Seller: HPB-Ruby, Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Columbia University Press, US, 2015
ISBN 10: 0231174594 ISBN 13: 9780231174596
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers-everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Wallflower Press 6/9/2015, 2015
ISBN 10: 0231174594 ISBN 13: 9780231174596
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Film Programming: Curating for Cinemas, Festivals, Archives. Book.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Wallflower Press, 2015, 2015
ISBN 10: 0231174594 ISBN 13: 9780231174596
Soft cover. Condition: As New. Pbk, square 8vo, 162pp, a new and unread copy, excellent, clean, tight and unmarked, as new.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Columbia University Press, US, 2015
ISBN 10: 0231174594 ISBN 13: 9780231174596
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers-everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.
Language: English
Published by Columbia University Press, 2015
ISBN 10: 0231174594 ISBN 13: 9780231174596
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Series: Short Cuts. Num Pages: 144 pages, 6 b&w. BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 153 x 199 x 12. Weight in Grams: 224. . 2015. Paperback. . . . .
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new.
Language: English
Published by Columbia University Press, 2015
ISBN 10: 0231174594 ISBN 13: 9780231174596
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. Series: Short Cuts. Num Pages: 144 pages, 6 b&w. BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 153 x 199 x 12. Weight in Grams: 224. . 2015. Paperback. . . . . Books ship from the US and Ireland.
Language: Dutch
ISBN 10: 9061685788 ISBN 13: 9789061685784
Seller: Hamelyn, Madrid, M, Spain
Condition: Como nuevo. : Este libro de Peter Bosma, titulado 'Van Abraham tot Zacharia', explora temas del Antiguo Testamento en el contexto de la religión, las artes visuales, la literatura, la música y el teatro. Publicado por Boom Koninklijke Uitgevers, el libro está escrito en holandés y tiene 270 páginas. EAN: 9789061685784 Tipo: Libros Categoría: Religión y Espiritualidad Título: Van Abraham Tot Zacharia Autor: Peter Bosma Idioma: nl Páginas: 270 Formato: tapa blanda.
Language: English
Published by Columbia University Press, 2015
ISBN 10: 0231174594 ISBN 13: 9780231174596
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Condition: Good. Originele grijze hardcover, stofomslag, veel illustraties in kleur en z/w, 4to.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 144 pages. 7.75x6.00x0.50 inches. In Stock.
Published by SUN
ISBN 10: 9061685788 ISBN 13: 9789061685784
Seller: Mooney's bookstore, Den Helder, Netherlands
Condition: Very good.
Paperback. Condition: Brand New. 268 pages. 9.00x7.50x0.75 inches. In Stock.
Language: Dutch
Published by LantarenVenster Rotterdam, 2010
Seller: Louis Tinner Books, Rotterdam, ZH, Netherlands
Condition: , , mooi exemplaar. 2010, paperback, mooi exemplaar.
Language: Dutch
Published by SUN /OU: Nijmegen / Heerlen, 1991, 1991
ISBN 10: 9061683459 ISBN 13: 9789061683452
Seller: Antiquariaat Fenix, Amsterdam, Netherlands
Condition: Good. Paperback, 85 pp., 17x22x3 cm, naam op schutblad, in goede staat. [Te dik voor de brievenbus].
Language: English
Published by Columbia University Press, US, 2015
ISBN 10: 0231174594 ISBN 13: 9780231174596
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condition: New. This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers-everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.
Language: English
Published by Columbia University Press|Wallflower Press, 2015
ISBN 10: 0231174594 ISBN 13: 9780231174596
Seller: moluna, Greven, Germany
Kartoniert / Broschiert. Condition: New. Explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archivesThis book explores artistic choices in the field of cinema exhibition, focusing on film theatres, film festivals, and film archives, setting the .
Language: Multiple languages
Published by Verlag für moderne Kunst, Wien, 2011
ISBN 10: 3869841877 ISBN 13: 9783869841878
Seller: Antiquariat UEBUE, Zürich, Switzerland
First Edition
Softcover. Condition: Sehr gut. 1. Auflage. Z : 264 Seiten - Das Buch geht der Frage nach, wie Internet-basierte künstlerische Produktion im realen Raum formuliert und wie dabei ein Präsentationsmodus entwickelt werden kann, der für beide Seiten das Internet und den Ausstellungsraum gleichermaßen angemessen erscheint. Diese Gruppe aus KünstlerInnen, KuratorInnen und AutorInnen arbeitet auf der Basis zeitgenössischer visueller, textueller und netzwerkartiger Handlungsfelder.
Language: English
Published by Columbia University Press, US, 2015
ISBN 10: 0231174594 ISBN 13: 9780231174596
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers-everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.
Language: English
Published by Columbia University Press, Wallflower Press Jul 2015, 2015
ISBN 10: 0231174594 ISBN 13: 9780231174596
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - This book explores artistic choices in the field of cinema exhibition, focusing on film theatres, film festivals, and film archives, setting the various issues of film curating in their international context. The availability of artistic and commercial film has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition; in this overflow of supply a reasoned and well-grounded selection is necessary more than ever. The conventional structures of the film trade are in a process of transformation and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers; everybody can be a film curator, in a passive or active way.