Anna Tummers (73 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. In this edition of Phoebus Focus, Lotte Kokkedee and Anna Tummers' analysis extends beyond technology. They position Two Fisherboys in the context of Hals' oeuvre. After all, are these seemingly innocent children what they appear to be? The boy smiling mischievously looks like he's putting a crab in his friend's basket. Is the painter actually alluding to a Dutch proverb 'een pad in iemands korf zetten' (literally translated as to put a toad in someone's basket, which means landing someone in hot water), and is this charming scene actually one full of playful cunning? The happy anticipation of a roguish joke while performing their hard labour? After all, the life of a fisherman was no laughing matter. This makes Two Fisherboys not only an intimate portrait of youthful spontaneity, but above all a masterful embodiment of the condition humane, captured in Hals'inimitable style.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. In this edition of Phoebus Focus, Lotte Kokkedee and Anna Tummers analysis extends beyond technology. They position Two Fisherboys in the context of Hals oeuvre. After all, are these seemingly innocent children what they appear to be? The boy smiling mischievously looks like hes putting a crab in his friends basket. Is the painter actually alluding to a Dutch proverb een pad in iemands korf zetten (literally translated as to put a toad in someones basket, which means landing someone in hot water), and is this charming scene actually one full of playful cunning? The happy anticipation of a roguish joke while performing their hard labour? After all, the life of a fisherman was no laughing matter. This makes Two Fisherboys not only an intimate portrait of youthful spontaneity, but above all a masterful embodiment of the condition humane, captured in Halsinimitable style. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Soft cover. Condition: New. A new copy in pictorial wraps still sealed in its shrink-wrap. A larger book requiring additional postage for priority and international orders. 4to., 160 pages.

Paperback. Condition: Brand New. 112 pages. 5.91x0.59x8.27 inches. In Stock.

Condition: New.

Paperback. Condition: Very Good. Light cover crease else as new.

Condition: Very Good. Dust Jacket Condition: Very Good.

Condition: Good. Paperback met flappen, veel (paginagrote) illustraties in kleur, 4to.

Condition: Good. Paperback, veel illustraties in kleur.; Rug verkleurd.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. Frans Hals is hailed as one of the three greatest painters of the Dutch seventeenth century along with Rembrandt and Vermeer. Of all seventeenth-century Dutch painters, Frans Hals is also the most controversial in as far as the exact scope of his oeuvre is concerned. Halss popularity, the lack of technical reference material as well as the differing views among experts as to the exact scope of his oeuvre make works in his style prone to doubts and misattributions. It has led to fierce debates and legal battles about the attribution of paintings done in his style.In this Open Access book, experts from Ghent University, Leiden University, Amsterdam University, Delft University of Technology, the Frans Hals Museum (Haarlem), the Rijksmuseum (Amsterdam), the Gemaeldegalerie (Berlin) and the Metropolitan Museum of Art (New York) give surprising new insights into some of Halss most well-known paintings as well as into some of the most fiercely contested pictures in his style. Their insights result from in-depth study of a wealth of reference material: seventeenth-century sources, advanced technical analyses and newly developed digital visualisation tools.Tummers and Erdmann have produced a work of ground-breaking new scholarship. They combine in-depth art historical study with new technical analyses and data visualisation tools in order to solve current issues in the attribution of paintings by Frans Hals. This book significantly sharpens our understanding of Halss virtuoso work process, his characteristic workshop practice, and his notion of authenticity. The rich data gathered for the case studies will be useful for a next generation of art historians and connoisseurs: digital tools enhance the human eye in matters of attribution.Prof. Thijs Weststeijn, Professor of Art History before 1800, Utrecht University"Tummers bravely interrogates the history of connoisseurship and the seemingly never-ending search for attributions of paintings associated with Frans Hals. A series of well-chosen case studies of paintings rigorously subjected to the most current means of examination and scientific imaging by leading experts in the field extends our understanding of Hals, his manner of painting, and the possibilities for aligning traditional connoisseurship with technical studies and techniques. In the process, this book thoughtfully probes the merits, challenges, and potential of 21st-century digital tools alongside the role of visual analysis."Christopher D.M. Atkins, Van Otterloo-Weatherbie Director of the Center for Netherlandish Art at the Museum of Fine Arts, Boston Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 4to, Hardback with original Dust Jacket, pp. 400. Sold As New. In original shrink wrap.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very good.

