Ben Donnelly (16 results)

Paperback. Condition: Very Good. 2. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.…

Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Condition: New.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

166 pp.; 23.5 x 28 cm.; glue bound; black-and-white & color; edition size 500; unsigned and unnumbered; offset-printed "This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. The book, then, can be seen as a sort of memoir. Always placing the artists and their works within a social milieu, while also aware of how art travels across time, he reminds us that both lead multiple lives, as an exhibition can reanimate a work from the past, and occasion the discovery of forgotten and marginalized figures among those who are very well-known. This retrospective catalog is also in many ways an ideal exhibition -- or collection -- 27 years in the making." -- publisher''s statement. Artists include: Vito Acconci, Richard Aldrich, John M Armleder, Barry X Ball, Lisa Beck, Alan Belcher, Ben Berlow, Walead Beshty, Huma Bhabha, Doug Biggert, Marcel Broodthaers, Henri Cartier Bresson, Graham Caldwell, Vija Celmins, Art Chantry, Larry Clark, Verne Dawson, Jules de Balincourt, Jessica Diamond, Trisha Donnelly, Moira Dryer, Gardar Eide Einarsson, William Gedney, Robert Gober, Daan van Golden, Wayne Gonzales, Felix Gonzalez-Torres, Peter Halley, Richard Hawkins, Adam Helms, Eva Hesse, Peter Hujar, Jacob Kassay, On Kawara, Yves Klein, Louise Lawler, Mark Leckey, Sherrie Levine, Judy Linn, Lee Lozano, Chris Martin, Allan McCollum, McDermott & McGough, Adam McEwen, Ryan McGinley, John Miller, Olivier Mosset, Dave Muller, Chuck Nanney, Bruce Nauman, Cady Noland, Amy O''Neill, Steven Parrino, Laurie Parsons, Raymond Pettibon, Jean Prouvé, David Ratcliff, Alex Rose, Sally Ross, Allen Ruppersberg, Sam Samore, Tom Sandberg, Joan Semmel, Stephen Shore, Harry Smith, Jack Smith, Robert Smithson, Mark Stahl, Haim Steinbach, Rudolf Stingel, Lily van der Stokker, Aaron Suggs, Philip Taaffe, Paul Thek, Wolfgang Tillmans, Betty Tompkins, Josh Tonsfeldt, John Tremblay, Alan Uglow, Kelley Walker, Jeff Wall, Joan Wallace, Wallace & Donohue, Dan Walsh, Andy Warhol, and Christopher Wool. Fine. Covers and contents clean and unmarked.…

Soft cover. Condition: Near Fine. A rare Near Fine paperback with clean and securely bound contents. The lower corner page tips are starting to flare out, not too significant. While the outside wraps are glossy, they do show light impression marks. The corner tips are gently creased.

Oblong folio. 15 x 10.75 in. [21 leaves (unnumbered).], with colour-illustrated title, colour-illustrated preface, and 24 illustrations (several in colour) tipped-in on 18 leaves, all retaining tissue guards (a couple w/ tears, 1 w/ minor loss to tissue guard). Original blue boards, white & black lettering on front cover, punch-sewn in Japanese style at gutter margin w/ white silk braid (minor scuffing, edgewear, very minor staining to lower front cover), still VG- copy. First edition of this well-executed series of brush & ink paintings, watercolours, wash drawings, and ink sketches of occupied Japan following World War II by American G.I. artists. While opening with a decidedly jingoistic preface (no longer the slant-eyed, many-headed, yellow monster. . . bespectcacled, buck-toothed enigma. . .) the sketches reveal a quiet sympathy and influence of Japanese art techniques. The artists included Hoffmaster was a longtime commercial artist and illustrator for US News & World Report, National Geographic, and art instructor at the Corcoran School of Art who often contributed covers and illustrations to the Changing Times; MacKenzie (1924-2018) noted American craft potter who was heavily influenced by the aesthetic of Shoji Hamada and Korean ceramics, often referred to as the "Mingei-sota style;" and Wolsky (1916-1981), noted commercial artist who later became noted illustrator with Woman's Home Companion, Collier's, McCall's, Redbook, Esquire, Time, and Life, and noted collector of Modernist art.…

Paperback. Condition: new. Paperback. somewhere up ahead a black hole sat staring into space as black holes so often did.It was bored shitless This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.