paperback. Condition: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.
Language: English
Published by Museu d'Art Contemporani de Barcelona, 2012
ISBN 10: 8492505575 ISBN 13: 9788492505579
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 190 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.
Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Paperback. Condition: Acceptable. reading copy only - damaged /worn /marked. May be ex-libris Standard-sized.
Language: English
Published by Museu d'Art Contemporani de Barc, 2012
ISBN 10: 8492505575 ISBN 13: 9788492505579
Seller: Books From California, Simi Valley, CA, U.S.A.
Paperback. Condition: Fine. Sealed in original shrinkwrap.
Language: English
Published by Museu d'Art Contemporani de Barc, 2012
ISBN 10: 8492505575 ISBN 13: 9788492505579
Seller: Books From California, Simi Valley, CA, U.S.A.
Paperback. Condition: New.
Paperback. Condition: Brand New. illustrated edition. 164 pages. 6.00x3.25x0.25 inches. In Stock.
Language: English
Published by Ministerio de Cultura, Madrid, 1988
ISBN 10: 8475062199 ISBN 13: 9788475062198
Seller: Randall's Books, Cathedral City, CA, U.S.A.
First Edition
Soft cover. Condition: Near Fine. 1st Edition. Ministerio de Cultura, Madrid, 1988. Softcover, 1st edition. Illustrated in color and black & white. Half-paginated (approximately 110 pp.) Interdisciplinary and media artist Antoni Muntadas left Spain for New York in the early 1970s. This catalog documents his 1988 exhibition held in Madrid. The book is double-sided and has two covers (see photos), It can be started from either end. One side of the book has numbered pages up to 55. The other side is unpaginated. Text in Spanish. Near fine.
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Language: English
Published by Museu D'Art Contemporani de Barcelona (MACBA), ES, 2011
ISBN 10: 8492505575 ISBN 13: 9788492505579
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Of Works B ed.
Language: English
Published by Ministerio de Cultura, [Madrid], 1988
ISBN 10: 8475062199 ISBN 13: 9788475062198
Manuscript / Paper Collectible
Pamphlet. 55p. of text and [56]p. of photographs, bound dos-a-dos, wraps, 8x9.25 inches, light handling wear else very good condition. Text in Spanish. Cover title: "Muntadas." Barcelona-born postconceptual multimedia artist.
Language: English
Published by Museu D'Art Contemporani de Barcelona (MACBA), 2011
ISBN 10: 8492505575 ISBN 13: 9788492505579
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Softcover, 304 pages; in Spanish; very good condition; except light rubbing to covers; and small waterstain to lower right corner of rear cover at spine edge and last couple pages; no internal marks. Foreign shipping may be extra.
Language: English
Published by La Fábrica Editorial, España, 2010
ISBN 10: 8496466329 ISBN 13: 9788496466326
Condition: Bueno. 13.5x24.5. 208pp. Castellano.
Softcover, 288 pages, in English; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Published by Vancouver Art Gallery, 1979
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, staple-bound, 16 pages; good condition; scattered scuffs to covers with heavy yellowing to inside front cover; no internal marks.
Language: English
Published by Museu D'Art Contemporani de Barcelona (MACBA), 2011
ISBN 10: 8492505575 ISBN 13: 9788492505579
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Capc Musee d'art Contemporain de Bordeaux, Bordeaux, 1994
Seller: Kenneth Mallory Bookseller ABAA, Decatur, GA, U.S.A.
Paperback. Condition: Good. Paperback. 98pp. Lightly edgeworn, 'Discard/ Solomon Guggenheim Library' stamp on front free endpaper, else good. Text in French.
Language: Spanish
Published by Universidad Del País Vasco, Bilbao, 2010
Seller: Zaitegui Libros, El Escorial, M, Spain
Rústica ilustrada con Solapa. Condition: Bueno. Signatura.-Zabala.-Periodismo.-Portada, 262 pgs.-Con numerosas ilustraciones.-Muy buen ejemplar.-Envío nacional certificado, sin contra reembolso: 4 euros.
Language: French
Published by Capc Musee d'Art Contemporain de Bordeaux, 1994
ISBN 10: 2877211045 ISBN 13: 9782877211048
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 112 pages, in French; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.
