Amand Durand (170 results)

Condition: New.

Paperback or Softback. Condition: New. Manuel Des Courtiers de Commerce Ou Expos� Complet de la L�gislation Et de la Jurisprudence: Concernant Les Courtiers de Marchandises, Les Courtiers d. Book.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Gravure. Gravure XIXe en noir (12 x 16,5 cm sur support 22 x 31 cm) de Amand-Durand d'après Edouard Detaille, intitulée 'Cuirassiers' ; quelques légères rousseurs dans la marge, très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande. Detaille E., Amand-Durand.

Hard. Condition: Good. First printing. Good. Publishers casing somewhat stained and edge-worn. Hinges cracked. Slightly toned and foxed. An inch or so closed tear to to bottom edge of the free front endpaper and half-title page. Illustrated with 16 drawings by George Reid, R.S.A. reproduced in facsimile by Amand-Durand (illustrator).…

Incisione su rame stampata su carta Cina, mm. 150x100 relativi alla sola parte incisa, ampi margini bianchi. Tratta dall'opera di De Charette "Souvenir du régiment des zouaves pontificaux". Gora al marg. bianco sin. Raro es.

Inc. su rame stampata su carta Cina, mm. 100x160 relativi alla sola parte incisa, ampi margini bianchi. Tratta dall'opera di De Charette "Souvenir du régiment des zouaves pontificaux". Raro es.

Inc. su rame stampata su carta Cina, mm. 100x160 relativi alla sola parte incisa, ampi marg. bianchi. Dall'opera di De Charette "Souvenir du régiment des zouaves pontificaux". Raro es.

Inc. su rame stampata su carta Cina, mm. 100x160 relativi alla sola parte incisa, ampi marg. bianchi. Dall'opera di De Charette "Souvenir du régiment des zouaves pontificaux". Raro es.

Inc. su rame stampata su carta Cina, mm. 100x160 relativi alla sola parte incisa, ampi marg. bianchi. Dall'opera di De Charette "Souvenir du régiment des zouaves pontificaux". Non comune.

Inc. su rame stampata su carta Cina, mm. 100x160 relativi alla sola parte incisa, ampi margini bianchi. Tratta dall'opera di De Charette "Souvenir du régiment des zouaves pontificaux". Raro es.

Condition: New.

Hardcover. Condition: Very Good. 1st Edition. An elephant folio measuring 18 x 13 bound in half polished burgundy leather over marbled boards. The leather is rubbed along the seems to the point that the spine had become detached along one whole seem and is lacking about 50%. Consequently the front hinge is cracked, but both are still tight and functional with marbled endpapers. The contents are very good with 140 pages of text and 48 plates in the rear. Some minor occasional foxing. Tom 54.…

No Binding. Condition: Very Good. 1st Edition. Size: Frame 31 x 41 cm, print image 16.5 x 25 cm Condition: Print frame and mount all in very good condition This absolutely gorgeous print is from a faithful re-engraving of The Flight into Egypt by Martin Schoengauer, an important German engraver who made his original engraving in c1480. Charles Amand Durand pioneered the use of a photo-mechanical method called heliogravure (usually called photogravure in English) to reproduce the engraved lines of the Schoengauer print from a good original impression. The result was a copper plate which could be printed like an original etching, producing a print of the finest quality, often better than later impressions of the original etching. Close inspection of this print shows that it is indeed a print from an etched copper plate, not a lithograph as many reproductions are. The print is on watermarked Van Gelder paper, and has the imprint of Amand Durand under the image. Schoengauer was the first engraver to use his initials consistently on his prints, and they can be seen in the image. The story depicted is of The Holy Family's Flight into Egypt, fleeing the Massacre of the Innocents and their home in Israel. The work reflects some traditional accounts of the story, in which angels lowered date palms for easy harvesting, so Mary, Joseph, and the Christ Child would not starve. There are some lovely details, such as the lizards on the palms, the deer and the farmstead in the background. Martin Schoengauer (c 1430/50-1491) was one of the most prolific early engravers from the Rhine Valley. Schoengauers engravings inspired generations of artists, including Albrecht D rer. Charles Amand Durand (1837-1917) was a French engraver who was recognized particularly for his ability to reproduce the fine details and nuances of Old Master prints, often when the original plates were damaged or lost. Durand also produced his own engravings, which were highly regarded and exhibited at the Paris Salon. He was also an important teacher of engraving at the cole des Beaux-Arts in Paris, where he trained many of the leading engravers of the late 19th and early 20th centuries. His influence on the art of engraving can still be seen today, and his work continues to be highly collectible and admired by art lovers and collectors around the world. The frame of the print is early 20th century, the mount is new. Martin Schoengauer (illustrator).…

