, observer and observed, nature and culture, and past, present, and future. Together, the concepts of panorama and immersion have catalyzed time- and space-bending strategies for creating, experiencing, and transforming culture, ideas, and built and social space across the arc of human history.The PIMS Yearbook presents a range of disciplinary perspectives with the understanding that methodologies in the humanities, the arts, the sciences, design disciplines, social sciences, engineering, and other fi elds contribute important perspectives to the interdisciplinary fi eld of panoramic and immersive media studies.The IPC is the international organization of panorama specialists committed to supporting the heritage and conservation of extant nineteenth and early-twentieth century panoramas, and promoting awareness of the medium's history, derivative forms, and contemporary iterations. As a non-government and not-for-profit association subject to Swiss law, the IPC is active in the fi elds of panorama research, restoration, financing, management, exhibition, and marketing. The PIMS Yearbook succeeds the International Panorama Council Journal, a selected proceedings of the annual conferences of the IPC, published 2017-2023. 471 pp. Englisch.…

Buch. Condition: Neu. Neuware -The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland). It surveys the historical and contemporary landscape of panoramic and immersive media. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and the real, observer and observed, nature and culture, and past, present, and future. Together, the concepts of panorama and immersion have catalyzed time- and space-bending strategies for creating, experiencing, and transforming culture, ideas, and built and social space across the arc of human history.The PIMS Yearbook presents a range of disciplinary perspectives with the understanding that methodologies in the humanities, the arts, the sciences, design disciplines, social sciences, engineering, and other fi elds contribute important perspectives to the interdisciplinary fi eld of panoramic and immersive media studies.The IPC is the international organization of panorama specialists committed to supporting the heritage and conservation of extant nineteenth and early-twentieth century panoramas, and promoting awareness of the medium's history, derivative forms, and contemporary iterations. As a non-government and not-for-profit association subject to Swiss law, the IPC is active in the fi elds of panorama research, restoration, financing, management, exhibition, and marketing. The PIMS Yearbook succeeds the International Panorama Council Journal, a selected proceedings of the annual conferences of the IPC, published 2017-2023. 471 pp. Englisch.…

Buch. Condition: Neu. Neuware -The PIMS Yearbook surveys the historical and contemporary landscape of panoramic and immersive media. This interdisciplinary field includes-but is not limited to-360-degree paintings; dioramas and museum displays; gaming; gardens; immersive experience; maps; material culture studies; media archeology; 19th-century popular media; optical and haptic devices; performative media; printed matter; public history; and virtual and augmented reality.…

Condition: New.

Buch. Condition: Neu. Neuware - The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland). It surveys the historical and contemporary landscape of panoramic and immersive media. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and the real, observer and observed, nature and culture, and past, present, and future. Together, the concepts of panorama and immersion have catalyzed time- and space-bending strategies for creating, experiencing, and transforming culture, ideas, and built and social space across the arc of human history.The PIMS Yearbook presents a range of disciplinary perspectives with the understanding that methodologies in the humanities, the arts, the sciences, design disciplines, social sciences, engineering, and other fi elds contribute important perspectives to the interdisciplinary fi eld of panoramic and immersive media studies.The IPC is the international organization of panorama specialists committed to supporting the heritage and conservation of extant nineteenth and early-twentieth century panoramas, and promoting awareness of the medium's history, derivative forms, and contemporary iterations. As a non-government and not-for-profit association subject to Swiss law, the IPC is active in the fi elds of panorama research, restoration, financing, management, exhibition, and marketing. The PIMS Yearbook succeeds the International Panorama Council Journal, a selected proceedings of the annual conferences of the IPC, published 2017-2023.…

Hardcover. Condition: Brand New. 380 pages. 9.44x6.69x9.45 inches. In Stock.

Condition: New.

Condition: New. Thorsten Logge, Universitaet Hamburg, Germany Nicholas C. Lowe School of the Art Institute of Chicago, USA Molly C. Briggs, University of Illinois Urbana-Champaign, USA. The PIMS Yearbook i.