Language: English
Published by Museu D'Art Contemporani de Barcelona (MACBA), Barcelona, 2011
ISBN 10: 8492505575 ISBN 13: 9788492505579
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Between the Frames: The Forum (1983-93) is the result of Muntadas's interest in understanding why the intermediaries between the artist, the artwork and the public gained so much power in the 1980s. The installation comprises eight sections, each corresponding to an intermediary - dealers, collectors, galleries, museums, docents, critics, media and artists - arranged in a circular structure that evokes the form of a Panopticon. By means of a critical essay and an interview with Muntadas, Anne Benichou, the editor of this publication, reveals how the artist's working process is more archaeological than documentary in its approach. The emphasis is not so much on what is said or on who says it, but on allowing the public to use this space to construct their own narratives." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: As New. Unread book in perfect condition.
Published by Madrid: Galeria Moises Perez de Albeniz, 2013
Seller: Dave's Books, Brooklyn, NY, U.S.A.
First Edition
Soft cover. Condition: Near Fine. 1st Edition. Text in Spanish . Small format paperback, not paginated. A hint of rubbing and soil but essentially in fine condition .
Language: English
Published by U.S.A.: ActarD Inc,EUROPE, 2001
ISBN 10: 8495273799 ISBN 13: 9788495273796
Seller: S.Carter, NEWPORT, United Kingdom
First Edition
Soft cover. Condition: Near Fine. No Jacket. 1st Edition. FIRST PRINTING.NEAR FINE GLOSSY SOFTWRAPS ORIGINAL.TEXT IN ENGLISH AND SPANISH.COLOUR GLOSSY PHOTOS OF TOILETS AROUND EUROPE.28 Language: eng Language: eng 0.0 Language: eng Language: eng.
Language: Catalan
Published by Generalitat de Catalunya, Departament de Cultura, 1996
ISBN 10: 8439338627 ISBN 13: 9788439338628
Seller: Raritan River Books, Philadelphia, PA, U.S.A.
Paperback. Condition: Very Good+. Binding sound, text clean, very light shelf wear. Spanish and some English texts. Illustrated. 128 pages. Folio (oversize) paperback. Heavy item: priority or international shipping may require additional charges. Book.
Hardcover. Condition: new. Hardcover. In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale "takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new. but by now it is an obsolete structure." Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects completed over the last 10 years, is here documented from its inception. Translation is a metaphor, as Muntadas states, "I am not talking about translation in a literal sense, but in a cultural sense--how the world we live in is a totally translated world, everything is always filtered by some social, political, cultural and economic factor. by the media, of course, by context and by history." Accordingly, I Giardini looks into the context and history of the Biennale's Giardini del Castello, delving into the transformations and "translations" it has undergone over time, and investigating Venice's status and the space that frames the Biennale. Muntadas notes, for instance, that a new Italian pavilion built on Mussolini's orders was replaced again after the war. In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale "takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new. but by now it is an obsolete structure." Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects completed over the last 10 years, is here documented from its inception. Translation is a metaphor, as Muntadas states, "I am not talking about translation in a literal sense, but in a cultural sense—how the world we live in is a totally translated world, everything is always filtered by some social, political, cultural and economic factor. by the media, of course, by context and by history." Accordingly, I Giardini looks into the context and history of the Biennale's Giardini del Castello, delving into the transformations and "translations" it has undergone over time, and investigating Venice's status and the space that frames the Biennale. Muntadas notes, for instance, that a new Italian pavilion built on Mussolini's orders was replaced again after the war. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: New.
Language: English
Published by La Fabrica Editoirial April 2010, 2010
ISBN 10: 8496466329 ISBN 13: 9788496466326
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condition: New. In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale 'takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new. but by now it is an obsolete structure.' Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects completed over the last 10 years, is here documented from its inception. Translation is a metaphor, as Muntadas states, 'I am not talking about translation in a literal sense, but in a cultural sense--how the world we live in is a totally translated world, everything is always filtered by some social, political, cultural and economic factor. by the media, of course, by context and by history.' Accordingly, I Giardini looks into the context and history of the Biennale's Giardini del Castello, delving into the transformations and 'translations' it has undergone over time, and investigating Venice's status and the space that frames the Biennale. Muntadas notes, for instance, that a new Italian pavilion built on Mussolini's orders was replaced again after the war.
Softcover, 104 pages, in English; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover without dustjacket as issued, 448 pages; in English and Spanish; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.