Language: English
Published by Oxford University Press, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: Sunshine State Books, Lithia, FL, U.S.A.
paperback. Condition: As New. Paperback--no flaws.
Language: English
Published by Oxford University Press, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: Open Books, Chicago, IL, U.S.A.
paperback. Condition: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.
Language: English
Published by Oxford University Press, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Oxford University Press, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Oxford University Press Inc, US, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. In mid seventeenth-century Venice, opera first emerged from courts and private drawing rooms to become a form of public entertainment. Early commercial operas were elaborate spectacles, featuring ornate costumes and set design along with dancing and music. As ambitious works of theater, these productions required not only significant financial backing, but also strong managers to oversee several months of rehearsals and performances. These impresarios were responsible for every facet of production from contracting the cast to balancing the books at season's end. The systems they created still survive, in part, today. Inventing the Business of Opera explores public opera in its infancy, from 1637 to 1677, when theater owners and impresarios established Venice as the operatic capital of Europe. Drawing on extensive new documentation, the book studies all of the components necessary to opera production, from the financial backing of various populations of Venice, to the commissioning and creation of the libretto and the score; the recruitment and employment of singers, dancers, and instrumentalists; the production of the scenery and the costumes, and, the nature of the audience; and, finally, the issue of patronage. Throughout the book, the problems faced by impresarios come into new focus. The authors chronicle the progress of Marco Faustini, the impresario most well known today, who made his way from one of Venice's smallest theaters to one of the largest. His companies provide the most personal view of an impresario and his partners, who ranged from Venetian nobles to artisans. Throughout the book, Venice emerges as a city that prized novelty over economy, with new repertory, scenery, costumes, and expensive singers the rule rather than the exception. The authors examine the challenges faced by four separate Venetian theaters during the seventeenth century: San Cassiano, the first opera theater, the Novissimo, the small Sant'Aponal, and San Luca, established in 1660. Only two of them would survive past the 1650s. Through close examination of an extraordinary cache of documents--including personal papers, account books, and correspondence -- Beth and Jonathan Glixon provide a comprehensive view of opera production in mid-seventeenth century Venice. For the first time in a study of opera, an emphasis is placed on the physical production -- the scenery, costumes, and stage machinery -- that tied these opera productions to the social and economic life of the city. This original and meticulously researched study will be of strong interest to all students of opera and its history.
Language: English
Published by Oxford University Press, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: Ria Christie Collections, Uxbridge, United Kingdom
£ 31.85
Quantity: Over 20 available
Add to basketCondition: New. In.
Language: English
Published by Oxford University Press, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Oxford University Press, 2005
ISBN 10: 0195154169 ISBN 13: 9780195154160
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Oxford University Press, 2005
ISBN 10: 0195154169 ISBN 13: 9780195154160
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Oxford University Press, UK, 2005
ISBN 10: 0195154169 ISBN 13: 9780195154160
Seller: CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. Hardcover in dust jacket. Clean, tight and unmarked. Illustrated. Very neat -- a sound and handsome copy. Size: 8vo - over 7¾ - 9¾" tall. Book.
Language: English
Published by Oxford University Press, 2005
ISBN 10: 0195154169 ISBN 13: 9780195154160
Seller: Ria Christie Collections, Uxbridge, United Kingdom
£ 57.13
Quantity: Over 20 available
Add to basketCondition: New. In.
Language: English
Published by Oxford University Press, 2005
ISBN 10: 0195154169 ISBN 13: 9780195154160
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Oxford University Press, 2005
ISBN 10: 0195154169 ISBN 13: 9780195154160
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Language: English
Published by Oxford University Press, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Language: English
Published by Oxford University Press Inc, US, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. In mid seventeenth-century Venice, opera first emerged from courts and private drawing rooms to become a form of public entertainment. Early commercial operas were elaborate spectacles, featuring ornate costumes and set design along with dancing and music. As ambitious works of theater, these productions required not only significant financial backing, but also strong managers to oversee several months of rehearsals and performances. These impresarios were responsible for every facet of production from contracting the cast to balancing the books at season's end. The systems they created still survive, in part, today. Inventing the Business of Opera explores public opera in its infancy, from 1637 to 1677, when theater owners and impresarios established Venice as the operatic capital of Europe. Drawing on extensive new documentation, the book studies all of the components necessary to opera production, from the financial backing of various populations of Venice, to the commissioning and creation of the libretto and the score; the recruitment and employment of singers, dancers, and instrumentalists; the production of the scenery and the costumes, and, the nature of the audience; and, finally, the issue of patronage. Throughout the book, the problems faced by impresarios come into new focus. The authors chronicle the progress of Marco Faustini, the impresario most well known today, who made his way from one of Venice's smallest theaters to one of the largest. His companies provide the most personal view of an impresario and his partners, who ranged from Venetian nobles to artisans. Throughout the book, Venice emerges as a city that prized novelty over economy, with new repertory, scenery, costumes, and expensive singers the rule rather than the exception. The authors examine the challenges faced by four separate Venetian theaters during the seventeenth century: San Cassiano, the first opera theater, the Novissimo, the small Sant'Aponal, and San Luca, established in 1660. Only two of them would survive past the 1650s. Through close examination of an extraordinary cache of documents--including personal papers, account books, and correspondence -- Beth and Jonathan Glixon provide a comprehensive view of opera production in mid-seventeenth century Venice. For the first time in a study of opera, an emphasis is placed on the physical production -- the scenery, costumes, and stage machinery -- that tied these opera productions to the social and economic life of the city. This original and meticulously researched study will be of strong interest to all students of opera and its history.
Published by Oxford, Oxford University Press ,, 2006
ISBN 10: 0195154169 ISBN 13: 9780195154160
Seller: Wolfgang Rüger, Frankfurt am Main, Germany
First Edition
EA, 398 S., OPbd., sehr gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.
Language: English
Published by Oxford University Press, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Print on Demand pp. 428 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.
Language: English
Published by Oxford University Press OUP, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. Print on Demand pp. 428.
Language: English
Published by Oxford University Press, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. PRINT ON DEMAND pp. 428.
Language: English
Published by Oxford University Press, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
Seller: moluna, Greven, Germany
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Inventing the Business of Opera explores public opera in its infancy, bringing to life the men and women who successfully established the new genre on the stages of Venice during the seventeenth century. All of the components necessary to opera production a.
Language: English
Published by Oxford University Press OUP, 2005
ISBN 10: 0195154169 ISBN 13: 9780195154160
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. Print on Demand pp. 428.
Language: English
Published by Oxford University Press, 2005
ISBN 10: 0195154169 ISBN 13: 9780195154160
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Print on Demand pp. 428 Illus.
Language: English
Published by Oxford University Press, 2005
ISBN 10: 0195154169 ISBN 13: 9780195154160
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. PRINT ON DEMAND pp. 428.
Language: English
Published by Oxford University Press, 2005
ISBN 10: 0195154169 ISBN 13: 9780195154160
Seller: moluna, Greven, Germany
Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Marco Faustini was among the most successful professionals in seventeenth-century Venetian opera. Presenting an examination of Faustini s documents, this book provides a comprehensive view of opera production in mid-seventeenth century Venice. It places an .