Aron Vinegar (96 results)

paperback. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: New. Rereading one of the most influential architectural books of the twentieth century--as intellectual project, graphic design landmark, and prescient introduction to issues of concern today. Num Pages: 248 pages, 82 b&w illus. BIC Classification: AM. Category: (P) Professional & Vocational. Dimension: 229 x 203 x 12. Weight in Grams: 808. . hardcover. . . . . Books ship from the US and Ireland. …

Condition: New. Rereading one of the most influential architectural books of the twentieth century--as intellectual project, graphic design landmark, and prescient introduction to issues of concern today. Num Pages: 248 pages, 82 b&w illus. BIC Classification: AM. Category: (P) Professional & Vocational. Dimension: 229 x 203 x 12. Weight in Grams: 808. . hardcover. . . . . …

Paperback. Condition: Very Good. 234 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge.

Soft cover. Condition: As New. 1st Edition. Like new. Softcover. Inv. Ref.: Q01-FPLUK-005.

Condition: New.

Paperback. Condition: New. A theorization of habit that emphasizes its excessive and unsettling qualities rather than its mediating, adaptive, and stabilizing functions.Subject Matter offers a bold counterpoint to prevalent conceptions of habit characterized by bodily fluidity and ease, as the stabilizing foundation of an emerging subjectivity, or, more negatively, as a numbing and deadening force. Instead of facilitating the coordination of action with goal and self with environment, habit appears here as a disruptively recursive operation with extreme ontological implications that are often more quotidian than exceptional. Vinegar theorizes habit's more perturbing aspects, from repetition compulsion to kenosis to breakdown, through an encounter between Hegel's philosophy (of habit), psychoanalytic dimensions of repetition, Tom McCarthy's novel Remainder, and Omer Fast's feature-length film interpretation of the novel.Vinegar starts with the premise that habit is an "unhappy mediator," a disturbance of the very medium and milieu that is constitutive of the subject. Subject Matter pays close attention to those aspects of habit that are usually considered deviations from, or potential threats to, habit proper and that generate a logic of breakdown: automaticity, mechanization, thingness, inertia, and fixity. By plotting a topology of habit's unbearability through detailed accounts of its manifestation in writing, art, aesthetics, and visuality-and through an attentiveness to the unbalanced nonrelations between mediation and immediacy, being and having, fixity and fluidity, vanishing and overflowing, abbreviation and excess, beginning and ending-Vinegar exposes habit's failure to mediate and inhabit. In doing so, he offers new and counterintuitive insights into how habit generates the unruly grounds it is supposed to settle, thus allowing us to ask how we might break down differently.…

Paperback. Condition: new. Paperback. A theorization of habit that emphasizes its excessive and unsettling qualities rather than its mediating, adaptive, and stabilizing functions.A theorization of habit that emphasizes its excessive and unsettling qualities rather than its mediating, adaptive, and stabilizing functions.Subject Matter offers a bold counterpoint to prevalent conceptions of habit characterized by bodily fluidity and ease, as the stabilizing foundation of an emerging subjectivity, or, more negatively, as a numbing and deadening force. Instead of facilitating the coordination of action with goal and self with environment, habit appears here as a disruptively recursive operation with extreme ontological implications that are often more quotidian than exceptional. Vinegar theorizes habit's more perturbing aspects, from repetition compulsion to kenosis to breakdown, through an encounter between Hegel's philosophy (of habit), psychoanalytic dimensions of repetition, Tom McCarthy's novel Remainder, and Omer Fast's feature-length film interpretation of the novel.Vinegar starts with the premise that habit is an "unhappy mediator," a disturbance of the very medium and milieu that is constitutive of the subject. Subject Matter pays close attention to those aspects of habit that are usually considered deviations from, or potential threats to, habit proper and that generate a logic of breakdown: automaticity, mechanization, thingness, inertia, and fixity. By plotting a topology of habit's unbearability through detailed accounts of its manifestation in writing, art, aesthetics, and visuality-and through an attentiveness to the unbalanced nonrelations between mediation and immediacy, being and having, fixity and fluidity, vanishing and overflowing, abbreviation and excess, beginning and ending-Vinegar exposes habit's failure to mediate and inhabit. In doing so, he offers new and counterintuitive insights into how habit generates the unruly grounds it is supposed to settle, thus allowing us to ask how we might break down differently. "A theorization of habit that emphasizes its excessive, unsettling, and disturbing material and temporal qualities rather than its mediating and stabilizing functions"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Near Fine. Black and white illustrations throughout. First paperback printing. Remainder mark on bottom edge, else fine in pictorial wraps.

., Vinegar, Aron. I am a monument : on Learning from Las Vegas. Cambridge, Mass.: MIT Press, 2008., x, 234pp., very good dust-jacket, very good square dark gray cloth. Intensive reading of the Venturi / Brown book, comparison of editions. ISBN 9780262220828.

Condition: New. Brand New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Condition: New.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condition: New. 2023. Paperback. . . . . .

Condition: New.

Condition: New.

Condition: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Condition: Wie neu. 208 S.; Ill. Like new. Shrink wrapped. Sprache: Englisch Gewicht in Gramm: 810 Hardcover (without dust jacket).

Condition: New. In English.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.