Antz Elisa (20 results)

Condition: Sehr gut. VIII, 285 S. Antonio Sousa Ribeiro, A Culture of Fear: Panic, Mourning, Testimony, and the Question of Representation -- Luisa Banki, Mourning, Melancholia and Morality: W. G. Sebald's German Jewish Narratives -- Milan Miljkovic, Nostalgias and Mourning: The Nation in the Serbian Journal The Spring (1992-1996) -- Anna Pehkoranta, Negotiating Loss and Betrayal: Melancholic Ethics and Narrative Agency in Fae Myenne Ng's Bone and Steer Toward Rock -- Lucy Brisley, Melancholic Violence and the Spectre of Failed Ideals in Gillo Pontecorvo's The Battle of Algiers and Yasmina Khadra's Wolf Dreams -- Liliane Weissberg, Odysseus, Rowing -- Daniela Agostinho, (Un)Framing Triumph and Trauma: Visibility, Gender and Liberation through the Soviet Gaze -- Ban Wang, The Banality of Trauma: Globalization, Migrant Labor, and Nostalgia in Fruit Chan's Durian Durian -- Tânia Ganito, Evocations of the Unspeakable: Trauma, Silence and Mourning in Contemporary Chinese Art -- Elisabetta Colla, "Animism, Magic and the Omnipotence of Thought": Ritualistic Artefacts and Mourning Mediation in Imperial China -- Frederik Tygstrup, Affective Spaces -- Eduardo Cintra Torres, Catastrophes in Sight and Sound -- Diana Goncalves, From Panic to Mourning: 9/11 and the Need for Spectacle -- David Duindam, Stage, Performance, Media Event: the National Commemoration of the Second World War in the Netherlands -- Frauke Surmann, No Fun: Mourning the Loss of Tragedy in Contemporary Performance Art. ISBN 9783110283099 Sprache: Englisch Gewicht in Gramm: 675 Fadengehefteter Originalpappband.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In.

Condition: New.

Condition: New.

Condition: new.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 296 | Sprache: Englisch | Produktart: Bücher | Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of culture, such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual, and film studies. It fosters an interdisciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning, on how conflict is represented, how it relates to the past and projects the present, and how it frames scholarship within the humanities. Editors:Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK, Catherine Nesci, University of California, Santa Barbara, USA. Editorial Board:Arjun Appadurai, New York University,Claudia Benthien, Universität Hamburg,Elisabeth Bronfen, Universität Zürich,Bishnupriya Ghosh, University of California, Santa Barbara,Joyce Goggin, Universiteit van Amsterdam,Lawrence Grossberg, University of North Carolina at Chapel Hill,Andreas Huyssen, Columbia University,Ansgar Nünning, Universität Gießen,Naomi Segal, University of London, Birkbeck College,Márcio Seligmann-Silva, Universidade Estadual de Campinas,António Sousa Ribeiro, Universidade de Coimbra,Roberto Vecchi, Universita di Bologna,Samuel Weber, Northwestern University,Liliane Weissberg, University of Pennsylvania,Christoph Wulf, FU Berlin,Longxi Zhang, City University of Hong Kong.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. viii + 285 29 Figures.

Hardcover. Condition: Brand New. 285 pages. 9.25x6.25x1.00 inches. In Stock.

Condition: New. pp. viii + 285.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - 'Panic' and 'mourning' are two pivotal constructs that often emerge and interplay under circumstances of conflict, violence, crisis, and catastrophe, both natural and man-made. Whereas panic tends to crop up during the experience of violent events, mourning, on the other hand, relates to the aftermath of a brutal disruption and to the way humans try to make sense of it retrospectively. Conversely, violent events can leave a thread of panic in their aftermath, while mourning can be unsettled, interrupted or even refuelled by another catastrophic incident. From an international and inter-disciplinary outlook, this volume wishes to address questions at the interface of panic and mourning and their impact on practices in literature, media, and the arts. Since violent events take place within cultures that will draw from their traditions, memories and systems of beliefs in order to process them, the authors of this book aim precisely at discussing the effects of calamity upon the cultural structure and the way literary, artistic and media practices not only reproduce individual and collective anxieties but also generate knowledge and reshape the cultural formation within which they emerge.; Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of culture, such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual, and film studies. It fosters an interdisciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning, on how conflict is represented, how it relates to the past and projects the present, and how it frames scholarship within the humanities. Editors:Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK; Catherine Nesci, University of California, Santa Barbara, USA. Editorial Board:Arjun Appadurai, New York University,Claudia Benthien, Universität Hamburg,Elisabeth Bronfen, Universität Zürich,Bishnupriya Ghosh, University of California, Santa Barbara,Joyce Goggin, Universiteit van Amsterdam,Lawrence Grossberg, University of North Carolina at Chapel Hill,Andreas Huyssen, Columbia University,Ansgar Nünning, Universität Gießen,Naomi Segal, University of London, Birkbeck College,Márcio Seligmann-Silva, Universidade Estadual de Campinas,António Sousa Ribeiro, Universidade de Coimbra,Roberto Vecchi, Universita di Bologna,Samuel Weber, Northwestern University,Liliane Weissberg, University of Pennsylvania,Christoph Wulf, FU Berlin,Longxi Zhang, City University of Hong Kong.