Condition: New. Thorsten Logge, Universitaet Hamburg, Germany Nicholas C. Lowe School of the Art Institute of Chicago, USA Molly C. Briggs, University of Illinois Urbana-Champaign, USA. The PIMS Yearb.

Hardback. Condition: New. The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland). It surveys the historical and contemporary landscape of panoramic and immersive media. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and the real, observer and observed, nature and culture, and past, present, and future. Together, the concepts of panorama and immersion have catalyzed time- and space-bending strategies for creating, experiencing, and transforming culture, ideas, and built and social space across the arc of human history. The PIMS Yearbook presents a range of disciplinary perspectives with the understanding that methodologies in the humanities, the arts, the sciences, design disciplines, social sciences, engineering, and other fi elds contribute important perspectives to the interdisciplinary fi eld of panoramic and immersive media studies. The IPC is the international organization of panorama specialists committed to supporting the heritage and conservation of extant nineteenth and early-twentieth century panoramas, and promoting awareness of the medium's history, derivative forms, and contemporary iterations. As a non-government and not-for-profit association subject to Swiss law, the IPC is active in the fi elds of panorama research, restoration, financing, management, exhibition, and marketing. The PIMS Yearbook succeeds the International Panorama Council Journal, a selected proceedings of the annual conferences of the IPC, published 2017-2023.…

Buch. Condition: Neu. Neuware -The PIMS Yearbook surveys the historical and contemporary landscape of panoramic and immersive media. This interdisciplinary field includes-but is not limited to-360-degree paintings; dioramas and museum displays; gaming; gardens; immersive experience; maps; material culture studies; media archeology; 19th-century popular media; optical and haptic devices; performative media; printed matter; public history; and virtual and augmented reality.Walter de Gruyter GmbH, Genthiner Strasse 13, 10785 Berlin Englisch.…

Buch. Condition: Neu. Neuware - The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland). It surveys the historical and contemporary landscape of panoramic and immersive media. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and the real, observer and observed, nature and culture, and past, present, and future. Together, the concepts of panorama and immersion have catalyzed time- and space-bending strategies for creating, experiencing, and transforming culture, ideas, and built and social space across the arc of human history. The PIMS Yearbook presents a range of disciplinary perspectives with the understanding that methodologies in the humanities, the arts, the sciences, design disciplines, social sciences, engineering, and other fi elds contribute important perspectives to the interdisciplinary fi eld of panoramic and immersive media studies. The IPC is the international organization of panorama specialists committed to supporting the heritage and conservation of extant nineteenth and early-twentieth century panoramas, and promoting awareness of the medium's history, derivative forms, and contemporary iterations. As a non-government and not-for-profit association subject to Swiss law, the IPC is active in the fi elds of panorama research, restoration, financing, management, exhibition, and marketing. The PIMS Yearbook succeeds the International Panorama Council Journal, a selected proceedings of the annual conferences of the IPC, published 2017-2023.…

Condition: New. 2025. 1st Edition. hardcover. . . . . .

Condition: New. Molly C. Briggs, University of Illinois Urbana-Champaign, USA.Nineteenth-century pictorial place maps invited viewers to understand geography through practical and imaginative exploration. Circular examples combined plan view..

