Barringer Tj (34 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Fine. 1st. 256 pages, colour illustrations; 30 cm. Published to accompany the exhibition of the same name held at Tate Britain, London, September 12, 2012 to January 13, 2013; the National Gallery of Art, Washington, D.C., February 17 to May 19, 2013; and the State Pushkin Museum of Fine Arts, Moscow, June 10 to September 30, 2013. Firm binding, clean inside copy. A large-format coffee-table book. Richly illustrated with colour plates. *** "Combining rebellion and revivalism, scientific precision and imaginative grandeur, the Pre-Raphaelite Brotherhood shook the mid-nineteenth-century art world and were effectively Britain's first modern art movement. Today the works of the Pre-Raphaelites are among the best known of all English paintings, and yet they have sometimes been dismissed as Victoriana or mere escapism. This book corrects that view. Accompanying a major international touring exhibition, it examines works in a wide variety of media, demonstrating the broad scope of the movement's revolutionary ideas about art, design and society. Led by Dante Gabriel Rossetti, William Holman Hunt and John Everett Millais, the Pre-Raphaelites rebelled against the art establishment of their day and were committed to the idea of art's potential to change society. Their unflinchingly radical style, inspired by the purity of early renaissance painting, defied convention, provoked critics and entranced audiences. Many of the most famous Pre-Raphaelite paintings are featured, including Millais' Ophelia and Madox Brown's The Last of England, alongside less familiar works. In contrast with previous Pre-Raphaelite surveys, this book also includes sculpture, photography and the applied arts, the latter showing the important role the Brotherhood played in the early development of the Arts and Crafts movement and the socialist ideas of the poet, designer and theorist, William Morris (1834-1896). Extensively illustrated, with essays by leading international authorities in the field, this will be the key work on the 'Pre-Raphaelites' for years to come." - Publisher. Size: 4to. Collectible.…

Hardcover. Red casebound book. There is a color-illustrated dust jacket with the title in white down a red spine. Pages: (5), 6-256. Profusely illustrated with a majority color images. VG/VG: Exlibrary book. Sticker on the mylar jacket at the base of the spine. Stamp on half-title page. Stickers on back free end page. Stamp on top text block.…

Hardcover. Condition: VG+/VG+. Red casebound book. There is a color-illustrated dust jacket with the title in white down a red spine. Pages: (5), 6-256. Profusely illustrated with a majority color images.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 284 pages,(some folded) : illustrations (chiefly colour) ; 30 cm. Notes; Published to accompany the exhibition held at Tate Britain, London, 21 February - 19 May 2002 and touring to Pennsylvania Academy of the Fine Arts, Philadelphia, 17 June - 25 August 2002 and Minneapolis Institute of Arts, 22 September - 17 November 2002. Bibliography: pages 272-277. - Includes index. Contents; The sublime in the old world and the new / Andrew Wilton -- The course of empires : landscape and identity in America and Britain, 1820-1880 / Tim Barringer -- [Catalogue] Wilderness -- The course of empire -- The still small voice -- "Awful grandeur" -- Painting from nature -- A transcendental vision -- Explorations -- The great West -- Biographies of the artists / Graham C. Boettcher. Subjects; Landscape painting, American 19th century. Painting, American. Landscape painting 19th century United States. Landscape painting, American 19th century ; Exhibitions. Sublime, The, in art ; Exhibitions. Landscape painting, American 19th century ; Exhibitions. Painting, American 19th century ; Exhibitions. Landscape painting, American ; Exhibitions. Landscape painting United States. Painting 19th century United States. Landscape Painting - [19th Century - USA]. Sublime, The, in art. Art Exhibition Catalogue. Landscape painting, British-Exhibitions. Sublime, The-Exhibitions. painting landscape USA America nineteenth-century. American painting. Durand Asher Brown American painting. Cole Thomas American painting. Lane Fitz Hugh American artist. Kensett John F American artist. Heade Martin Johnson American painting. Cropsey Jasper Francis American painting. Gifford Sanford R American painting. Church Frederic E American painting. Bierstadt Albert American painting. Moran Thomas American artist. American landscape painting : history. Landscape painting - 19th century - United States - Exhibitions. Art, American - 19th century - (1820-1880). Landscape painting, American - 19th century - (1820-1880). Genres; Catalogs. Exhibition catalogs. Exhibition catalogues. Illustrated. Nonfiction. 2 Kg.…

