Bowers Robert J (65 results)

Paperback. Condition: New.

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Edition 2001. Tome 7. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2001. Volume 7. Ammareal gives back up to 15% of this item's net price to charity organizations.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. Clean inside, no defects, light wear.

Condition: New. In English.

Condition: New. In English.

Condition: New. In English.

Condition: New. In English.

Eighth Edition (as stated upon front board - revised edition of the preceding 1982 seventh edition) WITH BOOKPLATE SIGNED BY THE EDITOR. No dust jacket (presumably as issued). Black glossy paper boards lightly rubbed. Touch of soiling and foxing to text block edges. Publisher's bookplate on front pastedown with ink signature of editor Q. David Bowers. Interior leaves are clean. Binding retains some crispness. Laid-in between pages 314-315 is January 7, 2009 Lemus Collection Heritage Auction Gallery Judd numbers reference list with past owner's various ink markings. ISBN 0794817378.…

Condition: New. In English.

Condition: New. In English.

Condition: New. In English.

Condition: New. In English.

Ephemera. Condition: Good with no dust jacket. Stapled binding is sound. Pages clean, age-darkened. Typescript font. Wraps are age-darkened with handling wear. Contents: Robinson, "'Hindenburg' Retrospect." Krauskopf, "National Guard Aviation, 1940-41." Balzer, "World War II Photo Page." Letzter, "Finishes and Markings of USAF Aircraft." Coletta, "The Navy's Air Navigation Charts." Bowers, "World War I Photo Page." Morehouse, "Flying Pioneers of Aviation." Larkins, "A-20 Production List." Parkinson, "Some Origins of Military Aeronautics." Holt and Cannon, "Air Craft and War." Reviews. 11.0" tall; 88 pages. …

Soft cover. Condition: Very Good. 142 pages. Illustrated. Peter Phillips "The Golden Age Regained" / Andrea Von Ramm "Style In Early Music Singing" / Roger Bowers "The Performing Pitch Of English 15th-century Church Polyphony" / Edith Borroff "An American University Consort" / Roger Bray "More Light On Early Tudor Pitch" / Douglas Alton Smith "Sylvius Leopold Weiss" / Robert Hadaway "The Re-creation Of An Italian Renaissance Harp".…

Softcover. Condition: Near Fine. First edition. Mass market paperback. 201pp. Spine toned and creased, near fine. Contributions by William Stafford, Robert Lowell, Robert Duncan, Reed Whittemore, Howard Nemerov, Richard Wilbur, Anthony Hecht, James Dickey, Denise Levertov, John Logan, Louis Simpson, Edgar Bowers, Donald Justice, Robert Bly, Robert Creeley, James Merrill, W.D. Snodgrass, John Ashbery, Galway Kinnell, W.S. Merwin, James Wright, X.J. Kennedy, Adrienne Cecile Rich, Gary Snyder, and Robert Mezey. Penguin Poets D67. …

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Hardcover. Condition: Very Good. No Dust Jacket. First Edition. Articles include: The Cathedral Libraries Catalogue; the Spanish Masquerado; An Examination of the Method of Proof Correction in Lear; Horace Walpole's Library; Forged Addresses in Low Country Books in the Period of the Reformation; Early English Books at the London Oratory; MacBeth at the Globe; Further Notes on Paper used in England after 1600; Konrad Haebler: In Memoriam; Geneva as a Centre of early Printing; the Gifts of Elizabethan Printers to the Library of King's College, Cambridge; Some Notes on the Bibliography of Jeremy Taylor; Halliwell-Phillipps and Trinity College Library. Bibliographical Notes: The 1618 Quarto of Field's Amends for Ladies; Pen-and-Ink Corrections in Seventeenth-century Books; Paper Saving in 1639; Additional Observations to the Later Editions of Nosce Teipsum; A Letter of Petrus Savornanus to Bibald Pireckheimer; Albertus Trottus and Albertus de Ferrariis; Foxe's Acts and monuments, 1570 and Single page Imposition; An Apparently Unrecorded French Translation of Galen's De simplicium medicamentorum facultatibus 1544; Andrew Boorde's Dyetary of Helth and its Attribution to Thomas Linacre; Notes on a Late-sixteenth-century Opthalmic Work in English; The Archpriest Controversy and the Printers 1601-1603; Correction at Press in the Quarto of Law-Trickes; The Date of the Earliest Play-Catalogues; Browne's Urn Burial; Jacob Bryant and the Sunderland Library; Two Caslon Specimens; Tennyson's Carmen Saeculare; Notes on Some Tools used by the Unicorn Binder; Books printed at Heidelberg for Thomas Cartwright; A Note on the Authorship of Three Works against Thomas Bell; the First Series of Plays published by Francis Kirkman in 1661. Correspondence. Reviews. Clean grey boards with clean grey linen spine with black lettering, sound binding, penciled note at top of page 1 otherwise clean pages. No dust jacket, as published. Quantity Available: 1. Shipped Weight: 1-2kg. Pictures of this item not already displayed here available upon request. Inventory No: 12210100059. All our books are sent by tracked mail. This book is extra heavy, and may involve extra shipping charges to some countries. …

Hard Cover. Condition: Very Good. No Dust Jacket. The cover has light shelf wear. The book has a few library items such as stamps, stickers and barcodes. Otherwise excellent condition all round. 158 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size F: 9"-10" Tall (228-254mm). Ex Library.…

Condition: New. Print on Demand.

Softcover. Condition: Fine. First edition. Blue wrappers. xxviii, 179pp. Fine. "Quicksand" by Phil Condon. Poetry by Neal Bowers, Catharine Savage Brosman, Lionel Basney, Morri Creech, Richard Gillman, Laurence Lieberman, Michael Spence. Essays by Russell Fraser, Wesley McNair. Arts and Letters by Richard Wakefield, Elmer Borklund, Walter Sullivan, J.A. Bryant, Jr., Marc Hudson, David Mason, Michael L. Hall, William Harmon, R.S. Gwynn. The State of Letters by Richard Stern, Langdon Hammer, Leonard F. Dean, Wendell Berry, Daniel Hoffman, Robert McDowell, Christian Wiman, Reed Whittemore, R.S. Gwynn, and George Core.…

Softcover. Condition: Fine. First edition. Blue wrappers. cvi, 309-468pp. Fine. Poetry by Neal Bowers, Frank Gaspar, Richard Gillman, Robert Bernard Hass, Frederick Morgan, Michael Mott, Dan Masterson. Fiction by Sarah Rossiter. Essays by George Watson, Lionel Basney, Christopher Clausen, Daniel Hoffman. Arts and Letters by J.T. Barbarese, Sam Pickering, John Rees Moore, Stuart Wright, J.A. Bryant, Jr., Edward L. Galligan. The State of Letters by D.W. Faulkner, Louis D. Rubin, Jr., and Russell Kirk.…