Burnham Barbara M (10 results)

Condition: Very Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good.

Condition: Very Good. Very Good condition. With CD! A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

paperback. Condition: Good. Original. Corners are slightly bent. Used - Good.

Soft cover. Condition: Fair. Original card wrappers, foxed. Staples rusted. Introduction by His Excellency the Soviet Ambassador Monsieur Jean Maisky, dated 1942. B/w plates. 24pp.

paperback. Condition: As New.

75 pp.; 27.8 x 21.6 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1981 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Editor's Notes," by Linda Burnham; "Plimtonization," MO David; "Skit in Defense of Poetry," by Michael Andre; "Stephen Seemayer's 'Young Turks,'" review by Hunter Drohojowska; "Still Missing After All These Years? A Response to L.A.'s white/male Sixties show," by Carol Quint; "M. Staff Brandl's 'Dusk Rituals for Egypt,'" by Thomas Emil Homerin; "Birthdaze," by Barbara T. Smith; "Revealing the Numinous: Theory and Practice in Seattle Performance," by Gary Reel; "Excerpts from a new source book by Contemporary Arts Press;" "Correspondence artworks by: E.F. Higgins, Billy Curmano, Lerner & Turner, Nancy Frank, Lon Spiegelman, Jerri Allyn, Jeffrey Vallance, Monique Safford; "Between the Diaspora and the Crinoline: Bonnie Sherk interviewed by Linda Frye Burnham and "When the Dust Settles: Mark Boyle interviewed by Mark Bloch." Front Cover: "Cover Girl," by Bonnie Sherk. Back Cover: "Challenge," Labat versus Chapman 1981, photo by F. Stop Fitzgerald. Very Good. Light edgewear and bumping of bottom edge of covers with light creasing. 7 mm. tear to recto wrapping around to spine with and additional 5 mm. tear to verso wrapping around to spine. Contents clean and unmarked.…

69 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "WCA Conference in Louisiana," by Suzanne Lacy; "Public Arts International/Free Speech," by Stephen Forsling; "Per/for/mance, American Performance Festival in Italy: Chris Burden, Laurie Anderson, Paul McCarthy, Julia Heyward, Disband, Richard Newton;" "Artist's Chronicle: John Sheridan, Julie Wallace Keller, Valerie Bechtol, Mark Bloch, Anne Mavor, Joshua Abbey, M. Staff Brandl, Roar Schaad, Ramsey Najm, The Waitresses, Richard Turner, Denise Chanel Vallon, Paul Best, Jeffrey Mark Burdett, Nancy Evans, Pam Minor, Bob Davis, Renata Petroni, Jeanne Quinn, Daniel Lerner, Darryl Turner, Barbara Margolies, Claire Fergusson, Nancy Riegelman, Rod Force;" "Cafe E*pit'o*me: Director's Notes," by Jerry Benjamin and "Incomplete Requiem for W.C. Fields," by Al Hansen. Front Cover: Per/for/mance festival posters, Florence. Back Cover: Paul McCarthy. Very Good / Fine. Light rubbing of coves and creasing of verso. Covers and contents clean and unmarked.…