Bernstein Jeanne Wolff (43 results)

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Original Wraps. Condition: Fine. No Jacket. First. Fine in original wraps. Articles in this periodical include Annie Sweetnam on sexual sensations and gender, the psychological positions and the erotic third, psycho-biography revisited by Jeanne Wolff Bernstein. Eight papers in all, reviews and other material for the society. Size: 8vo - over 7¾" - 9¾" tall.…

8°, OPpd.. Dissertation, authorized facsimile.. 414 S. mit Abb., Einb. etwas abgegriffen Sprache: Englisch Gewicht in Gramm: 1050.

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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback or Softback. Condition: New. Thoughts for the Times on Groups and Masses: A Sigmund Freud Museum Symposium. Book.

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Buch. Condition: Neu. Neuware -Psychoanalyst Jeanne Wolff Bernstein analyzes the works of the French painter Édouard Manet (1832-1883) from different perspectives. Instead of speculating about Manet's biography, she links only historically available data of the artist's life to his paintings. His numerous references from the history of painting are subsequently explained as re-interpretations of these historical works and as interpretations of his painterly genealogy. With this method it becomes clear how Manet expresses the contradictions inherent in his era and also subtly criticizes his social milieu at the same time. The primary text for an understanding of the enigmatic relationship between artist, painting, and viewer is Freud's essay »The Joke and its Relation to the Unconscious« (1905), in which the teller of a joke invites his listener to complete his joke through an absent, but imagined third person. In a similar way, Manet incorporates the unconscious processes of his spectators to complete the scenes depicted on his canvases.Jacques Lacan's theory about the gaze, in particular his realization that the picture is in the eye of the beholder, but that the beholder was already fore-seen in the picture, is relevant for an understanding of the identificatory processes taking place between painting, beholder, and artist.These three perspectives upon Manet's work open up a new psychoanalytic approach to the study of painting which can also be used for other fields of aesthetics. 336 pp. Englisch.…

Buch. Condition: Neu. Neuware -Psychoanalyst Jeanne Wolff Bernstein analyzes the works of the French painter Édouard Manet (1832-1883) from different perspectives. Instead of speculating about Manet's biography, she links only historically available data of the artist's life to his paintings. His numerous references from the history of painting are subsequently explained as re-interpretations of these historical works and as interpretations of his painterly genealogy. With this method it becomes clear how Manet expresses the contradictions inherent in his era and also subtly criticizes his social milieu at the same time. The primary text for an understanding of the enigmatic relationship between artist, painting, and viewer is Freud's essay »The Joke and its Relation to the Unconscious« (1905), in which the teller of a joke invites his listener to complete his joke through an absent, but imagined third person. In a similar way, Manet incorporates the unconscious processes of his spectators to complete the scenes depicted on his canvases.Jacques Lacan's theory about the gaze, in particular his realization that the picture is in the eye of the beholder, but that the beholder was already fore-seen in the picture, is relevant for an understanding of the identificatory processes taking place between painting, beholder, and artist.These three perspectives upon Manet's work open up a new psychoanalytic approach to the study of painting which can also be used for other fields of aesthetics. 336 pp. Englisch.…

Buch. Condition: Neu. Neuware -Psychoanalyst Jeanne Wolff Bernstein analyzes the works of the French painter Édouard Manet (1832-1883) from different perspectives. Instead of speculating about Manet's biography, she links only historically available data of the artist's life to his paintings. His numerous references from the history of painting are subsequently explained as re-interpretations of these historical works and as interpretations of his painterly genealogy. With this method it becomes clear how Manet expresses the contradictions inherent in his era and also subtly criticizes his social milieu at the same time. The primary text for an understanding of the enigmatic relationship between artist, painting, and viewer is Freud's essay 'The Joke and its Relation to the Unconscious' (1905), in which the teller of a joke invites his listener to complete his joke through an absent, but imagined third person. In a similar way, Manet incorporates the unconscious processes of his spectators to complete the scenes depicted on his canvases.Jacques Lacan's theory about the gaze, in particular his realization that the picture is in the eye of the beholder, but that the beholder was already fore-seen in the picture, is relevant for an understanding of the identificatory processes taking place between painting, beholder, and artist.These three perspectives upon Manet's work open up a new psychoanalytic approach to the study of painting which can also be used for other fields of aesthetics.…

Paperback. Condition: New.

Paperback. Condition: Brand New. 180 pages. 9.19x6.12x9.21 inches. In Stock.

Gr.-8°, gebundene Ausgabe. 1. Englische Originalausgabe.. 336 Seiten, Das Buch ist in einem sehr guten Zustand. 9783895816239 Sprache: Englisch Gewicht in Gramm: 1050.

Condition: New. 2025. Hardcover. . . . . .