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 374 | Sprache: Englisch | Produktart: Bücher | The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland). It surveys the historical and contemporary landscape of panoramic and immersive media. This interdisciplinary field includes-but is not limited to-360-degree paintings; dioramas and museum displays; gaming; gardens; immersive experience; maps; material culture studies; media archeology; nineteenth-century popular media; optical and haptic devices; performative media; printed matter; public history; and virtual and augmented reality. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and the real, observer and observed, nature and culture, and past, present, and future. Together, the concepts of panorama and immersion have catalyzed time- and space-bending strategies for creating, experiencing, and transforming culture, ideas, and built and social space across the arc of human history. The PIMS Yearbook presents a range of disciplinary perspectives with the understanding that methodologies in the humanities, the arts, the sciences, design disciplines, social sciences, engineering, and other fields contribute important perspectives to the interdisciplinary field of panoramic and immersive media studies. The IPC is the international organization of panorama specialists committed to supporting the heritage and conservation of extant nineteenth and early-twentieth-century panoramas, and promoting awareness of the medium's history, derivative forms, and contemporary iterations. As a non-government and not-for-profit association subject to Swiss law, the IPC is active in the fields of panorama research, restoration, financing, management, exhibition, and marketing. The PIMS Yearbook succeeds the International Panorama Council Journal (IPCJ), a selected proceedings of the annual conferences of the IPC, published 2017-2023.…

Buch. Condition: Neu. Panoramic and Immersive Media Studies Yearbook | Molly C. Briggs (u. a.) | Buch | XIV | Englisch | 2024 | Oldenbourg | EAN 9783111335421 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. …

Hardback. Condition: New. The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland). It surveys the historical and contemporary landscape of panoramic and immersive media. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and the real, observer and observed, nature and culture, and past, present, and future. Together, the concepts of panorama and immersion have catalyzed time- and space-bending strategies for creating, experiencing, and transforming culture, ideas, and built and social space across the arc of human history. The PIMS Yearbook presents a range of disciplinary perspectives with the understanding that methodologies in the humanities, the arts, the sciences, design disciplines, social sciences, engineering, and other fi elds contribute important perspectives to the interdisciplinary fi eld of panoramic and immersive media studies. The IPC is the international organization of panorama specialists committed to supporting the heritage and conservation of extant nineteenth and early-twentieth century panoramas, and promoting awareness of the medium's history, derivative forms, and contemporary iterations. As a non-government and not-for-profit association subject to Swiss law, the IPC is active in the fi elds of panorama research, restoration, financing, management, exhibition, and marketing. The PIMS Yearbook succeeds the International Panorama Council Journal, a selected proceedings of the annual conferences of the IPC, published 2017-2023.…

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Nineteenth-century pictorial place maps invited viewers to understand geography through practical and imaginative exploration. Circular examples combined plan view, pictorial perspective, and cartographic projection in graphics that positioned viewers within arguments about the global significance of particular places. Unlike visual distortions that required correction with optical tools, these artifacts were designed to be read and understood through learned period habits of looking and handling. Their call to haptic interaction activated a synthesis of vision and touch that produced felt sensations of presence in place. Early application of these strategies in military and scientific imaging advanced political and epistemic claims about how territory should be seen, interpreted, and governed. Printed orientation plans to panoramic exhibitions popularized this graphic strategy with mass audiences at the turn of the nineteenth century. This approach was then deployed in a variety of other ephemera including travel guides, advertisements, educational games, political posters, and fire-spotting discs. The persuasive agency of immersive chorographic (place) maps resided in their coordination of word, image, and material affordance. Arraying text labels for 360-degree viewing and reading helped naturalize contested visions of sovereignty, territory, and belonging through subjective orientation. Immersion in Print traces the development of this immersive rhetoric, and the manners of looking and reading it cultivated, in Europe and the United States. The book intervenes in debates on intermediality, reproduction, and the material life of images by repositioning printed place maps and related ephemera as media environments that actively organized embodied experience and spatial ideology in the long nineteenth century.…

Buch. Condition: Neu. Immersion in Print | Design, Sensory Reading, and Spatial Imaginaries in Nineteenth-Century Chorography | Molly C. Briggs | Buch | Appearances - Studies in Visual Research | XIV | Englisch | 2026 | de Gruyter Oldenbourg | EAN 9783119142106 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. …