Hardback. Condition: New. 'Panic' and 'mourning' are two pivotal constructs that often emerge and interplay under circumstances of conflict, violence, crisis, and catastrophe, both natural and man-made. Whereas panic tends to crop up during the experience of violent events, mourning, on the other hand, relates to the aftermath of a brutal disruption and to the way humans try to make sense of it retrospectively. Conversely, violent events can leave a thread of panic in their aftermath, while mourning can be unsettled, interrupted or even refuelled by another catastrophic incident. From an international and inter-disciplinary outlook, this volume wishes to address questions at the interface of panic and mourning and their impact on practices in literature, media, and the arts. Since violent events take place within cultures that will draw from their traditions, memories and systems of beliefs in order to process them, the authors of this book aim precisely at discussing the effects of calamity upon the cultural structure and the way literary, artistic and media practices not only reproduce individual and collective anxieties but also generate knowledge and reshape the cultural formation within which they emerge.

Condition: New. 2012. Hardcover. . . . . .

Hardback. Condition: New. 'Panic' and 'mourning' are two pivotal constructs that often emerge and interplay under circumstances of conflict, violence, crisis, and catastrophe, both natural and man-made. Whereas panic tends to crop up during the experience of violent events, mourning, on the other hand, relates to the aftermath of a brutal disruption and to the way humans try to make sense of it retrospectively. Conversely, violent events can leave a thread of panic in their aftermath, while mourning can be unsettled, interrupted or even refuelled by another catastrophic incident. From an international and inter-disciplinary outlook, this volume wishes to address questions at the interface of panic and mourning and their impact on practices in literature, media, and the arts. Since violent events take place within cultures that will draw from their traditions, memories and systems of beliefs in order to process them, the authors of this book aim precisely at discussing the effects of calamity upon the cultural structure and the way literary, artistic and media practices not only reproduce individual and collective anxieties but also generate knowledge and reshape the cultural formation within which they emerge.

Condition: New. 2012. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of cultu.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -'Panic' and 'mourning' are two pivotal constructs that often emerge and interplay under circumstances of conflict, violence, crisis, and catastrophe, both natural and man-made. Whereas panic tends to crop up during the experience of violent events, mourning, on the other hand, relates to the aftermath of a brutal disruption and to the way humans try to make sense of it retrospectively. Conversely, violent events can leave a thread of panic in their aftermath, while mourning can be unsettled, interrupted or even refuelled by another catastrophic incident. From an international and inter-disciplinary outlook, this volume wishes to address questions at the interface of panic and mourning and their impact on practices in literature, media, and the arts. Since violent events take place within cultures that will draw from their traditions, memories and systems of beliefs in order to process them, the authors of this book aim precisely at discussing the effects of calamity upon the cultural structure and the way literary, artistic and media practices not only reproduce individual and collective anxieties but also generate knowledge and reshape the cultural formation within which they emerge.; Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of culture, such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual, and film studies. It fosters an interdisciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning, on how conflict is represented, how it relates to the past and projects the present, and how it frames scholarship within the humanities. Editors:Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK; Catherine Nesci, University of California, Santa Barbara, USA. Editorial Board:Arjun Appadurai, New York University,Claudia Benthien, Universität Hamburg,Elisabeth Bronfen, Universität Zürich,Bishnupriya Ghosh, University of California, Santa Barbara,Joyce Goggin, Universiteit van Amsterdam,Lawrence Grossberg, University of North Carolina at Chapel Hill,Andreas Huyssen, Columbia University,Ansgar Nünning, Universität Gießen,Naomi Segal, University of London, Birkbeck College,Márcio Seligmann-Silva, Universidade Estadual de Campinas,António Sousa Ribeiro, Universidade de Coimbra,Roberto Vecchi, Universita di Bologna,Samuel Weber, Northwestern University,Liliane Weissberg, University of Pennsylvania,Christoph Wulf, FU Berlin,Longxi Zhang, City University of Hong Kong 296 pp. Englisch.

Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of culture, such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual, and film studies. It fosters an interdisciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning, on how conflict is represented, how it relates to the past and projects the present, and how it frames scholarship within the humanities.Editors:Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK, Catherine Nesci, University of California, Santa Barbara, USA.Editorial Board:Arjun Appadurai, New York UniversityClaudia Benthien, Universität HamburgElisabeth Bronfen, Universität ZürichBishnupriya Ghosh, University of California, Santa BarbaraJoyce Goggin, Universiteit van AmsterdamLawrence Grossberg, University of North Carolina at Chapel HillAndreas Huyssen, Columbia UniversityAnsgar Nünning, Universität GießenNaomi Segal, University of London, Birkbeck CollegeMárcio Seligmann-Silva, Universidade Estadual de CampinasAntónio Sousa Ribeiro, Universidade de CoimbraRoberto Vecchi, Universita di BolognaSamuel Weber, Northwestern UniversityLiliane Weissberg, University of PennsylvaniaChristoph Wulf, FU BerlinLongxi Zhang, City University of Hong KongDe Gruyter Mouton, Genthiner Straße 13, 10785 Berlin 296 pp. Englisch.