Atlan Liliane (67 results)

Paperback. Condition: Very Good. Bilingual. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Trade Paperback. Condition: VG. used trade paperback edition. lightly shelfworn, corners somewhat bumped. light scuffing to covers, bottom edge of text block may be lightly discolored from shelfwear. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.…

Softcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Paperback. Condition: New. "Only a life lived on the edge such as Liliane Atlan's could have given rise to these highly original poems, at once manic and tragic, electrifying and poignant." Hoyt Rogers, writer and translator from the French, German, Italian, and Spanish; he has translated books by Bonnefoy and Borges, among other authors"Liliane Atlan's poems are as personal as dreams and as public as history. Wry, spare, flickering with wit, they are also resonant, authoritative, weighted with centuries of what Atlan calls 'the wisdom that is not inscribed,' that 'makes written notes inexhaustible.'" Rachel Hadas, the author of many books of poetry, prose, and translations - her most recent book is Poems for Camilla. Liliane Atlan writes both prose and poetry with the beauty and brilliance of lyric, the bite of epigram, the passion of an idealist fighting to survive in a brutal world. In the colloquies of great poets held in the next world, I imagine her seated with her peers-perhaps at a table with Kafka, Bob Dylan, and Emily Dickinson. Having her work in this bilingual edition, with Marguerite Feitlowitz' elegant translations, is a valuable gift to the English-speaking world of experimental literature."-Alicia Ostriker, author of Waiting for the Light and The Volcano and After: Selected and New Poems, 2002-2012 FOR LILIANE ATLAN (1932-2012), visionary French writer of plays, poetry, and prose, her creative quest was to "find language to say the unsayable. . . to [find a way] to integrate within our conscience, without dying in the attempt, the shattering experience of Auschwitz." After spending the war years as a child in hiding, she later studied at the groundbreaking Gilbert Bloch school in Paris where she studied Torah, Talmud, and Kabbalah, alongside science and contemporary literature. As a writer, Atlan defies easy categorization-she was known as "a Jewish writer," "a Holocaust writer," an originator of French feminist writing, and a pioneering theater artist. Her writings are steeped in Jewish sources and her French is inflected with Hebrew, Ladino, and Yiddish. This background helped make her into a genre-defying, feminist, and political writer, active in both France and Israel.This bi-lingual French-English language collection of Liliane Atlan's poetry and non-fiction prose introduces Liliane Atlan, to the greater world English language reading audience. Thematically she draws upon her personal experiences during the War, the testimonials of Holocaust survivors, and her intensive study of Jewish literature. All these experiences became the wellsprings for her writings which focus on the psychological effects of the Holocaust. Given the recent rise and spread of Anti-Semitism in France and world-wide, Atlan's work is being rediscovered and she is once again being recognized as an acclaimed and respected voice for new generations of readers both in Europe and in the United States, Great Britain, and other parts of the world English language readership. When.…

Paperback. Condition: New. "Only a life lived on the edge such as Liliane Atlan's could have given rise to these highly original poems, at once manic and tragic, electrifying and poignant." Hoyt Rogers, writer and translator from the French, German, Italian, and Spanish; he has translated books by Bonnefoy and Borges, among other authors"Liliane Atlan's poems are as personal as dreams and as public as history. Wry, spare, flickering with wit, they are also resonant, authoritative, weighted with centuries of what Atlan calls 'the wisdom that is not inscribed,' that 'makes written notes inexhaustible.'" Rachel Hadas, the author of many books of poetry, prose, and translations - her most recent book is Poems for Camilla. Liliane Atlan writes both prose and poetry with the beauty and brilliance of lyric, the bite of epigram, the passion of an idealist fighting to survive in a brutal world. In the colloquies of great poets held in the next world, I imagine her seated with her peers-perhaps at a table with Kafka, Bob Dylan, and Emily Dickinson. Having her work in this bilingual edition, with Marguerite Feitlowitz' elegant translations, is a valuable gift to the English-speaking world of experimental literature."-Alicia Ostriker, author of Waiting for the Light and The Volcano and After: Selected and New Poems, 2002-2012 FOR LILIANE ATLAN (1932-2012), visionary French writer of plays, poetry, and prose, her creative quest was to "find language to say the unsayable. . . to [find a way] to integrate within our conscience, without dying in the attempt, the shattering experience of Auschwitz." After spending the war years as a child in hiding, she later studied at the groundbreaking Gilbert Bloch school in Paris where she studied Torah, Talmud, and Kabbalah, alongside science and contemporary literature. As a writer, Atlan defies easy categorization-she was known as "a Jewish writer," "a Holocaust writer," an originator of French feminist writing, and a pioneering theater artist. Her writings are steeped in Jewish sources and her French is inflected with Hebrew, Ladino, and Yiddish. This background helped make her into a genre-defying, feminist, and political writer, active in both France and Israel.This bi-lingual French-English language collection of Liliane Atlan's poetry and non-fiction prose introduces Liliane Atlan, to the greater world English language reading audience. Thematically she draws upon her personal experiences during the War, the testimonials of Holocaust survivors, and her intensive study of Jewish literature. All these experiences became the wellsprings for her writings which focus on the psychological effects of the Holocaust. Given the recent rise and spread of Anti-Semitism in France and world-wide, Atlan's work is being rediscovered and she is once again being recognized as an acclaimed and respected voice for new generations of readers both in Europe and in the United States, Great Britain, and other parts of the world English language readership. When.…

