Antonio Fiore (73 results)

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: Fine. None. Fine in oblong wrappers, still shrink-wrapped. 66 pages with 40 color plates.

Soft Cover. Condition: Fine. First Edition. soft cover, as issued. no flaws or wear. clean, no markings. no bumps, tears, creases. tight binding.; english text.; 63pp., 40 color plates, very well presented. three texts. several installation photos of these works framed and hung. Size: Oblong 8vo. Exhibition Catalogue. …

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Exhibition catalog. Color and black and white photographs throughout. First printing. Corrigenda slip laid in. Fine in a fine dust jacket.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Black and b&w-photo illustrated DJ with white and grey lettering; orange cloth over boards with black lettering; xi, 169 pp.; richly illustrated. "This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York, where he initiated a series of site-specific works in derelict areas of the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series 'Bronx Floors' dissected these structures, performing an anatomical study of ther ravaged urban landscape. Moving from New York to Paris with 'Conical Interserct', a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of seventeenth-century row houses slatted for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics." -- Dust Jacket. VG. Minimally marked ex-lib just a sticker on the spine and inside rear cover.…

Hardcover. Black and b&w-photo illustrated DJ with white and grey lettering; orange cloth over boards with black lettering; xi, 169 pp.; richly illustrated. "This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York, where he initiated a series of site-specific works in derelict areas of the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series 'Bronx Floors' dissected these structures, performing an anatomical study of ther ravaged urban landscape. Moving from New York to Paris with 'Conical Interserct', a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of seventeenth-century row houses slatted for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics." -- Dust Jacket. Good DJ with VG book (Light edge/shelfwear to DJ; book appears unread.).…

Condition: New.

Brossura. Condition: quasi ottimo. senza sovraccoperta. prima edizione. Formato in 16°; 171 pagine. Brossura editoriale: leggermente sciupata. Interno fresco.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: As New. Dust Jacket Condition: As New. (DJ and Text are clean, neat and tight). Book.

Hardback. Condition: New. "Undoing is just as much a democratic right as doing."---Gordon Matta-Clark This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term "anarchitecture," combining "anarchy" and "architecture," to describe the site-specific works he initially realized in the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics.Published in association with The Bronx Museum of the ArtsExhibition Schedule:Bronx Museum of the Arts (11/08/17-04/08/18)Jeu de Paume, Paris (06/04/18-09/23/18)Kumu Kunstimuuseum, Tallinn, Estonia (03/01/19-08/04/19)Rose Art Museum, Waltham, MA (09/12/19-12/15/2019).…

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 184 pages. 10.50x8.00x0.75 inches. In Stock.

Paperback. Condition: New.

Paperback. Condition: New.

Paperback. Condition: New.

Condition: NEW.

Condition: New.

Brossura. Condition: ottimo. senza sovraccoperta. prima edizione. Formato in 16° stretto; 105 pagine. Brossura editoriale figurata. Interno fresco. Dedica dell'Autore in antiporta. Prima Edizione Novembre 2001. Dedica dell'autore.

Condition: NEW.

Condition: NEW.

copertina morbida. Condition: nuovo. Dust Jacket Condition: nuovo.

Brossura. Condition: new. Roma, 2014; br., pp. 64, ill. b/n e col., cm 22x22. (Arti Visive, Architettura e Urbanistica). Antonio Fiore, nato a Segni nel 1938, è considerato dalla critica specialistica l'erede dei futuristi dell'ultima generazione. Non si considera però un epigono del movimento marinettiano, bensí un continuatore dello spirito futurista, lo stesso che gli trasmisero direttamente alcuni protagonisti dell'ultimo Futurismo con i quali ebbe rapporti intensi e fecondi. Fu infatti Sante Monachesi nel 1978 ad indirizzarlo verso la ricerca post futurista facendolo aderire al Movimento AGRÀ che aveva fondato nel 1962, battezzandolo futuristicamente UFAGRÀ (Universo Fiore AGRÀ). Conobbe anche Francesco Cangiullo, famoso poeta parolibero futurista, che gli trasmise suggestioni per i contenuti delle opere della prima stagione. Con Elica e Luce Balla, le figlie del Maestro del Futurismo, il pittore di Segni e la sua famiglia hanno vissuto una lunga, cordiale e feconda amicizia tessuta anche fra i ricordi entusiasmanti della vicenda futurista del padre. Infine, ha avuto rapporti con Mino Delle Site e Osvaldo Peruzzi, futuristi dell'ultima generazione e, soprattutto, con Enzo Benedetto, futurista anche lui che con la Dichiarazione Futurismo Oggi del 1967 sancì la continuità ideale del Futurismo. A Fiore Benedetto lasciò idealmente il testimone della continuità dell'ideale marinettiano. Tali contatti con i futuristi sono documentati per la prima volta dalle pagine inedite di memorie scritte molti anni fa dalla moglie dell'artista. Libro.…

Paperback. Condition: New.