Condition: New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

fester Einband. XIV, 374 S., einige Abb. Kart. .*neuwertig*. The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland). It surveys the historical and contemporary landscape of panoramic and immersive media. This interdisciplinary field includes-but is not limited to-360-degree paintings; dioramas and museum displays; gaming; gardens; immersive experience; maps; material culture studies; media archeology; nineteenth-century popular media; optical and haptic devices; performative media; printed matter; public history; and virtual and augmented reality. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and the real, observer and observed, nature and culture, and past, present, and future. Together, the concepts of panorama and immersion have catalyzed time- and space-bending strategies for creating, experiencing, and transforming culture, ideas, and built and social space across the arc of human history. The PIMS Yearbook presents a range of disciplinary perspectives with the understanding that methodologies in the humanities, the arts, the sciences, design disciplines, social sciences, engineering, and other fields contribute important perspectives to the interdisciplinary field of panoramic and immersive media studies. The IPC is the international organization of panorama specialists committed to supporting the heritage and conservation of extant nineteenth and early-twentieth-century panoramas, and promoting awareness of the medium's history, derivative forms, and contemporary iterations. As a non-government and not-for-profit association subject to Swiss law, the IPC is active in the fields of panorama research, restoration, financing, management, exhibition, and marketing. The PIMS Yearbook succeeds the International Panorama Council Journal (IPCJ), a selected proceedings of the annual conferences of the IPC, published 2017-2023. Sprache: Englisch.…

Hardcover. Condition: new. Hardcover. Nineteenth-century pictorial place maps invited viewers to understand geography through practical and imaginative exploration. Circular examples combined plan view, pictorial perspective, and cartographic projection in graphics that positioned viewers within arguments about the global significance of particular places. Unlike visual distortions that required correction with optical tools, these artifacts were designed to be read and understood through learned period habits of looking and handling. Their call to haptic interaction activated a synthesis of vision and touch that produced felt sensations of presence in place. Early application of these strategies in military and scientific imaging advanced political and epistemic claims about how territory should be seen, interpreted, and governed. Printed orientation plans to panoramic exhibitions popularized this graphic strategy with mass audiences at the turn of the nineteenth century. This approach was then deployed in a variety of other ephemera including travel guides, advertisements, educational games, political posters, and fire-spotting discs. The persuasive agency of immersive chorographic (place) maps resided in their coordination of word, image, and material affordance. Arraying text labels for 360-degree viewing and reading helped naturalize contested visions of sovereignty, territory, and belonging through subjective orientation. Immersion in Print traces the development of this immersive rhetoric, and the manners of looking and reading it cultivated, in Europe and the United States. The book intervenes in debates on intermediality, reproduction, and the material life of images by repositioning printed place maps and related ephemera as media environments that actively organized embodied experience and spatial ideology in the long nineteenth century. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Nineteenth-century pictorial place maps invited viewers to understand geography through practical and imaginative exploration. Circular examples combined plan view, pictorial perspective, and cartographic projection in graphics that positioned viewers within arguments about the global significance of particular places. Unlike visual distortions that required correction with optical tools, these artifacts were designed to be read and understood through learned period habits of looking and handling. Their call to haptic interaction activated a synthesis of vision and touch that produced felt sensations of presence in place. Early application of these strategies in military and scientific imaging advanced political and epistemic claims about how territory should be seen, interpreted, and governed. Printed orientation plans to panoramic exhibitions popularized this graphic strategy with mass audiences at the turn of the nineteenth century. This approach was then deployed in a variety of other ephemera including travel guides, advertisements, educational games, political posters, and fire-spotting discs. The persuasive agency of immersive chorographic (place) maps resided in their coordination of word, image, and material affordance. Arraying text labels for 360-degree viewing and reading helped naturalize contested visions of sovereignty, territory, and belonging through subjective orientation. Immersion in Print traces the development of this immersive rhetoric, and the manners of looking and reading it cultivated, in Europe and the United States. The book intervenes in debates on intermediality, reproduction, and the material life of images by repositioning printed place maps and related ephemera as media environments that actively organized embodied experience and spatial ideology in the long nineteenth century. 277 pp. Englisch.…