Brian J Lutz (13 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Condition: New.

Condition: As New. Unread book in perfect condition.

Softcover. First Edition, First Printing. Book condition is Very Good, bound in glossy wraps. Some rubbing and edgewear to exterior. Text is clean and unmarked. ; 4to. 11"h x 8 1/2"w. Contents: "Forming Judgments of Attitude Certainty, Intensity, and Importance: The Role of Subjective Experiences" by Geoffrey Haddock, Alexander J. Rothman, Rolf Reber, and Norbert Schwarz "Self-Discrepancies and Affect: Incorporating the Role of Feared Selves" by Charles S. Carver, John W. Lawrence, and Michael F. Scheier "Ideological and Attributional Boundaries on Public Compassion: Reactions to Individuals and Communities Affected by a Natural Disaster" by Linda J. Skitka "Social Identity Salience and the Emergence of Stereotype Consensus" by S. Alexander Haslam, Penelope J. Oakes, Katherine J. Reynolds, and John C. Turner "Influence of Impression-Management Goals on the Emerging Contents of Group Stereotypes: Support for a Social-Evolutionary Process" by Mark Schaller and Lucian Gideon Conway III "Injustice and Powerseeking" by Craig A. Foster and Caryl E. Rusbult "Feeling and Speaking: Mood Effects on Verbal Communication Strategies" by Joseph P. Forgas "An Equity Theory Analysis of the Impact of Forgiveness and Retribution on Transgressor Compliance" by Brad R. C. Kelln and John H. Ellard "Overlapping Mental Representations of Self, In-Group, and Partner: Further Response Time Evidence and a Connectionist Model" by Eliot R. Smith, Susan Coats, and Dustin Walling "Satisfaction Judgments in Positive and Negative Moods: Effects of Concurrent Assimilation and Contrast Producing Processes" by Andrea E. Abele and Guido H. E. Gendolla "Perceived Social Support and Attributions for Failed Support" by Lisa Thomson Ross, Catherine J. Lutz, and Brian Lakey. …

Taschenbuch. Condition: Neu. Neuware - The United States Air Force, Department of Defense and commercial industry have recognized the great value of near-earth space development, specifically in satellites for use in communications, ground and space surveillance and more active roles. However, resolution, or the primary optic's diameter, has been a limitation, especially for ground surveillance. Deployable optics has been investigated to allow larger optics in space and membrane optics has received increasing attention recently. The membrane's flexible nature requires some passive and possibly active control to reduce optical distortion caused by manufacturing, deployment, or other effects during use. Piezoelectric surface controllers are one option to actively control the membrane on the order of optical measurements (micron displacement or less). Multiple configurations of transverse displacements are feasible depending on the piezo zone locations and activation.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

Condition: New. KlappentextrnrnThe United States Air Force, Department of Defense and commercial industry have recognized the great value of near-earth space development, specifically in satellites for use in communications, ground and space surveillance and mo.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.…

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: New. Print on Demand pp. 138.

Condition: New. Print on Demand pp. 138.

Condition: New. PRINT ON DEMAND pp. 138.