Born Will (60 results)

Paperback. Condition: Very Good.

Paperback. Condition: Good.

Paperback. Condition: Very Good.

Paperback. Condition: Good.

Trade Paperback. Condition: Fine. Dust Jacket Condition: wraps. First Edition, First Printing. This is a fine, first edition, first printing, paperback copy, black spine.

Condition: Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Very Good. 1st Edition. A uniform two-volume lot of first editions, first printings published in 1974 by North Atlantic Books in Plainfield, Vermont. Octavos. Stated copyright 1974 with no later printings noted on either copyright page.The Long Body of the Dream (ISBN 0-913028-28-2), 256 pp. Cover and design by Nicholas Dean. Features striking orange and white illustrated wrappers. Faint edge wear and minor sunning along the spine.The Book of Being Born Again into the World (ISBN 0-913028-29-0), 246 pp. Cover features a reproduction of an original stoneprint by Will Petersen, printed by hand from four stones in a limited edition of 50. Faint handling wear to the white wrappers, with original neat "$5.00" ink price notation on the lower right corner of the front cover matching the printed price structure of the series.Both volumes feature tight bindings and remarkably clean, crisp interiors entirely free from highlighting, marginalia, library stamps, or underlining. A beautifully preserved pairing of early countercultural literature from the co-founder of Io magazine. K725k8. Petersen, Will (Cover print for Being Born Again) (illustrator).…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: new.

Condition: New.

Condition: New. Addressing a diverse set of improvised art and music forms-from jazz and cinema to dance and literature-this volume traces how the social, political, and the aesthetic relate within the context of improvisation. Editor(s): Born, Georgina; Lewis, Eric; Straw, Will. Series: Improvisation, Community, and Social Practice. Num Pages: 360 pages, 12 illustrations. BIC Classification: AN; AVC. Category: (G) General (US: Trade). Dimension: 5817 x 3887. . . 2017. Illustrated. Paperback. . . . . …

Condition: New. pp. 368.

Condition: New. In English.

Paperback. Condition: New. Addressing a wide range of improvised art and music forms-from jazz and cinema to dance and literature-this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities.Contributors. Lisa Barg, Georgina Born, David Brackett, Nicholas Cook, Marion Froger, Susan Kozel, Eric Lewis, George E. Lewis, Ingrid Monson, Tracey Nicholls, Winfried Siemerling, Will Straw, ZoË Svendsen, Darren Wershler.…

Aus der Bibliothek von Karlheinz Deschner. 97 Seiten, 8°. Vorsatz mit handschriftlicher Widmung für Karlheinz Deschner. Gutes Exemplar. Illustrierter Original-Karton Taschenbuch.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Addressing a wide range of improvised art and music forms-from jazz and cinema to dance and literature-this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities.Contributors. Lisa Barg, Georgina Born, David Brackett, Nicholas Cook, Marion Froger, Susan Kozel, Eric Lewis, George E. Lewis, Ingrid Monson, Tracey Nicholls, Winfried Siemerling, Will Straw, ZoË Svendsen, Darren Wershler.…

Condition: New. Addressing a diverse set of improvised art and music forms-from jazz and cinema to dance and literature-this volume traces how the social, political, and the aesthetic relate within the context of improvisation. Editor(s): Born, Georgina; Lewis, Eric; Straw, Will. Series: Improvisation, Community, and Social Practice. Num Pages: 360 pages, 12 illustrations. BIC Classification: AN; AVC. Category: (G) General (US: Trade). Dimension: 5817 x 3887. . . 2017. Illustrated. Paperback. . . . . Books ship from the US and Ireland. …

Condition: New. pp. 368.

Paperback. Condition: Brand New. 345 pages. 8.75x5.75x0.75 inches. In Stock.

Broschur. Condition: Sehr gut. 1. Aufl. 102 S.; 21 cm Zustand: illustrierter Kartoneinband, sehr gut --- Inhalt: Auf der Spurensuche - wenn man als Leser dieses Buches nämlich Alfred Andersch schon fast auf den Fersen ist -, so hat man doch zeurst einmal die falsche Fährte erwischt und stößt danach über ein Leitmotiv aus Sansibar auf ganz was Unerwartetes: auf das Erhaltenswerte in der zerbröckelnden DDR, symbolisiert durch die Kleinbahn in Bad Doberan. Daraus wird dann eine dramatische Geschichte Nuß3-2 ISBN: 9783924532475 Sprache: Deutsch Gewicht in Gramm: 200.…

Paperback. Condition: New. Addressing a wide range of improvised art and music forms-from jazz and cinema to dance and literature-this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities.Contributors. Lisa Barg, Georgina Born, David Brackett, Nicholas Cook, Marion Froger, Susan Kozel, Eric Lewis, George E. Lewis, Ingrid Monson, Tracey Nicholls, Winfried Siemerling, Will Straw, ZoË Svendsen, Darren Wershler.…

Hardcover. Condition: Fine. Dust Jacket Included. 1st Edition. FIRST EDITION, first printing. Quarto (25 x 19cm), pp.255; [1]. Publisher's white cloth, titles in metallic red to spine, pictorial endpapers. Dust-jacket with printed price of £17.99 to front flap. Illustrated. Fine.

Taschenbuch. Condition: Neu. Improvisation and Social Aesthetics | Georgina Born | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2017 | Duke University Press | EAN 9780822361947 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

2. Auflage. Dagmar Dreves Verlag, Lüneburg, 2005. 104 S., kartoniert--- - neuwertig/ungelesen - 162 Gramm.

Paperback. Condition: New. Addressing a wide range of improvised art and music forms-from jazz and cinema to dance and literature-this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities.Contributors. Lisa Barg, Georgina Born, David Brackett, Nicholas Cook, Marion Froger, Susan Kozel, Eric Lewis, George E. Lewis, Ingrid Monson, Tracey Nicholls, Winfried Siemerling, Will Straw, ZoË Svendsen, Darren Wershler.…

Condition: new.