Barbara Burnham (103 results)

Condition: Very Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good.

Condition: Very Good. Very Good condition. With CD! A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

paperback. Condition: Good. Original. Corners are slightly bent. Used - Good.

Paperback. Condition: Good. THE SCRIPT! Acting Edition in reliable condition. Some shelf wear to the covers. Good binding and the text flows clearly. Enjoy this ACTING SCRIPT presentable for performance.

Condition: Good. 1945. First Edition. 83 pages. Blue dust jacket with navy lettering over blue cloth. Clean pages. Minimal foxing and tanning to endpapers and page edges. Mild wear to spine, board edges and corners, with sunning to spine and board edges. Clipped dust jacket. Mild wear, tear and chipping to edges and corners. Notable sunning to spine, with staining and soiling to DJ.…

Hardcover. Condition: Very Good. PO inscription on ffep, else VG indeed. Book.

Hardcover. Condition: Very Good. PO inscription on ffep, else VG indeed. Book.

Pamphlet. 31p., staplebound pamphlet, touch of rust to the staples, otherwise very good condition, 6x9 inches.

185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Blue cloth, fair condition, 83pp.

Condition: Fair. 1934. Reprinted. 127 pages. No dust jacket. Blue cloth. Slight cracking to hinges, with exposed netting, pages slightly loose. Pages have light tanning and foxing throughout. Previous owner's inscription to front pastedown. Boards have moderate shelf-wear with bumping to corners and rubbing to surfaces. Slight crushing to spine ends with splits to spine ends causing cloth to be frayed. Staining to rear board.…

Soft cover. Condition: Fair. Original card wrappers, foxed. Staples rusted. Introduction by His Excellency the Soviet Ambassador Monsieur Jean Maisky, dated 1942. B/w plates. 24pp.

Cloth. Condition: Good. No Jacket. First Edition. Hardback. First Edition. Marks to cloth. Sunned spine to cloth. Blue cloth with silver lettering. Let's talk shop. What is good acting, and why is it good? When is it bad, and how? What is the dramatic instinct? How does it work? What are the player's assets, his needs, difficulties, and so on? What are the answers to all sorts of questions and problems that arise, as to what helps and hinders his work. Contents; Introduction. Instinct. Technique. Children as Actors. Temperament. The Beginning. Author. Audience. Actor and Critics. Management. Producer. Microphone. Style. Style and Character. Summing Up. 83 pp. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions etc.).…

Hardcover. Condition: Good. No Jacket. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Some foxing. Gift inscription to front end page. Secure packaging for safe delivery.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condition: Good ++/Very Good. No Dustjacket. No dustjacket. 80 + 76 + 76 + 80 + 70 + 66 pages. Dated 1933, 1932, 1932, 1935, 1931 and 1927 respectively. SOME PAGES ANNOTATED, remainder have occasional blotch but generally clean and unimpeded. 6 plays bound in one maroon hardback volume titled 'Plays X' to spine in gilt, owner's bookplate to inner front board, typed pasted list of plays to flyleaf. Some browning to end-papers, spine a little faded, some wear to spine-ends/corners, page-edges age-browned. Binding sound.…

Condition: New.

Condition: As New. Unread book in perfect condition.

[52] pp.; 21 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with a series of building ways shows titled "Critical Perspectives," held at P.S.1, Long Island City, Queens, January 17 - March 14, 1982, and featuring different curators throughout the building. Foreword by Alanna Heiss. Includes texts by the curators of each show. "Self-Indulgence," curated and with an essay by Linda Burnham, Artists include Edie Ellis, Marc Kreisel, Jeffrey Vallance ; "Energism," curated by Ronny Cohen, artists include Nancy Arlen, Richard Beckett, Lynda Benglis, Jonathan Borofsky, Tom Butter, Arthur Cohen, Peggy Cyphers, Cynthia Gallagher, Dina F. Ghen, Deborah Kass, Kathryn Kennedy, Robert Kitchen, Elizabeth Murray, Marilla Palmer, Suzan Pitt, Barbara Quinn, Randal Rupert, Takao Saito, Frank Schröder, Leora Klaymer Stewart, Robin Tewes, Jeff Way; "Untitled," curated and with an essay by Edit deAk, artists include Futura 2000, James Nares, Yoko Ono, Pat Place, Alan Vega; "The Frame As Stage," curated and with an essay by John Howell, artists include Ericka Beckman, Julia Heyward, Pooh Kaye, Tony Mascaterello, Michael McClard, Robin Winters; "Untitled," curated and with an essay by Thomas Lawson, Artists include Eric Fischl, Jack Goldstein, Thomas Lawson, Nachume Miller, Gerry Morehead, Walter Robinson, Salomé, Michael Zwack; "Untitled," curated and with an essay by Joseph Masheck, artists include Jeremy Gilbert-Rolfe, Sharon Gold, Richard Hennessy, Stewart Hitch, Vered Lieb, Thomas Nozkowski, Catherine Porter-Scully, Sean Scully, Andrew Spence, Thornton Willis; "Untitled," curated and with an essay by Peter Plagens, artists include Laurie Fendrich, Patrick Hogan, Ron Linden, Carol Lindsey, John Phillips "Untitled," curated and with an essay by Marcia Tucker, artists include Billy Copley, John Hull, Kristin Hodson, Kent Shell, Kenneth Shorr, Kevin Teare, and Paul Wong. Includes an exhibition checklist and exhibition map. Very Good. Light yellowing of covers, 3 mm. and 2 mm. tear to top edge of recto, and additional light edge-wear. Contents clean and unmarked. …

paperback. Condition: As New.

Condition: New. pp. 1760.

Condition: New.

Condition: New. pp. 1760.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Fair. 1st Edition.

Condition: New. pp. 1760.

Soft cover. Condition: Very Good. 124 pages. Jean Stafford "The Home Front" / Dwight Macdonald "Stalin and Lenin's Heritage: A Controversy - 'Beat Me, Daddy" / James Burnham "Politics for the Nursery Set" / William Phillips "The Lions and the Foxes" / Robert Lowell poems / Delmore Schwartz "T.S.Eliot as the International Hero" / Elizabeth Hardwick "The Mysteries of Eleusis" / Jacques B Brunius "Neither God Nor Devil" / Barbara Deming "The Artlessness of Walt Disney" / Victor Serge "French Expectations".…