Anna Näslund (81 results)

Soft cover. Condition: Very Good. 1st Edition. Stiff color illus. wraps. Minor handling wear to covers. Firm binding, unmarked interior. 168 pp., illus. Size: 4to - over 9¾" - 12" tall. Book.

paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condition: New.

Paperback or Softback. Condition: New. Visuella kulturstudier: Teoretiska till�mpningar i konstvetenskap 5. Book.

Paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. Digital Art History has often aligned itself with the practical concerns of digital technology and the responsibilities of art institutions and associated institutional roles such as collection managers, information specialists, curators, and conservators. This emphasis on practicalities and implementation, while undeniably important, has often meant that there is little room for critical examination of the broader implications of digital technology and computational methodologies in art history. This anthology seeks to address the dearth of critical reflection by approaching the use of digital technology in art history from a theoretical perspective and critically assessing specific case study examples. This book also considers the political dimensions associated with the large-scale digitization and the application of digital tools within museums and collection management. A long-standing concern of the field - and also a major focal point of this book - is museum and collecting practices in the digital era. While there is a certain degree of continuity in the field, there are some important shifts and changes too. One of the key changes is the widespread uptake of artificial intelligence tools and an increased attention to both the broader historical and societal aspects of the use of digitaltools within museums and collection management.…

Condition: New.

Paperback. Condition: New. Since the full-scale Russian attack on Ukraine on February 24, 2022, warfare on social media and online platforms has introduced a new way of mediatizing war. A constant war-related newsfeed on social media and online platforms has emerged. Against this background the war in Ukraine represents a »fractal war - where you choose to subscribe to your own tailored version of warfare in your feed. This makes it the most personalized war in history« (Andrew Hoskins). This special issue investigates smartphone use, online media, platform politics, and the impact of the crowdsourced war. New forms of digital participation, collective witnessing and web archiving by media users and media providers are linked with new methodological and empirical challenges for source analysis of digital forensics, jurisdiction, and collective memory. The contributors analyze digital society and its relationship to war, violence, genocide, witnessing practices, and cultural appropriation in a critical and reflective manner.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2024. 1st Edition. paperback. . . . . .

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New. 2024. paperback. . . . . .

Condition: New. In English.

Paperback. Condition: new. Paperback. Approaching the use of digital technology in art history from a theoretical perspective. Digital art history has often aligned itself with the practical concerns of digital technology and the responsibilities of art institutions and associated institutional roles such as collection managers, information specialists, curators, and conservators. This emphasis on practicalities and implementation, while undeniably important, has often left little room for critical examination of the broader implications of digital technology and computational methodologies in art history. A long-standing concern of the fieldand a major focal point of this bookis museum and collecting practices in the digital era. While there is a certain degree of continuity in the field, there are also important shifts and changes to addressnamely, the widespread uptake of artificial intelligence tools and increased attention to both the broader historical and societal aspects of the use of digital repositories and tools. This anthology seeks to address the dearth of critical reflection by critically assessing specific case study examples and considering the political dimensions associated with large-scale digitization and the application of digital tools within museums and collection management. This anthology highlights emerging critical perspectives on digitization, computational methods and datafication in art history and the museum/heritage sector. The aim is to develop a deeper understanding of the theoretical and political aspects of the use of digital tools in these areas. 25b&w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Paperback. Condition: Brand New. 210 pages. 9.75x7.00x0.50 inches. In Stock.

Condition: New. 2024. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.