Benovsky Jiri (140 results)

Paperback. Condition: new. Paperback. Dans ce livre sur les photographies, l'auteur defend l'idee que les photographies n'existent pas. En effet, pour le philosophe, la nature des photographies est assez evasive. Quel type d'entites sont-elles? Des objets materiels concrets comme des tirages papier? Des types abstraits qui peuvent etre instanties dans de nombreuses formes tres diverses (tirages, fichiers, images a l'ecran, .)? Nous allons voir qu'aucune categorie metaphysique traditionnelle ne parvient a rendre compte de la nature des photographies, et je soutiendrai alors la these que les photographies n'existent pas. Mais qu'elles existent ou pas, les photographies soulevent un certain nombre de questions philosophiques importantes. En particulier, on peut se demander de quelle maniere une photographie represente le monde et en quoi la representation consiste. Nous allons voir que les photographies ont (ou peuvent avoir) un contenu narratif qui joue un role central dans la maniere dont elles representent. Nous allons egalement aborder le cas particulier de representation de la duree temporelle: une image statique, telle qu'une photographie, comment peut-elle representer un intervalle temporel non-instantane? Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condition: New.

Condition: New.

Paperback. Condition: New. 1st ed. 2021. This open access book is about exploring interesting borderline cases of art. It discusses the cases of gustatory and olfactory artworks (focusing on food), proprioceptive artworks (dance, martial arts, and rock climbing qua proprioceptive experiences), intellectual artworks (philosophical and scientific theories), as well as the vague limits between painting and photography. The book focuses on the author's research about what counts as art and what does not, as well as on the nature of these limits. Overall, the author defends a very inclusive view, 'extending' the limits of art, and he argues for its virtues. Some of the limits discussed concern our senses (our different perceptual modalities), some concern vagueness and fuzzy boundaries between different types of works of art, some concern the amount of human intention and intervention in the process of creation of an artwork, and some concern the border between art and science. In these various ways,by understanding better such borderline cases, Benovsky suggests that we get a better grip on an understanding of the nature of art. …

Paperback. Condition: Brand New. 124 pages. French language. 6.75x4.50x0.25 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: New.

Condition: As New. Unread book in perfect condition.

pocket_book. Condition: New. Special order direct from the distributor.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Condition: New. pp. 72.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 68 pages. 9.25x6.10x0.16 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: New. 1st edition NO-PA16APR2015-KAP.

Condition: New.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This open access book is about exploring interesting borderline cases of art. It discusses the cases of gustatory and olfactory artworks (focusing on food), proprioceptive artworks (dance, martial arts, and rock climbing qua proprioceptive experiences), intellectual artworks (philosophical and scientific theories), as well as the vague limits between painting and photography.The book focuses on the author's research about what counts as art and what does not, as well as on the nature of these limits. Overall, the author defends a very inclusive view, 'extending' the limits of art, and he argues for its virtues. Some of the limits discussed concern our senses (our different perceptual modalities), some concern vagueness and fuzzy boundaries between different types of works of art, some concern the amount of human intention and intervention in the process of creation of an artwork, and some concern the border between art and science. In these various ways,by understanding better such borderline cases, Benovsky suggests that we get a better grip on an understanding of the nature of art.…