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 284 pages,(some folded) : illustrations (chiefly colour) ; 30 cm. Notes; Published to accompany the exhibition held at Tate Britain, London, 21 February - 19 May 2002 and touring to Pennsylvania Academy of the Fine Arts, Philadelphia, 17 June - 25 August 2002 and Minneapolis Institute of Arts, 22 September - 17 November 2002. Bibliography: pages 272-277. - Includes index. Contents; The sublime in the old world and the new / Andrew Wilton -- The course of empires : landscape and identity in America and Britain, 1820-1880 / Tim Barringer -- [Catalogue] Wilderness -- The course of empire -- The still small voice -- "Awful grandeur" -- Painting from nature -- A transcendental vision -- Explorations -- The great West -- Biographies of the artists / Graham C. Boettcher. Subjects; Landscape painting, American 19th century. Painting, American. Landscape painting 19th century United States. Landscape painting, American 19th century ; Exhibitions. Sublime, The, in art ; Exhibitions. Landscape painting, American 19th century ; Exhibitions. Painting, American 19th century ; Exhibitions. Landscape painting, American ; Exhibitions. Landscape painting United States. Painting 19th century United States. Landscape Painting - [19th Century - USA]. Sublime, The, in art. Art Exhibition Catalogue. Landscape painting, British-Exhibitions. Sublime, The-Exhibitions. painting landscape USA America nineteenth-century. American painting. Durand Asher Brown American painting. Cole Thomas American painting. Lane Fitz Hugh American artist. Kensett John F American artist. Heade Martin Johnson American painting. Cropsey Jasper Francis American painting. Gifford Sanford R American painting. Church Frederic E American painting. Bierstadt Albert American painting. Moran Thomas American artist. American landscape painting : history. Landscape painting - 19th century - United States - Exhibitions. Art, American - 19th century - (1820-1880). Landscape painting, American - 19th century - (1820-1880). Genres; Catalogs. Exhibition catalogs. Exhibition catalogues. Illustrated. Nonfiction. 2 Kg.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Fair.

Soft cover. Condition: New. (inventory#S17).

Softcover. Condition: VG+: As new in shrinkwrap. Color-illustrated wraps with white text on a red spine. Pages: (5), 6-256. Profusely illustrated with a majority color images.

Hardcover. Brown cloth boards with silver lettering on spine/ Dj with photograph. ix, 230 pages : illustrations. Catalog of an exhibition held at the National Gallery of Art, Washington, Oct. 31, 2010-Jan. 30, 2011 and at the Musée d'Orsay, Paris, Mar. 6-May 29, 2011./ Includes bibliographical references (pages 217-223) and index. VG/VG (Exlibrary book. Sticker to the mylar jacket at the base of the spine. Stamp on front free end page. Stamp on back free end page. Stamp on top text block.).…

Condition: New.

Soft cover. Condition: Very Good. Superb catalogue from the revelatory Tate exhibition. pp284. Nicely illus. Usual Tate format. Heavy; foreign postage could be expensive. This copy seems unread; shelfwear only.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. ix, 230 pages : illustrations (some color) ; 30 cm. Catalog of an exhibition held at the National Gallery of Art, Washington, Oct. 31, 2010-Jan. 30, 2011 and at the Musée d'Orsay, Paris, Mar. 6-May 29, 2011.

Soft cover. Condition: Very Good. Superb catalogue from the revelatory Tate exhibition. pp284. Nicely illus. Usual Tate format. Heavy; foreign postage could be expensive. Nice condition; contemporary PVC sleeve has protected it well.

Hardcover. Brown cloth boards with silver lettering on spine/ Dj with photograph. ix, 230 pages : illustrations. Catalog of an exhibition held at the National Gallery of Art, Washington, Oct. 31, 2010-Jan. 30, 2011 and at the Musée d'Orsay, Paris, Mar. 6-May 29, 2011./ Includes bibliographical references (pages 217-223) and index. VG/VG (wear to cloth edges & corners; bump to upper corner & edge).…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. ix, 230 pages : illustrations (some colour) ; 30 cm. Catalog of an exhibition held at the National Gallery of Art, Washington, Oct. 31, 2010-Jan. 30, 2011 and at the Musée d'Orsay, Paris, Mar. 6-May 29, 2011. Summary:"As photography steadily gained a foothold in the 1840s, a group of British painters calling themselves the Pre-Raphaelites came of age. Answering John Ruskin's call to study nature, 'rejecting nothing, selecting nothing, and scorning nothing, ' these young painters were also spurred on by the possibilities of the new medium (introduced in 1839), particularly its ability to capture every nuance, every detail . This volume explores the rich dialogue between photography and painting through the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. These artists - from photographers Lewis Carroll, Julia Margaret Cameron, Roger Fenton, Henry Peach Robinson and Oscar Gustave Rejlander, to such painters as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti and John William Inchbold - not only had much in common, but also upended traditional approaches to making pictures."--Publisher's description.…

Paperback. Condition: Brand New. 1st edition. 256 pages. 9.75x7.00x0.75 inches. In Stock.

First Edition. Condition: fine. fine 1st edition Portsmouth City Museums & Records Service 1988 trade paperback book In stock shipped from our UK warehouse.

Paperback. Condition: As New. Book is in excellent condition, text is unmarked and pages are tight.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Good. No Jacket. 1st Edition. ex-library. Lacks dust jacket. xix, 592 pages : illustrations (chiefly colour), maps (some colour), music ; 32 cm. Catalogue of an exhibition at the Yale Center for British Art, New Haven, Conn., Sept. 27-Dec. 30, 2007. Summary:Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s.…