Inc. su rame stampata su carta Cina, mm. 100x160 relativi alla sola parte incisa, ampi marg. bianchi. Dall'opera di De Charette "Souvenir du régiment des zouaves pontificaux", Tour, Imp. Mame, 1875. Soldato in primo piano e sullo sfondo l'accampamento. Non comune.

Leather. Condition: Very Good Indeed. A smart first edition copy of this volume on the history of engraving, with 73 detailed reproductions of engravings. The first edition of this work in a half morocco binding. Illustrated with 73 reproductions of engravings. Collated, complete. Georges Duplessis (1834-1899) was a French historian of prints for the National Library from 1885 until his death. In this work, written in French, he provides a history of engraving in Italy, Spain, Germany, the Netherlands, England and France. Charles Amand Durand (1837-1917), a French engraver, illustrated this work with reproductions of famous engravings. He was renowned for his ability to reproduce fine details of works by masters such as Rembrandt and Dürer. In a half morocco binding. Externally very smart, with minor rubbing to the extremities. Internally, firmly bound. Pages are generally bright and clean except for the occasional spot. Plates are age toned but otherwise in excellent condition. Very Good Indeed. Charles Amand Durand (illustrator). book.…

Couverture rigide. Condition: Très bon. Edition originale. rare ouvrage en reliure toilée des notes et croquis du peintre DENIS-AUGUSTE RAFFET mis en ordre par son fils AUGUSTE RAFFET comprenant des notes à partir de 1825 jusqu'à 1860 (année de sa mort) avec deux cent cinquante sept dessins inédits (118 dans les notes)(dont 48 planches de dessins en fin d'ouvrage) ouvrage de grande taille 32X43 cet exemplaire a peut être appartenu à son fils en effet il est indiqué sur la couverture AUGUSTE RAFFET fils 1906 (mort en 1910) il était directeur adjoint du cabinet des estampes de plus sur un des dessins il est indiqué vendu en 1906 (page 68) Denis Auguste Marie RAFFET né le 2 mars 1804 à PARIS et mort le 16 février 1860 à GENES, est un dessinateur graveur et peintre. Il est réputé pour son rôle notable dans la diffusion de l'épopée napoléonienne.…

Hardcover. Condition: Very Good. 1st Edition. George Duplessis, 1875. Folio 18 x 13 ins, (44 x 31 cm), pp. 7, (1), (80) Illustrated with a portrait of Potter and further 20 etchings by Amand Durand. Language is French. Plates tipped in by side, with the red motif of Durand on the reverse. Plates in excellent condition. Three quarter morocco binding with marbled end papers red half leather, spine cracked. A lovely firmly bound copy with ex libris plate of R Gounot Heavy book: Shipping to US £38.…