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials. Desimini, Lisa (illustrator).…

Boards. First edition. 8vo, 86 pp. Inscribed and signed by the translator to Jerome and Diane Rothenberg. Foxing to top edge, light handling and edgewear to jacket. Near Fine in Near Fine Dust Jacket. Desimini, Lisa (illustrator).

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Good. Paperback, 124 pages, text in French, internally clean/bright, VERY GOOD.

Paperback. Condition: Brand New. bilingual edition. 155 pages. 8.50x5.50x0.50 inches. In Stock.

Hardcover, in dust jacket. dj. First American edition, first printing. Translated from the French by Rochelle Owens. Fine in fine dust jacket in mylar cover. Illustrations by Lisa Desimini (illustrator).

Softcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Condition: Fine. Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France. 12 6x1x18 6cm. 1998. Broché. 96 pages. Fine.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Literatura francesa. Théatre.

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2002. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2002. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Encuadernación de tapa blanda. Condition: Muy bien. Dust Jacket Condition: Muy bien. Literatura francesa. Novela. Libro en su lengua original.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Literatura francesa. Théatre.

Condition: Good / Bien. Paris: Éditions du Seuil, 1967.- 121 p., [3 h.]; 8º (17,9 x 11,5 cm); Texto en francés; Cartulina Ed.- (Col. Théatre. Nº 2). Livre en français TEATRO EXTRANJERO DE LOS SIGLOS XVI-XXI.

First edition Translated from the French. Illustrations by Lisa Desimini. SIGNED. Fine and bright in like dustjacket with crisp bright text throughout. Affectionately inscribed by the translator and poet Rochelle Owens on the half title page.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First American edition. Translation by Rochelle Owens. Octavo. 86pp. Fine in fine glossy dustwrapper. Signed by Owens. Story of a young girl's life following the liberation of France written by Atlan, a French Jewish author who in numerous plays and books explored the life of European Jews living during the Holocaust.…

Couverture souple. Condition: Bon. Un volume in 12°, broché , 126 pages , envoi signé de l'auteur.Plats légèrement tachés. Dédicacé par l'auteur.

Couverture souple. Condition: Bon. Théâtre. Une pièce de théâtre enfouie sous une autre. Série "Théâtre de France". 12x19 cm. 102 p. Broché à couverture souple. Etat correct. Couverture défraîchie insolée. Intérieur en bon état. Quelques rousseurs en tranche de tête. in-12°.

Softcover. Condition: Wie neu. Mit zahlreichen s/w-Illustrationen, ungelesenes Exemplar.

Broché. In-12 (11,5 x 18 cm), broché, non paginé ; pliure au dos, quelques passages soulignés au stylo, par ailleurs bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Desimini, Lisa (illustrator). …

Hardcover. Condition: Very Good. First American Edition, 1st Printing. 86p. INSCRIBED BY THE TRANSLATOR. A hardcover book in near-fine condition with a like dustjacket. Binding slightly cockeyed and top corners lightly bumped; otherwise clean and tight. The jacket has a touch of wear at the top of the spine, but is otherwise intact. A novel dealing with the mental health of Holocaust survivors, as well as issues like anorexia and survivor's guilt. This copy is inscribed by the translator, Rochelle Owens, to Norman Finkelstein, the well-known Jewish critic of the state of Israel.…

Couverture souple. Condition: Très bon. Broché, 113 pages. 14,5x21 cm. Quelques rousseurs au revers du dernier plat de couverture, sinon, comme neuf. Résumé : "Au début de leur mariage, dans les pays qu'ils visitaient, ils achetaient des couteaux. Ils n'étaient ni l'un ni l'autre collectionneurs, ils aimaient les couteaux. Ils ne s'en servaient pas. Elle, de temps en temps, pour découper ses livres. Elle cessa d'en acheter lorsque l'idée lui vint qu'elle ne l'aimait plus. De façon plus précise, un soir de fête où, le dévisageant, elle eut envie de le tuer.". …