Hardback. Condition: New. 2024 ed. Frans Hals is hailed as one of the three greatest painters of the Dutch seventeenth century along with Rembrandt and Vermeer. Of all seventeenth-century Dutch painters, Frans Hals is also the most controversial in as far as the exact scope of his oeuvre is concerned. Hals's popularity, the lack of technical reference material as well as the differing views among experts as to the exact scope of his oeuvre make works in his style prone to doubts and misattributions. It has led to fierce debates and legal battles about the attribution of paintings done in his style.In this Open Access book, experts from Ghent University, Leiden University, Amsterdam University, Delft University of Technology, the Frans Hals Museum (Haarlem), the Rijksmuseum (Amsterdam), the Gemäldegalerie (Berlin) and the Metropolitan Museum of Art (New York) give surprising new insights into some of Hals's most well-known paintings as well as into some of the most fiercely contested pictures in his style. Their insights result from in-depth study of a wealth of reference material: seventeenth-century sources, advanced technical analyses and newly developed digital visualisation tools."Tummers and Erdmann have produced a work of ground-breaking new scholarship. They combine in-depth art historical study with new technical analyses and data visualisation tools in order to solve current issues in the attribution of paintings by Frans Hals. This book significantly sharpens our understanding of Hals's virtuoso work process, his characteristic workshop practice, and his notion of authenticity. The rich data gathered for the case studies will be useful for a next generation of art historians and connoisseurs: digital tools enhance the human eye in matters of attribution."Prof. Thijs Weststeijn, Professor of Art History before 1800, Utrecht University"Tummers bravely interrogates the history of connoisseurship and the seemingly never-ending search for attributions of paintings associated with Frans Hals. A series of well-chosen case studies of paintings rigorously subjected to the most current means of examination and scientific imaging by leading experts in the field extends our understanding of Hals, his manner of painting, and the possibilities for aligning traditional connoisseurship with technical studies and techniques. In the process, this book thoughtfully probes the merits, challenges, and potential of 21st-century digital tools alongside the role of visual analysis."Christopher D.M. Atkins, Van Otterloo-Weatherbie Director of the Center for Netherlandish Art at the Museum of Fine Arts, Boston.

Hardbound. Condition: VG, ex-lib. Black cloth, illustrated DJ. 350 pp. Many color plates. Contents as follows: Attributing seventeenth-century Dutch and Flemish paintings: developments since 1945 -- Original or copy -- 'By his hand': the paradox of seventeenth-century connoisseurship -- 'Without changing his manner': seventeenth-century views on style -- The painter versus the connoisseur. The best judge of pictures in seventeenth-century theory and practice -- The essence of seventeenth-century connoisseurship. Attributing old master paintings is one of the most difficult tasks of the art historian. Moreover, the stakes can be high, especially when the painting in question might be that of a famous master. The difference in price between an authentic old master painting and a work 'in the manner of' a well-known painter can add up to several million dollars. The fingerprint of an Old Master discusses issues regarding attribution of Dutch and Flemish paintings of the seventeenth-century. Rembrandt's David and Jonathan (Hermitage, St. Petersburg), de-attributed by the Rembrandt Research Project in 1989, provides an unique opportunity to compare seventeenth- and twentieth-century connoisseurship. An analysis of the painting based on terms of seventeenth-century art theory shows that the painting must have been successful according to contemporary standards of appreciation, that is, worthy of carrying Rembrandt's name.

Condition: New.

Condition: Very good.

hardcover. Condition: New.

Condition: New. In.

Hardcover. Condition: Brand New. 200 pages. 9.25x6.10x0.83 inches. In Stock.

Soft cover. Condition: Near Fine. Title - Judith Leyster / Author - Anna Tummers / Publisher - Frans Hals museum / Year - 2010 / Language - English - Dutch / Binding - Paperback / Size - 24 x 17 cm / Pages - 32 / ISBN - 97894901980309.

Condition: Very good.