A heliogravure by Charles Amand-Durand reproducing Rembrandt's celebrated etching of 1647, with the burgomaster Jan Six reading beside the window, the only source of light in a print dominated by deep blacks. Signed below the image and with a well-marked plate mark. Amand-Durand (1831-1905) bit his copper photographically and printed it on a rolling press with damped paper, like a traditional etching. This impression belongs to the limited printing published in the journal The Portfolio in 1881. Medium: heliogravure printed from copper. Artist / after: Rembrandt van Rijn (1606-1669), etching of 1647. Engraver: Charles Amand-Durand (1831-1905). Source: The Portfolio, 1881. Date: 1881. Dimensions: Plate mark 8.3 x 11.1 in (21.2 x 28.2 cm); sheet 9.6 x 12.6 in (24.3 x 32 cm). Condition: excellent. Español Heliograbado de Charles Amand-Durand que reproduce el célebre aguafuerte de Rembrandt de 1647 con el burgomaestre Jan Six leyendo junto a la ventana, la única fuente de luz de un grabado dominado por negros profundos. Firmado bajo la imagen y con huella de plancha bien marcada. Amand-Durand (1831-1905) mordía la plancha de cobre por vía fotográfica y la estampaba con tórculo y papel húmedo, como un aguafuerte tradicional. Este ejemplar corresponde a la tirada limitada publicada en la revista The Portfolio en 1881. Técnica: Heliograbado estampado en cobre. Autor del original: Rembrandt van Rijn (1606-1669), aguafuerte de 1647. Grabador: Charles Amand-Durand (1831-1905). Procedencia: The Portfolio, 1881. Fecha: 1881. Medidas: huella 21,2 x 28,2 cm; papel 24,3 x 32 cm. Estado de conservación: excelente. Antigüedades y coleccionables > Arte. Amand-Durand, Charles (1831-1905) (illustrator).…

Hardcover. Condition: Good. 1st Edition. French text Georges Duplessi, Paris, 1876. Unbound folio, 18 x 14 ins (cm 33 x 47) pages, original paper folder inside a supple buckram folder. Forty four hand printed etchings in 42 loose double sheets. Red stamp of Amand Durand on reverse of prints. Folded pages with print information on the recto, with hand printed plates from the copper plates printed on fine laid paper and tipped to the sheets Soft folder is worn, but etchings are very good. Originated from a German Library with their stamps on reverse in the margin edge, but not affecting the etchings. A large heavy folder, shipping to US would be £35.00.…

Paris, Amand-Durand, [ 1881]. 5,5 x 7,3 cm (Einfassung). Blattmaß 6.7 x 7,9 cm. Verso mit dem rotem Orig.-Stempel des Stechers. Unter Feinkarton-Passepartout. [vgl. Lehrs 107; Bartsch 116; Hollstein 107]. - Ornamentvorlage für Gold- und Silberschmiede, Bildhauer oder Bildschnitzer. - Martin Schongauer (um 1450-1491), dt. Kupferstecher und Maler der Renaissance. - Charles Amand-Durand (1831-1905), frz. Kupferstecher und Erfinder e. Verfahrens zur Reproduktion von Altmeistergraphiken des 15. bis 17. Jahrhunderts. Er fertigte im präzisierten Verfahren Druckstöcke in Originalgröße an und versah sie verso mit s. roten "HELIO"-Stempel.…

no binding. Condition: good. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18cm some wear and tear due to the disbinding.

Paris, Amand-Durand, [ 1881]. 11,8 x 8,4 cm (Einfassung). Blattmaß 12,8 x 9,7 cm. Verso mit dem rotem Orig.-Stempel des Stechers. Unter Feinkarton-Passepartout. [vgl. Lehrs 108; Bartsch 115; Hollstein 108]. -Ornamentvorlage für Gold- und Silberschmiede, Bildhauer oder Bildschnitzer. - Martin Schongauer (um 1450-1491), dt. Kupferstecher und Maler der Renaissance. - Charles Amand-Durand (1831-1905), frz. Kupferstecher und Erfinder e. Verfahrens zur Reproduktion von Altmeistergraphiken des 15. bis 17. Jahrhunderts. Er fertigte im präzisierten Verfahren Druckstöcke in Originalgröße an und versah sie verso mit s. roten "HELIO"-Stempel.…

