Basoli Antonio (31 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Antonio Basoli (illustrator).

Loose Leaf. Condition: New. Reproduction. Original title: Landscape with statue of the Great Grey Earth German: Landschaft mit Statue der Großen Grauen Erde French: Paysage avec statue de la Grande Terre Grise Spanish: Paisaje con estatua de la Gran Tierra Gris High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1784). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Park with statues, temples and monuments German: Park mit Statuen, Tempeln und Denkmälern French: Parc avec statues, temples et monuments Spanish: Parque con estatuas, templos y monumentos High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1784). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Condition: Buono (Good). V ristampa Adriano Salani Editore: giugno 2020 (ed. originale: Die unendliche Geschichte, Stuttgart/Wien, Thienemann Verlag GmbH 1979 - I ed. italiana: Milano, Longanesi & C. 1981 - I ed.: Adriano Salani Editore: gennaio 2013). Traduzione di Amina Pandolfi. Collana fondata da Donatella Ziliotto nel 1987 Gl'istrici. I libri che pungono la fantasia 260. XVI/436++12=348/brossura satinata (Illustrazione di copertina di Claudia Seeger. Con capilettera e ornati in nero nelle pagine. Capilettera di Antonio Basoli. Stato buono (lieve usura della copertin ai margini). Book.…

Condition: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Condition: Gut. 4to. 144 S. OPb. Gutes Exemplar. = Alphabets - Buchstaben - Calligraphy.

Condition: NEW.

Paperback. Condition: New.

brossura Copertina flessibile. Condition: Good. Condizione: Buono. Libro già letto ma in buone condizioni generali. Copertina flessibile 265 Buono (Good) . Book.

Rilegato. Condition: buone condizioni. senza sovraccoperta. Ristampa dell'edizione Longanesi del 1981. Traduzione di Amina Pandolfi. ill. colori. 446pp. NON ha la sovracopertina. Qualche segno di logorazione ai bordi. Antonio Basoli (illustrator).

Condition: Gut. 1. Aufl. 144 S. : zahlr. Ill. ; 28 cm; fadengeh., illustr. Orig.-Pappband. Gutes Ex. ; Einband stw. gering berieben. - Deutsch, engl.; franz. - Das Alphabet. Die Bildwelt der Buchstaben von A bis Z. Ravensburger Buchverlag 1995. Dieses Buch der beiden Herausgeber wurde 1995 als eines der schönsten deutschen Bücher ausgezeichnet. Es erhielt im gleichen Jahr den 2. Preis der Stiftung Buchkunst Frankfurt. (Impressum) // In Bibliotheken, an diesen Orten der bibliophilen Glückseligkeit, lassen sich wundersame Bücher entdecken, die zwar Buchstaben enthalten, aber doch nicht zum puren Lesen geeignet sind. Es handelt sich um kostbare Alphabet- und Schreibmeisterbücher, die zumeist nur noch in wenigen Exemplaren erhalten sind und die diese Reihe erneut zum Anschauen und Staunen vorlegt. In ihnen repräsentiert sich die ganze Welt auf eigenwillige Art und Weise. Die Buchstaben sind nicht mehr bloß Träger abstrakter Bedeutung, sondern auch sinnlich-bildhafter oder kalligraphischer Ausdruck einer Epoche. Sie verdichten sich zu einem spezifischen Zeit-Zeichen. Der Letter als Text wird die Letter als Bild entgegengesetzt. Begriffe werden Bilder, Bilder werden Begriffe; utpicturapoesis (. .auf dass das Bild Dichtung sei, und umgekehrt). Mit der Bezeichnung Alfabeto pittonco ist dieses Alphabet von Antonio Basoli eine ziemliche Untertreibung. Was uns der Prospekt- und Dekorationsmaler aus Bologna im damals neuen Steindruckverfahren vorführt, ist nicht bloss ein malerisches Alphabet mit dekorativen Szenen, sondern seine riesigen plein-air-Szenanen zelebrieren jeweils einen kleinen enzyklopädischen Kosmos zu einem fiktiven Überbegriff. Das eklektische, an 26 Beispielen exemplifizierte Bildprogramm ist mehr als nur ein kurioses Beispiel des sich anbahnenden Historismus; es ist ein individuelles Zeugnis interpretierender Bildforschung. Alle im Italienischen und z. T. aus der Landessprache des angesiedelten fiktiven Ortes entlehnten Fachtermini werden wie in einem Fachbildwörterbuch zugleich als Bilder ins Buchstabendekor eingebaut. Die Bildbeschreibungen, die der Originalausgabe von 1839 in italienisch und französisch beigegeben waren, sind hier erstmals ins Deutsche und Englische übertragen. (Vorwort) ISBN 9783473483914 Sprache: Deutsch Gewicht in Gramm: 1000.…