Paperback. Condition: New. "Only a life lived on the edge such as Liliane Atlan's could have given rise to these highly original poems, at once manic and tragic, electrifying and poignant." Hoyt Rogers, writer and translator from the French, German, Italian, and Spanish; he has translated books by Bonnefoy and Borges, among other authors"Liliane Atlan's poems are as personal as dreams and as public as history. Wry, spare, flickering with wit, they are also resonant, authoritative, weighted with centuries of what Atlan calls 'the wisdom that is not inscribed,' that 'makes written notes inexhaustible.'" Rachel Hadas, the author of many books of poetry, prose, and translations - her most recent book is Poems for Camilla. Liliane Atlan writes both prose and poetry with the beauty and brilliance of lyric, the bite of epigram, the passion of an idealist fighting to survive in a brutal world. In the colloquies of great poets held in the next world, I imagine her seated with her peers-perhaps at a table with Kafka, Bob Dylan, and Emily Dickinson. Having her work in this bilingual edition, with Marguerite Feitlowitz' elegant translations, is a valuable gift to the English-speaking world of experimental literature."-Alicia Ostriker, author of Waiting for the Light and The Volcano and After: Selected and New Poems, 2002-2012 FOR LILIANE ATLAN (1932-2012), visionary French writer of plays, poetry, and prose, her creative quest was to "find language to say the unsayable. . . to [find a way] to integrate within our conscience, without dying in the attempt, the shattering experience of Auschwitz." After spending the war years as a child in hiding, she later studied at the groundbreaking Gilbert Bloch school in Paris where she studied Torah, Talmud, and Kabbalah, alongside science and contemporary literature. As a writer, Atlan defies easy categorization-she was known as "a Jewish writer," "a Holocaust writer," an originator of French feminist writing, and a pioneering theater artist. Her writings are steeped in Jewish sources and her French is inflected with Hebrew, Ladino, and Yiddish. This background helped make her into a genre-defying, feminist, and political writer, active in both France and Israel.This bi-lingual French-English language collection of Liliane Atlan's poetry and non-fiction prose introduces Liliane Atlan, to the greater world English language reading audience. Thematically she draws upon her personal experiences during the War, the testimonials of Holocaust survivors, and her intensive study of Jewish literature. All these experiences became the wellsprings for her writings which focus on the psychological effects of the Holocaust. Given the recent rise and spread of Anti-Semitism in France and world-wide, Atlan's work is being rediscovered and she is once again being recognized as an acclaimed and respected voice for new generations of readers both in Europe and in the United States, Great Britain, and other parts of the world English language readership. When.…

Taschenbuch. Condition: Neu. Neuware - FOR LILIANE ATLAN (1932-2012), visionary French writer of plays, poetry, and prose, the creative quest was to 'find a language to say the unsayable. . . to [find a way] to integrate within our conscience, without dying in the attempt, the shattering experience of Auschwitz.' Having spent the war years as a child in hiding in Auvergne and Lyon, she then studied at the groundbreaking Gilbert Bloch school where she was immersed in Torah, Talmud and Kabbalah, alongside science and contemporary literature. She emerged into a genre-defying writer, a feminist, and a political activist in both France and Israel. Atlan defies easy categorization: she's 'a 'Jewish writer,' 'a Holocaust writer,' an originator of l'écriture féminine, and a pioneering theatre artist, one of the first (in the early 1980s) to experiment with video, sound, and spatial technology. Her poetry and prose comprise a large, important part of her oeuvre - the texts in Small Bibles for Bad Times are published here in English for the first time, translated by Marguerite Feitlowitz. In poems and prose, dramatic elements abound: scenes and vignettes; scoring for voices; desires, plots and characters engaged in mortal conflict, sometimes within a single mind. Especially in the poems, much depends on cadence, breath, and beat. Ritual is interrogated even as it is performed; conventional wisdoms are discarded, mocked and mutilated; study is sacred, belief suspect - genuine lessons exist to be learned the hard way. The mundane and cosmic, devotional and defiant, lyric and political jostle, subvert, and re-create each other. From murderous history, Atlan wrested a body of work that is radiant with life.…

Broché. Condition: D'occasion - Très bon état. ATTENTION / Edition de 1985. Bords de la quatrième de couv. légèrement frottés, livre en très bon état. Envoi rapide et soigné dans enveloppe à bulles.