A heliogravure published by Charles Amand-Durand reproducing with great fidelity the Renaissance burin engraving of Abraham kneeling before the three angels, with ruins and landscape behind. Printed from copper on heavy paper, with wide margins. Amand-Durand (1831-1905) bit his coppers photographically and printed them in the traditional way, on a rolling press with damped paper; his facsimiles of the great early engravers are today collectors' pieces in their own right. Medium: heliogravure printed from copper. Artist / after: Lucas van Leyden. Publisher / engraver: Charles Amand-Durand (1831-1905). Date: 1875. Dimensions: 9.4 x 13.1 in (24 x 33.4 cm). Condition: good; clean paper with wide margins. Español Heliograbado publicado por Charles Amand-Durand que reproduce con gran fidelidad el buril renacentista de Abraham arrodillado ante los tres ángeles, con las ruinas y el paisaje al fondo. Estampado en cobre sobre papel grueso, con amplios márgenes. Amand-Durand (1831-1905) mordía la plancha por vía fotográfica y la estampaba a la manera tradicional, con tórculo y papel húmedo; sus facsímiles de los grandes grabadores antiguos son hoy piezas de colección por sí mismas. Técnica: Heliograbado estampado en cobre. Autor del original: Lucas van Leyden. Editor / grabador: Charles Amand-Durand (1831-1905). Fecha: 1875. Medidas: 24 x 33,4 cm. Estado de conservación: buena; papel limpio con amplios márgenes. Antigüedades y coleccionables > Arte. Amand-Durand, Charles (1831-1905) (illustrator).…

Paris, Amand-Durand, [ 1881]. 13,x 9 cm (Einfassung). Blattmaß 16,9 x 11,7 cm. Verso mit dem rotem Orig.-Stempel des Stechers. Unter Feinkarton-Passepartout. [vgl. Lehrs 113; Bartsch 111; Hollstein 113]. -Rankenstück. Ornamentvorlage für Gold- und Silberschmiede, Bildhauer oder Bildschnitzer. - Martin Schongauer (um 1450-1491), dt. Kupferstecher und Maler der Renaissance. - Charles Amand-Durand (1831-1905), frz. Kupferstecher und Erfinder e. Verfahrens zur Reproduktion von Altmeistergraphiken des 15. bis 17. Jahrhunderts. Er fertigte im präzisierten Verfahren Druckstöcke in Originalgröße an und versah sie verso mit s. roten "HELIO"-Stempel. …

Original heliogravure by Amand-Durand reproducing the portrait of Andrea del Sarto in the National Gallery, London, traditionally held to be a self-portrait of the Florentine painter. A printing of great refinement, very subtle in the blacks, on thick paper with wide margins. Charles Amand-Durand was the publisher who brought heliogravure to its highest quality in the last third of the 19th century, with reproductions of almost absolute fidelity that are collected today in their own right. Medium: Heliogravure (photogravure in intaglio). Artist / after: Andrea del Sarto (Florence, 1486-1530), the original painting. Engraver / lithographer: Charles Amand-Durand (1831-1905). Date: 1867 according to the old record. Source: Published by Seeley, Jackson & Halliday, London. Dimensions: Plate mark 6.3 x 8.3 in (16 x 21 cm); sheet 9.4 x 13.5 in (24 x 34.4 cm). Condition: Good condition; clean paper and intact margins, with one very slight spot of foxing in the right margin. Español Heliograbado original de Amand-Durand que reproduce el retrato de Andrea del Sarto conservado en la National Gallery de Londres, tenido tradicionalmente por autorretrato del pintor florentino. Estampación de gran finura, muy matizada en los negros, sobre papel grueso con amplios márgenes. Charles Amand-Durand fue el editor que llevó el heliograbado a su máxima calidad en el último tercio del siglo XIX, con reproducciones de fidelidad casi absoluta que hoy se coleccionan por sí mismas. Técnica: Heliograbado (fotograbado en hueco). Autor / dibujante: Andrea del Sarto (Florencia, 1486-1530), pintura original. Grabador / litógrafo: Charles Amand-Durand (1831-1905). Fecha: 1867 según la ficha antigua. Procedencia: publicado por Seeley, Jackson & Halliday, Londres. Medidas: huella 16 x 21 cm; hoja 24 x 34,4 cm. Estado de conservación: buena conservación; papel limpio y márgenes intactos, con algún punto muy leve de óxido en el margen derecho. Antigüedades y coleccionables > Arte. Amand-Durand, Charles (1831-1905) (illustrator).…