Ill.Opd. 1. Aufl. 144 S. : zahlr. Ill. ; 28 cm Sprache: Deutsch Gewicht in Gramm: 1000.

brossura. Condition: discreto. Milano, 1985 8vo. pp. 9, [i], XXIX illustrations.INTRODUZIONE DI FABRIZIO CLERICI. CATALOGO A CURA DI SILVANA SERMISONI. 12 FEBBRAIO - 12 MARZO 1985.

Paperback. Condition: Very Good. Galleria Antonia Jannone, Oblong 8vo. pp. 9, [i], XXIX illustrations. Original publisher's illustrated grey stapled card covers lettered cream. Ownership inscription: 'Bill Drummond Chicago Fair 1985.' Loosely inserted letter from the bookdealer Bill Drummond to fellow bookdealer, Ben Weinreb written on headed notepaper from William Drummond, 8 St. James's Chambers, Ryder Street, London SW1Y 6QA dated 16 June 86 and consisting of about 32 words in which he says 'The promised "Basoli". Thank you for the lovely lunch and conversation.' The reply from Ben Weinreb written on a headed note addressed from 93 Great Russell Street, London WC1B 3QL dated 28 / 86 consisting of about 31 words in which he says, 'Thank you but alas it is not a Basoli.' Loosely inserted print out of a Neo-Classical ceiling by Giuseppe Bernardino Bison. Two sheets of paper with rough notes on one side in Drummond's hand. Typed A4 English translations of the introduction by Fabrizio Clerici. 3pp., recto only and the piece by the curator Silvana Sermisoni. 2pp., recto only. Antonio Basoli (1774 Ð 1848) Italian artist and scene designer was mainly active in Bologna. Ben Weinreb (1912 Ð 1999) was a bookseller who specialised in architecture. Spine a little rubbed, staples slightly rusty. Very good. Slight rubbing, otherwise very good.…

Condition: UsatoComeNuovo. Bross., cm 27 x 23, pp 69, tavv a colori e in b/n.Introduzione di Anna Ottani Cavina. Schede Storiche di Giancarlo Roversi. - ISBN: 8882520145.

Tre riproduzioni a colori, di cm 20 x 28 su cartoncini di 28 x 37. Uniamo altre due, una di Pietra, Arena del Sole ed altra di Ferrara, Castello.

Opp. im Schuber 4°. Gut erhalten - Schreibmeister.

Condition: Buone. italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

30 cm, elegante cofanetto in pelle verde legato da nastrino, con titolo su tassello in oro al piatto e dorso. Contiene 2 album rilegati in piena pelle verde, (19x10 cm), titolo e fregi in oro al dorso che hanno rispettivamente i fac simile di 45 acquerelli a colori il primo e 45 acquerelli in nero il secondo, con vedute della città di Bologna e didascalia a fronte Come nuovo.…

