Bennet Laura (18 results)

Poster. Condition: New. Common Wildflowers of Florida. Other.

Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Condition: New. 2018. 1st Edition. paperback. . . . . . Books ship from the US and Ireland. Braga, Laura; Andolfo, Mirka (illustrator).

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Braga, Laura; Andolfo, Mirka (illustrator).

Condition: New. 2018. 1st Edition. paperback. . . . . . Braga, Laura; Andolfo, Mirka (illustrator).

paperback. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind. Braga, Laura; Andolfo, Mirka (illustrator). …

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Taschenbuch. Condition: Neu. Neuware.

Taschenbuch. Condition: Neu. Neuware - Why do weight loss programs work, until they don't Most books focus on how to start. This one examines what happens after the honeymoon phase ends.When Weight Loss Stops Working explores the patterns people commonly discover once the structure, motivation, and early results of popular programs begin to fade. Drawing on long-term, publicly shared experiences, not quick success stories, this book looks at what people appreciate about different approaches, where strain tends to emerge over time, and why breakdowns are so often misinterpreted as personal failure.Rather than offering advice, rules, or a 'better' plan, the book takes a different approach: it examines weight loss programs as systems operating inside real lives. Across calorie tracking, low-carb plans, fasting, meal replacements, medically supervised programs, and app-based coaching, consistent themes appear, around cognitive load, identity pressure, life transitions, and sustainability.This is not a guide to losing weight. It's a guide to understanding why so many sincere, capable people struggle to maintain progress even when effort remains high-and why restarting over and over is often a signal to learn, not try harder.Part of the What Actually Works series, this book is for readers who: - Have followed programs carefully and still felt something unravel- Are tired of being told motivation or discipline is the missing piece- Want clarity about what breaks down over time, and why- Are looking for understanding rather than prescriptionsThe goal isn't optimization.It's recognition, perspective, and a more honest way to make sense of what happens after programs end.…

Condition: New.

Condition: New. Print on Demand.

Condition: Good. Círculo de Lectores. Encuadernación en tapa dura. Bennet, T. J; Paredes, Laura Legado de amor Tapa deslucida. Tapa ilustrada. Pags.354. Volúmenes.1.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Taschenbuch. Condition: Sehr gut. Gebraucht - Sehr gut Antiquariatsexemplar, sehr guter Zustand.

None. Condition: None. Oblong quarto, ca. 28.5 × 38 cm (11¼ × 15 in.). Contemporary cloth album, front cover with the generic gilt-lettered title "Photographs." 25 stiff card leaves. With 233 mounted gelatin silver photographs, ranging from ca. 16 × 21 cm (6¼ × 8¼ in.) to ca. 8 × 10 cm (3⅛ × 4 in.), the majority measuring approximately 15 × 21 cm (6 × 8¼ in.) or 12 × 9.5 cm (4¾ × 3¾ in.); two larger photographs measure 28 × 12 cm (11 × 4¾ in.; panorama) and 20 × 26 cm (7⅞ × 10¼ in.). Together with two loosely inserted gelatin silver photographs, one torn into two pieces. Most photographs captioned in ink beneath the images, many with lengthy manuscript captions, including a two-page memorial essay by Jessie Norton. The album opens with two pen drawings and a pressed botanical specimen arranged around a photograph of two of the compilers leaning affectionately against one another. Occasional fading to several photographs; edges of a few leaves scuffed with scattered foxing. Three photographs have the face of one student ("Nell") deliberately abraded, apparently reflecting a later personal falling-out. Block of the album is shaky. Overall a substantial and well-preserved album with strong, well-composed photographs. Photographic record of student life at Mills College during the years immediately following its transformation from Mills Seminary into a degree-granting women's college. While documenting the expected aspects of campus life—classes, friendships, excursions, athletics, music, and domestic interiors—the album is distinguished by its sustained interest in theatrical performance, artistic self-fashioning, and staged photography. Throughout the volume, the students repeatedly assume roles, costumes, and fictional identities, revealing a campus culture in which amateur theatricals, tableaux vivants, literary performance, and photography were closely intertwined. Among the images are two photographs documenting the college production of Sappho (1891), identifying the performers as Daisy Gilmore, Jessie Norton, and Maude Cone. Although classical dramas were regularly staged at American women's colleges as exercises in literature, elocution, and aesthetic education, the choice of Sappho is noteworthy. During the late nineteenth century, the poet of Lesbos was increasingly reinterpreted not merely as a classical author but as a symbol of female artistic genius, emotional intensity, and communities of women. Whether the Mills production reflected these broader contemporary interpretations cannot be established, but the photographs document an early American collegiate staging of a work already acquiring meanings beyond its classical origins. This emphasis on performance continues throughout the album. A formal group portrait identified as the "T.C.C.D. Club" (initials uncertain) shows five students posed in classical drapery before a studio backdrop in a composition strongly recalling the tableaux vivants, or "living pictures," that formed a popular feature of dramatic and artistic education at American women's colleges. Another photograph records "Our Cast at College Hall, Mills," with every participant identified in manuscript except for one student whose image has later been deliberately scratched away. Also is a series of humorous group portraits depicting a costumed student troupe identified throughout the album as the "Pearl Sisters." Wearing identical theatrical costumes with tall pointed caps, the participants appear in a succession of comic tableaux—including synchronized processions, mock devotional poses, exaggerated expressions of grief ("Alas!!"), and a portrait captioned "The long and the short of the 'Pearl Sisters,'" pairing the tallest and shortest members of the troupe. A group portrait captioned "Serenade Society at Mills" depicts a nine-member student ensemble equipped with guitars and banjos, every performer identified by name, illustrating the importance of amateur musical performance alongside theatrical productions. The album. …