Ballangé Guy (7 results)

Softcover. Quarto, 152 pages. In Very Good condition. Paperback binding. Spine orange with blue lettering. Covers have slight wear including slight rubbing to the head/tail edges. French flaps. Text block has very slight wear. Illustrated. Text in German. NOTE: Shelved in Locked Annex, Quarto and Folio Case. Oversized book(s). Additional postage necessary for international/expedited orders. Economy international shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates. 1407448. FP New Rockville Stock.

Couverture rigide. Condition: Bon état. In-4, broché couv. blanche, reliure spirale, photographies et illustrations en noir et en couleurs, 199 pp. Bon état. Exposition présentée au Centre Pompidou, -Galerie Sud du 11 octobre 2000 au 22 janvier 2001. L'exposition a été réalisée grâce au soutien de Moulinex, Philips et Trium. in-4°.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: Très bon. 1. 127 + XLV pages : illustrations, couverture illustrée en couleurs ; 19,0 x 27,0 x 1,5 cm || Texte français || Impression 2000 || Sans aucune inscription.

Soft cover. Condition: Fine. Dust Jacket Included. Softcover with dust jacket, 228p : ills. ; 30 cm. Very good/fine. Text in German and French.

Lex. 8°, broschiert. Condition: Sehr gut. Auflage: 1. 228 Seiten Einband mit minimalen Lagerspuren, sonst wie neu. Altersfreigabe FSK ab 0 Jahre Sprache: Deutsch Gewicht in Gramm: 1025.

Soft cover. Condition: Fine. 4to (30 cm), 233 pp. Laminated wrappers with flaps (minor shelf-wear). Bilingual text in German and French. First edition of the first comprehensive scholarly catalogue devoted to Otto Dorfner (1885-1955), the Kirchheim-born bookbinder who trained under Henry van de Velde and became master of the bookbinding workshop at the Grand-Ducal Saxon School of Arts and Crafts in Weimar before serving as Werkmeister at the Staatliches Bauhaus. Published to accompany the travelling exhibition held at Kirchheim unter Teck (1999), Weimar (2000), and Mariémont, Belgium (2000), the volume places Dorfner's work within the broader development of German Einbandkunst, tracing the transition from the ornamental vocabulary of Jugendstil and Henry van de Velde to the functional and geometric aesthetics of the Bauhaus. Contributions by Ludwig Ehrler, Mechthild Lobisch, Micheline de Bellefroid, Michael Siebenbrodt, Helma Schaefer, Bernd Löffler, Nina Wiedemeyer, Andreas Mayr, Dag Ernst Petersen, Fritz Wiese, Felicitas Marwinski, Harriett Watts, and Hans-Peter Willberg examine Dorfner's biography and artistic milieu in Kirchheim, his activity at the Kunstgewerbeschule and the Bauhaus, the establishment of his own bindery and Fachschule für kunstgewerbliche Buchbinderei, his collaboration with the Reiher-Verlag, and his later career after 1925, alongside broader studies of German fine bookbinding, private-press printing (Pressendrucke), and twentieth-century book design. Richly illustrated throughout, the catalogue includes detailed descriptions of exhibited bindings, documentary material, biographical notes, and a substantial bibliography. An authoritative reference on one of the principal figures of twentieth-century German artistic bookbinding, documenting the pivotal transition from Art Nouveau to Bauhaus design, and an indispensable resource for collectors of fine bindings, Bauhaus publications, and the history of the applied arts.