Condition: Good. 4 folio volumes, 31 x 44.4 cm. Large paper copy. 19th Century half green morocco with marbled boards. Some pages with stains and foxing. but most very fresh. The plates were printed in colors which was then much more expensive and always more elegant than handcoloring black inked printed pages. With 155 color stipple engravings. The plates are not numbered but some copies have as many as 163 plates.The Italian artists are : Giuseppe CAROCCI, Alessandro CONTARDI, Francesco CORSI, Paolo FUMAGALLI, Luigi GARIBBO, Luigi GIARRE, Carlo LASINIO, Tomaso NASI, Giuseppe PERA, Stefano RINALDI, Bernardino ROSASPINA, Antonio SERANTONI, Antonio VERICO?engraved after A. BASOLI, Giuseppe BAZOLI, Luigi BISI, Carolina & Isabella BOZZOLINI, Giuseppe BUCHERELLI, D. DELPINO, Pellina Piuma GALLESIO, Sofia GIORDANO, Ferdinando MORI, Domenico del PINO, Daniele DEL Ré, Antonio SERANTONI, M. VERNERO?OCLC Number / Unique Identifier:558753573.FIRST EDITION OF THE FINEST ITALIAN WORK ON FRUIT. "It is extremely rare and its interest is enhanced by the knowledge that it is one of the few examples outside of England in which aquatint has been used successfully" (Dunthorne). "Before Gallesio began this enormous work, published in fourty-one parts from 1817 to 1839, he had already published his Traité du Citrus, which explains the reason for the lack of oranges and lemons in a catalogue of Italian fruit. Gallesio's fruit garden in Savona was not his main occupation, for he was a lawyer and a civil servant as well as a botanist, whose experiments on the development of varieties of fruit were quoted later by Charles Darwin. Gallesio's Pomona was a major contribution to the study of pomology in Italy" (Raphael Oak Spring Pomona). Dunthorne 118; Great Flower Books p. 57; Raphael Oak Spring Pomona 52; Nissen BBI 683. 4 volumes in-folio, demi-maroquin vert, dos à nerfs orné (reliure fin XIXe s.).Brunet, II, 1466 (« Pour la beauté de l'exécution, cet ouvrage ne le cède en rien à ceux du même genre que l'on a publiés en France depuis une cinquantaine d'années ») ; Dunthorne, 118 (« A very fine work » ; Great Flower Books, 92-95 ; Oak Spring Pomona, 52 ; Nissen, BBI, 683 (3).…

49 x 38 cm, Inventate da Antonio Basoli Guelfese. Pittore di Decorazioni da Teatro, da Camera, e Quadri di tal genere; membro della Reale Accademia di Belle Arti in Bologna; ed Aggiunto nella Scuola d' Ornato, Disegnate da Francesco Cocchio Budriese, Studente nella detta Reale Accademia, ed allievo particolare dell' Autore; ed Incise da diversi Scuolari del Professore Francesco Rosaspina, dall' Autore, e dal Disegnatore, unpag., 97 graf. Taf.,keine durchgeh. Nummerierung, Buchblock von Vorsatz gerissen, Vorsatz lose, Ränder z. T. minim eingerissen und gebräunt, ill. Titelseite mit Einrissen am unteren Rand ( kein Bild - oder Textverlust) und mit Knitterfalten, gestempelt, etwas stockfleckig, gemusterter Pappband stark berieben, Ecken bestossen, Rücken eingerissen.…

Paperback. Condition: New.

Cartella editoriale con lacci. Condition: Ottimo stato. pp.X-(2) + 14 tavole sciolte Ristampa anastatica dell'edizione del 1817 delle 14 tavole disegnate ed ombreggiate da Antonio Basoli, incise al modo d'acquerello, per uso degli artisti. Prefazione di Pier Luigi Cervellati. Cenno bio-bibliografico e commento alle tavole di Giancarlo Roversi.…

Cartella editoriale con lacci. Condition: Ottimo stato. pp.(4) + 10 tavole sciolte Ristampa in facsimile dell'edizione di Bologna, 1833. Tiratura limitata a 300 esemplari.

Carpetta in-4 obliquo, con all'interno illustrazioni in nero. Volume in ottime condizioni, molto ben tenuto.

Pappe. Condition: Sehr gut. 4 Bücher. 79+79+80+144 S., 28cm Zustand: Pappbände mit geprägtem Titel und montiertem Bildchen in rotem Pappschuber, geringe Gebrauchsspuren --- Inhalt: mit zahlreichen Abbildungen, über Alphabete, Buchstaben und Kalligraphie FUN7-1 Sprache: Deutsch Gewicht in Gramm: 3300. …

Umrissradierung 28 x 37,5 cm, Blattgröße 34 x 42 cm. Umrissradierung gezeichnet und radiert von Antonio Basoli. Dargestellt ist eine romantische Landschaft mit Flußlauf und antiken Gebäuden. - Antonio Basoli, 1774 - 1843 Maler von Theaterdekoration und Architektur-Prospekten, Bologna 1774 - 1843. Thieme-Becker 2, 599. - Gleichmäßiger Rand durch einen alten Passepartoutausschnitt, dennoch ein sehr schönes Blatt. …

Acquaforte, primi '800 circa, di cm. 24 x 18 (rifilata) incollata su cartoncino, incisa dal fratello di Antonio, Luigi.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1821. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 216, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 216 216.…

Condition: perfetta. Incisione all'acquatinta. Veduta facente parte della raccolta "Porte della città di Bologna", disegnate da Antonio Basoli ed incise da Luigi Basoli. Perfetto stato di conservazione. Formato: 178x255mm.